Viskningar Och Rop (Cries and Whispers)


It is early Monday morning...

and I am in pain.

My sisters...

and Anna...

are taking turns

staying up.

Good morning.

- Did anything happen?

- No, she's been very quiet.

- Thank you.

- I fell asleep.

Anna, see to the fire.

I thank Thee, dear Lord

for allowing me...

to awaken well and cheerful

this morning...

after a good sleep

under Thy protection...

and for the enjoyment

of a restful night.

I beseech Thee also

today and each day...

to let the angels watch over

and protect my little girl...

whom Thou in Thy unfathomable

wisdom tookest unto Thyself...

in Thy homeland.


Mother is in my thoughts

nearly every day...

although she's been dead

for over 20 years.

I remember

she would often seek...

the solitude and peace

of the grounds.

I also remember that I would

follow her at a distance...

and spy on her

without really meaning to...

because I loved her

to such a jealous extreme.

I loved her because

she was so gentle...

and beautiful and alive...

and so all-pervadingly


But she could also be cold,

playfully cruel...

and rebuff me.

Yet I could not help

feeling sorry for her...

and now that I'm older,

I understand her much better.

I wish I could

see her again...

to tell her

what I understand...

of her boredom,

her impatience...

her longing

and her loneliness.

And when the wicked witch

at last realized...

that little Gretel

had tricked her...

her nose started

to grow and grow.

At Twelfth Night

Mother always gave a party...

and Aunt Olga would come

with her magic lantern...

and her fairy tales.

I always felt frightened

and left out.

When Mother spoke to me

in her hurried way...

I could hardly understand

what she wanted of me.

Mother and Maria always had

many things to whisper about...

but then they were so alike.

Jealously I used to wonder what

they were laughing at together.

Everyone was in gay spirits.

I was the only one who couldn't

join in the merriment.

Another time,

I remember it was autumn...

I hid behind the curtain...

and in secret watched her.

She was in the red drawing room

wearing her white dress...

sitting quite still

with her head bent...

and her hands resting

on the table.

Suddenly she saw me...

and in a gentle voice

called me.

- Come.

- Uncertain, I went up to her...

thinking that, as usual,

she was going to scold me.

But instead she gave me

a look so full of sorrow...

that I nearly

burst into tears.

I raised my hand

and put it against her cheek...

and for that moment

we were very close.

There's someone out there.


There's someone out there.

Good morning, Agnes.

Good morning, Doctor.

She is very tired now.

I don't think it will be long.

Thank you.

I know the way.


It's been so long.

When can I see you again?


Some years earlier...

when Agnes had gone to Italy

for her health...

Maria and her husband, Joakim,

were staying at the manor.

One evening, Anna's

little daughter was taken ill...

and Maria sent

for the family doctor...

who lived in the nearby

country town.

- Now say "ah."

- Ah.

- Once again.

- Ah.

That hurt a little?

I can see that.

What a good girl.

That wasn't too bad, eh?

Off to bed with you now.

You'll feel better

after a good night's sleep.

- Thank you.

- Doctor, are you hungry?

If you'd like a little supper

the table's being prepared.

Oh yes, that would be nice.

Thank you.

Agnes and Karin are still

traveling in Italy.

I received a letter

from them last week.

Agnes is much better.

- Her cough is entirely gone.

- Mm-hmm.

And she's picked up

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Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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