A New World episode 1 : LALUZ FALLS

..THE OLDEN TIMES..

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FUNKY GREEN DOGS - FIRED UP JUNIOR VAZQUEZ MIX (:58)

FADE IN:
INT. CRYSTAL CORRIDOR

Scene 1

A pulsating blue light illuminates a long, eerie crystal corridor as we follow a tall muscular, sweaty half-naked man in his late sixties. He limps, breathing heavily and obviously injured. The camera shows tight close-ups of his leg, upper back, arm, and long braided black hair, but never his face or complete form. (:58)

Scene 2

He reaches a massive door that slowly folds into the wall as he enters, the camera follows him from behind as he walks inside a crystal room. The door unfolds.

Scene 3

The camera slowly zooms out, revealing a vast chamber with a mystical ambiance. In the center of the room stands an awe-inspiring sight—a colossal Viking-like crystal ship. The ship exudes an ethereal glow, casting an otherworldly light that illuminates the entire space.

As the camera continues its zoom, the magnitude of the crystal ship becomes apparent. It resembles an enormous aircraft carrier, but its scale surpasses any conventional vessel. The ship stands toweringly tall, reaching a staggering height of seven stadiums, a symbol of immense power and grandeur.

The camera pans across the length of the ship, showcasing its imposing size. Without its wings extended, it spans an astonishing length of 33 stadiums, a formidable presence that commands attention and respect. The ship's design reflects a blend of ancient Viking aesthetics and futuristic elements, merging the past with the unknown.

Scene 4

Cut back to the man from behind entering the aircraft carrier,

LALUZ (voiceover):

I STEPPED INTO THE MISSILE-THROWING CHARIOT, ITS AUTOMATED HATCH SEALING SHUT BEHIND ME(with a futuristic hum).

Scene 5

Another door slides open, and the man steps into a dimly lit room, bathed in an otherworldly glow. The camera pans across the space, revealing a vertical sarcophagus standing prominently against one wall. The sarcophagus exudes an aura of ancient mystery and technological sophistication. Next to the sarcophagus, a wall compartment catches the eye. Inside are rows of futuristic, artificially intelligent red super suits. Each suit bears a distinctive red tiger emblem on the center of its chest. Beyond the suits, the room holds an array of futuristic supplies and equipment. Advanced weaponry, energy sources, and personal gadgets line the shelves. The room is a treasure trove of innovation and ingenuity, showcasing the remarkable advancements of the future.

Scene 6

The camera in close-up follows the man from behind as he limps towards the sarcophagus, enters it, and is consumed by a bright red light for five seconds. As the door opens, he steps out, fully healed. From behind, the camera follows the man as he walks.

Scene 7

The camera focuses on the man's hand as it reaches out and gently touches one of the red super suits. In a mesmerizing display, the suit's fabric reacts to his touch, instantly responding and adapting to his body. The suit symbiotically covers his body as he continues walking. The suit envelops him, molding to his form with seamless precision.

Scene 8

He continues on his path, entering the celestial cockpit, shrouded in shadows. The camera captures the enigmatic interior, revealing glimpses of advanced controls and intricate displays. The cockpit exudes an aura of mystery and power, with only fragments of the man and the surroundings visible, heightening the anticipation of what lies ahead. The lighting within the cockpit creates a dramatic contrast, casting the man in partial darkness, emphasizing his silhouette against the glow of the instruments. The camera explores the space, teasing the audience with snippets of the advanced technology that surrounds him.

LALUZ (voiceover):

THE FOREPART CHAMBER I ENTERED; THE COMMANDER'S SEAT I OCCUPIED.

The tension builds as the ship hums to life and begins to levitate. Cut to an outside shot of the ship rising.

Scene 9

( The computer speaks : MAN ANSWERS )

: Destination : KI

: Destination requires further approval : I AM, LALUZ !!

: Confirmed.  Destination approved.

The room turns completely blue.

LALUZ (voiceover):

THAT-WHICH-SHOWS-THE-WAY I LIT UP, WITH BLUISH AURA FILLING THE CHAMBER.

Scene 10

The camera is focusing on LALUZ's face ; beaming with determination and purpose.

LALUZ (voiceover):

THE FIRE STONES I IGNITED; THEIR RESONATING HUM CAPTIVATED LIKE A MESMERIZING SYMPHONY.

The room turns green - trumpet sustained A,

then yellow - trumpet sustained B,

then orange - trumpet sustained C.

Scene 11

LALUZ (voiceover):

THE CHARIOT'S GREAT CRACKER I ENLIVENED CASTING A REDDISH BRILLIANCE.

Finally the room turns blood red, trumpet sustained F&G.

Cut to - EXT. PALACE OF THE CHARIOTS - DAY(reddish hue)

Scene 12

Cut to a tight shot, as the ship launches into the abyss with an intensity that rivals that of a ballistic missile. The camera captures the launch from multiple perspectives, shifting between the vessel's side, rear, and downward-facing view as it ascends into the infinite expanse above. The shot reaches its climax when the bottom rear part of the ship erupts in a fiery explosion, consuming the frame with its searing power.

FADE TO RED:

* When M.ANU is in charge EA builds a propeller device that shoots the chariots like paper airplanes. Water is used instead of nuclear missiles to break through The Hammered Bracelet and a screw tip for drilling is attached to the front of the chariots instead of the ship spinning.*

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