A New World episode 4 : THE LIZARD KING

.. THE OLDEN TIMES ..

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FADE IN:
EXT. Ki - SIERRA LEONE - MIDDAY (sunny)

Scene 1

Two decades have passed since the catastrophic event that obliterated this area. Blue stones rained from the sky after a cataclysmic explosion that started in the sky and left nothing but devastation in its wake. The ground is littered with blue stones, their shimmering hues standing out amidst the wreckage. The sky hangs heavy and ominous, a constant reminder of the devastating explosion that tore through the heavens. The camera pans across a desolate landscape with an otherworldly silence. The silence is interrupted by a distant rumbling sound, growing louder and more persistent. A bright light appears in the sky, growing larger as it descends towards Ki. Suddenly, a loud crash echoes across the desolate terrain. The ground trembles, causing cracks to form on the surface. We see a sleek, crystalline spaceship careen into view, kicking up a cloud of dust as it skids to a halt. The blue stones, once prominent, are now partially obscured by the aftermath of the spaceship's landing.

Scene 2

Cut to close-up shots of frightened eyes peering out from hidden shelters, curiosity mixed with fear etched on their faces. Slowly, the inhabitants, 2 and 3 ft tall bipedal female and male mesomorph ape-like beings, with no clothes nor weapons, with big brown eyes and light brown or black hair covered bodies, cautiously emerge from their hiding places, drawn by the commotion. They gather in small groups, their hushed whispers carrying a sense of uncertainty and anticipation. The camera follows their movements as they navigate the ruins, stepping over debris and remnants of what was once their world. Their expressions reveal a mixture of awe and trepidation as they approach the source of the disturbance.

Amidst the rubble, a towering structure looms into view. They are dwarfed by the colossal CELESTIAL CHARIOT that has descended from the sky. Its presence commands attention, radiating an otherworldly energy that captivates the inhabitants. They gather around, their gazes fixed on the mysterious structure. The air is thick with anticipation, as if the very fabric of their existence is about to shift. The camera pans across their faces, capturing the diversity of expressions—youthful exuberance, weathered wisdom, cautious fascination, and a glimmer of newfound hope.

Scene 3

Suddenly, a deep, resonating horn sounds in the distance. The camera captures the immediate reaction of these inhabitants. In a flurry of movement, they scatter back into their hiding spots, seeking safety and protection. The camera pans across the landscape, showcasing the quick and coordinated response of the inhabitants. The urgency in their actions is palpable, as they disappear into the natural surroundings.

FADE OUT:

FADE IN:

CABARET NOCTURNE - BLIND TRUST (3:50) 4

Scene 4

In one high-angle shot, we see LALUZ, with an eagle's helmet and armored fish suit, exit the ship and walk in a straight line. The high-angle shot conveys the grandeur of the landscape and highlights the isolation and determination of LALUZ. After walking a few miles, he returns to the ship. The music stops.

CABARET NOCTURNE - OCCULT SPELLS (:33 to 2:00) 5

Scene 5

Cut to - The next morning, a wide, high-angle shot, showcasing the expanse of the surroundings, follows LALUZ, with a helmet and a red super suit without an armored fish suit, as he exits the ship and walks purposefully around the area, his movements fluid and confident. LALUZ's figure is small within the frame, emphasizing the vastness of the landscape. Cut to a ground level third person point of view wide shot - The reptilians are watching LALUZ exit the ship, use a device with lights then go into deep waters to yell as the music stops.

CABARET NOCTURNE - BLOOD WALK (4:20) 6

Scene 6

Cut to - As LALUZ explores more of Ki, he comes across an abundance of fruit trees, their branches heavy with ripe, colorful fruits. With a sense of curiosity and hunger, he reaches out and plucks a piece of fruit from one of the trees. He eats it then stores more fruit in a backpack that appears on his suit. Cut to a closer wide angle shot of LALUZ clapping his hands and then drinking from a pond followed by him killing a 3 foot long snake-like creature as the music stops.

HOZHO - HONEY TRAP (1:29) 7

Scene 7

Cut to - The camera follows LALUZ from behind on his way to the ship, the camera slowly zooms in as LALUZ enters the ship. The camera stays lingering on the door, and zooms in slowly as an unarmed KROC with 2 unarmed reptilians walk through the still-open doors.

FADE TO BLACK:

FADE IN:

CABARET NOCTURNE - GREEN KARMA (2:10) 8-9

Scene 8

A medium shot of LALUZ as he turns around and is approached by KROC, as two imposing reptilian guards emerge from the shadows.

Camera cuts to a tale of the tape style description every time a new character is introduced.

EA(voiceover):
KROC, GENERAL OF THE REPTILIAN FORCES, THE KING’S UNCLE. A RED COBRA LOGO, BROWN CROCODILE HEADED MAN 7’1 330. ROYAL ARMOR.

KROC:
YOU ARE SUMMONED BY THE KING.

He speaks in a guttural language, which is translated into LALUZ's earpiece by his suit.

Scene 9

LALUZ confidently extends his hand and motions to lead the way, as KROC turns and leads, LALUZ follows, then the guards follow LALUZ out of the ship. The doors close behind them. The camera follows them as they march in unison.

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