Rush Hour Page #2
- PG-13
- Year:
- 1998
- 98 min
- 5,583 Views
HAN (cont'd)
This is the kind of legacy I have
dreamed about:
to leave this citysafer than I found it. To Hong
Kong...forever.
Everyone drinks.
ON LEE:
He's walking back up to the house when he senses someone behind him.
He turns and receives a fist to the stomach.
SOON YOUNG, Han's daughter is pissed.
SOON YOUNG:
When were you going to tell me you
were not going with us?
LEE:
I still have work to do here.
SOON YOUNG:
I don't believe you. My father was
explaining to Mr. Griffin. That is
how I found out.
LEE:
I was trying to find the right time.
SOON YOUNG:
After I left?
And she throws another punch at him. But he catches her hand. And
holds it tightly, to keep from being hit again.
LEE:
I am going to miss you very much, Soon
Young. If I ever have a daughter, I
hope she is like you.
Soon Young yanks her hand away from him. She glares at
him for a moment, then --
SOON YOUNG:
I will not have friends in America.
LEE:
Soon Young, don't worry. You will
have many friends very soon. You will
see. America is a very friendly
place.
DISSOLVE TO:
EXT. A DINER-NIGHT
We're somewhere in DOWNEY, CALIFORNIA looking at a VINTAGE DINER with a
lot of glass windows all the way around it.
We see two women seated in a booth, looking out at us.
INT. THE DINER-NIGHT
One woman is SHIRLEY JOHNSON, beautiful, poised, generally not nervous
like she is now. The other woman, LOIS, is in her early 20's, nasty
looking, dangerous, and strung out.
Both women are looking out into the parking lot. After a beat, Johnson
gets up.
JOHNSON:
I gotta pee.
She walks away. Lois watches her closely.
EXT. THE DINER PARKING LOT-NIGHT
We're on JAMES CARTER mid twenties, dressed to impress. It doesn't
appear to be working, however, because he has a GUN to his head.
MAN'S VOICE
You don't move, you understand?! You
don't move!
CARTER:
Do I look like I'm movin'?! What
you're seeing here? This is not
movement. This is my "still".
The man who is holding the gun is HENRY LAFONTAINE, thirty, shaved
head, expensive clothes.
Lafontaine pushes Carter until he's leaning forward on a parked JAGUAR.
He starts patting Carter down. With his feet spread apart, hands
spread on the trunk, Carter looks like a suspect who is being arrested.
Lafontaine starts feeling around Carter's legs, moving higher up.
CARTER:
Hey, hey, you start touching me there,
I'm gonna start movin'! Word up,
mother...
LAFONTAINE:
(interrupting)
Shut up!
CARTER:
You a cop or something?
LAFONTAINE:
Or somethin'.
Lafontaine backs off, pulling the gun away from Carter's head.
LAFONTAINE:
Okay.
Carter straightens himself.
CARTER:
This is not a good way to start a
relationship, stickin' a gun to a
man's head, feelin' around his
personal equipment. Make him think
you don't trust him.
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"Rush Hour" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/rush_hour_198>.
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