The sequence ends with the Bride arriving at Bill's home.
WE FADE TO BLACK
EX CU The BRIDE's EYEBALL IN GLORIOUS COLOR
WE CUT OUT ONE...TWO...THREE...TO A
CU of The BRIDE IN GLORIOUS COLOR
She's sitting in a parked pickup truck. Her eyes focused on
The BRIDE'S POV:
A very homey three-bedroom house in the affluent suburb of
Pasadena, California. A purple Dodge Neon sits parked in the
driveway. A tricylce, a big wheel, and a few toys sprinkle
the grass on the front yard. A mailbox with the name "The
BELLS" on it sits out in front of the lawn. We hear but don't
see ice cream truck bells.
SUBTITLE APPEARS AT SCREEN BOTTOM:
"The city of
We hear a Car Door Open and Close....THEN....The Bride Walks
into the shot, heading for the front door.
A long, white female finger pushes a doorbell.
EXT. RESIDENTIAL PASADENA STREET - DAY
The front door opens and an attractive black HOUSEWIFE the
same age as The Bride stands in the doorway.
The Housewife's face shows immediate recognition of the
blonde on her doorstep.
on the porch; we do a quick Shaw-Brothers-style Zoom into her
FLASHBACK - SPAGHETTI WESTERN STYLE
(That means our Heroine is remembering something, and we see
it with an orange filter.) We're back inside the wedding
chapel. The Bride is taking the beating of her life by four
people in black suits. A black woman PUNCHES HER in the
face... WE see it's the black housewife, five years earlier.
The BRIDE ON THE PORCH
We Zoom quick out of her eyes to CU, a VENGEANCE THEME PLAYS
LOUD ON THE SOUNDTRACK.(Whenever we hear this theme
throughout the picture, we'll quickly learn what accompanies
it is The Bride goin Krakatoa all over whoever's ass happens
to be in front of her at that moment.) As the Vengeance Theme
plays, a Vein in The Bride's forehead begins to pulsate. When
the Vengeance Theme stops, The Bride ATTACKS The Housewife.