Days of Thunder Page #2

Synopsis: Cole Trickle enters the high-pressure world of Nascar racing. He's a hot driver with a hot temper, and this attitude gets him into trouble not only with other drivers, but members of his own team as well.
Genre: Action, Drama, Sport
Director(s): Tony Scott
Production: Paramount Home Video
  Nominated for 1 Oscar. Another 1 win & 1 nomination.
 
IMDB:
5.9
Metacritic:
60
Rotten Tomatoes:
38%
PG-13
Year:
1990
107 min
1,879 Views


Take it easy.

Come on now, Cole!

We messed up big-time on Sunday.

l had sponsors in the stands.

l was hugging and holding hands

and praying for a good showing.

And we end up looking like

a monkey f***ing a football.

Everybody out, please ...

except you two.

I've got a question: What is the one

thing you need to do to win a race?

- it's pretty obvious ...

- Quiet! You must finish the race.

l realize that Harry's

been around a long time.

But l need a proper car

that doesn't blow engines.

lf he didn't over-rev the engine,

it wouldn't blow.

When you shift the gear, -

- and the needle on the tach

reads 9,000 rpm, that's bad.

- The tires blow, is that my fault?

- Yes, it's your fault.

There's 40 other drivers out there

who don't use up their tires.

There's nothing l can't do

with a race car.

- There's only so much l can do!

- That's obvious.

He doesn't need

to appreciate your job to do his.

He has to know

what a car can and can't do!

You want me to work the pit

and you drive?

l can't talk to this son of a b*tch.

l can't talk to that son of a b*tch.

l really can't.

- You think he can drive?

- He can drive.

He can drive

beyond the limits of the car!

lf he'd listen to me,

we'd never lose a race.

lf we don't get a sponsor soon,

my ass is fried.

I'm liable to be out

of the car business all together.

Harry, l know you're great.

You know you're great.

But if the driver doesn't trust you,

we're never going to win a race.

Hey, Harry.

- We've got to talk.

- All right, talk.

On the radio during the race ...

You've got to tell us

what's going on with the car.

You want to change the way l drive.

Set up the car

so l don't have to change.

- Tell me how.

- What do you want to know?.

Is she running loose or tight?

A turn here, take some wedge out,

we'll win some races.

l can't do that. l don't know

what the hell you're talking about.

How do you mean that?

- l don't know much about cars.

- Neither does any other driver.

No, l really don't know.

A turn here? A wedge there?

- l don't know.

- How can that be?

They told me

to get in a car and drive.

I'd like to help out, but l can't.

l don't have the vocabulary.

Well ... we're just going

to have to figure one out.

Don't worry about it.

All right?

How does she feel?

- Her ass is all over the place.

- Her rear end is loose.

''Loose'' is fast, and ''on the edge''

is out of control.

Cole, there is something else.

- Tires is what wins a race.

- What are you talking about?

lf you can't run without melting

the tires, we can't finish a race.

What do you want?

Run 50 laps any way you like,

then 50 laps like l want you to.

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Robert Towne

Robert Towne (born Robert Bertram Schwartz; November 23, 1934) is an American screenwriter, producer, director and actor. He was part of the New Hollywood wave of filmmaking. His most notable work was his Academy Award-winning original screenplay for Roman Polanski's Chinatown (1974), which is widely considered one of the greatest movie screenplays ever written. He also wrote its sequel The Two Jakes in 1990, and wrote the Hal Ashby comedy-dramas The Last Detail (1973), and Shampoo (1975), as well as the first two Mission Impossible films (1996, 2000). more…

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Submitted on August 05, 2018

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