Human Target Page #4

Synopsis: Christopher Chance is a highly discreet problem solver, specializing in desperate causes. He works with retired police detective Winston, who acts mainly as back-office, and Guerrero, a scary computer wizard and former gangster. Christopher is, and needs to be, a fearless unbeatable commando as well as handy and clever as MacGyver, assuming all kinds of identities, from bodyguard to monk and from lawyer to sports professional.
  Nominated for 3 Primetime Emmys. Another 2 wins & 7 nominations.
 
IMDB:
7.8
TV-14
Year:
2010
60 min
479 Views


Winston inspects the Fed Ex box on the table.

WINSTON:

I see Lydecker finally sent payment...

Winston unpacks the box to produce a WHISKEY BOTTLE. He

looks at it, puzzled. Holds it up to Chance.

WINSTON (CONT’D)

Whiskey...?

CHANCE:

It’s not whiskey. It’s 30 year old

Yamazaki. It’s a $900 bottle of scotch.

(off Winston’s look)

Hey, that stuff’s not easy to find...

WINSTON:

When I suggested we might keep

transactions quiet by bartering instead

of cash, I assumed you understood I

meant, ‘bartering for things of value’.

(re:
a canvas by the table)

This is a Degas. It has great value.

(re:
the whiskey)

This is a slow Tuesday night for you.

CHANCE:

(re:
the scotch)

Ken Lydecker is a good guy who was in a

bad spot. I figured he could use a break.

(re:
the Degas)

That guy... I didn’t much like that guy.

(CONTINUED)

Human Target - Steinberg Network Revisions 1/23/09 9.

CONTINUED:
(3)

WINSTON:

(beat)

Alright, setting aside for the moment

your stunning disregard for our solvency,

there’s a bigger conversation I’ve been

putting off...

(then)

There are a finite number of times you

can cause a mess of that magnitude and

still have clients show up at our door.

CHANCE:

Don’t start... I told you, it was the

only way to stop the guy from killing

Lydecker, along with dozens of bystanders.

WINSTON:

I understand that. What I can’t figure

out is why it got that far. Why not

challenge him at the outset? You said he

hadn’t armed the vest yet, why not disarm

him cleanly before he did?

CHANCE:

What do you think, I let it get that far

because I thought it’d be fun?

WINSTON:

I don’t know, mate, you tell me.

CHANCE:

Come on-- I controlled the situation.

WINSTON:

The building explo-

CHANCE:

--exploded, I know, I was there.

(then)

I waited because I felt Lydecker was in

no immediate danger. I let it play out

until I had an angle. When the bomb

went, I got distance, gave myself cover.

I was in control the whole time.

A beat, Winston unable to take that at face value, but

unready to push the issue. Yet. He nods, gets up to leave.

CHANCE (CONT’D)

Where are you headed?

WINSTON:

Peale has a referral he wants me to see.

(CONTINUED)

Human Target - Steinberg Network Revisions 1/23/09 10.

CONTINUED:
(4)

CHANCE:

I can come.

WINSTON:

No you can’t. Shop stays closed while

you recover. No discussion.

CHANCE:

Hey... Thanks for worrying. But really,

there’s nothing to worry about.

Off Winston, hoping that’s true. He exits.

CUT TO:

INT. CHANCE’S OFFICE - NIGHT

Chance and Winston’s non-descript office. Could belong to

any small business in LA. Seated across from Winston is

STEPHANIE DOBBS (35, sophisticated-sexy) and her husband

JAMES (40s). In the corner is PEALE, a local cop.

Rate this script:4.5 / 2 votes

Jonathan E. Steinberg

Jonathan E. Steinberg is a television producer and screenwriter. Along with Josh Schaer and Stephen Chbosky, he co-created the television series Jericho, where he served as writer, producer and executive story editor, Jericho ran on CBS from September 20, 2006, through March 25, 2008. Recently, he is executive producer and co-creator of the TV series Black Sails for Starz (TV channel). more…

All Jonathan E. Steinberg scripts | Jonathan E. Steinberg Scripts

0 fans

Submitted by acronimous on February 21, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Human Target" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/human_target_19>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Human Target

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.