Up in the Air

Synopsis: An idea from a young, new co-worker (Anna Kendrick) would put an end to the constant travel of corporate downsizer Ryan Bingham (George Clooney), so he takes her on a tour to demonstrate the importance of face-to-face meetings with those they must fire. While mentoring his colleague, he arranges hookups with another frequent-flier (Vera Farmiga), and his developing feelings for the woman prompt him to see others in a new light.
Genre: Drama, Romance
Production: Paramount Pictures
  Nominated for 6 Oscars. Another 76 wins & 158 nominations.
 
IMDB:
7.4
Metacritic:
83
Rotten Tomatoes:
91%
R
Year:
2009
109 min
$83,775,048
Website
3,576 Views


1.

A SPOTLIGHT reveals RYAN BINGHAM standing at a PODIUM.

He unzips a BACKPACK and sets it down beside him.

RYAN:

How much does your life weigh?

Ryan pauses to let us consider this.

RYAN (CONT’D)

Imagine for a second that you’re

carrying a backpack... I want you

to feel the straps on your

shoulders... You feel them?

(gives us a beat)

Now, I want you to pack it with all

the stuff you have in your life.

Start with the little things. The

stuff in drawers and on shelves.

The collectables and knick-knacks.

Feel the weight as it adds up. Now,

start adding the larger stuff. Your

clothes, table top appliances,

lamps, linens, your TV. That

backpack should be getting pretty

heavy at this point - Go Bigger.

Your couch, your bed, your kitchen

table. Stuff it all in... Your car,

get it in there... Your home,

whether you have a studio apartment

or a two story house, I want you to

stuff it into that backpack.

Ryan takes a beat to let the weight sink in.

RYAN (CONT’D)

Now try to walk.

We hear people around us chuckling. Ryan smiles. Reveal:

INT. HOTEL CONFERENCE ROOM - AFTERNOON

The kind that shifts between lower income corporate retreats

and lower income weddings.

The few dozen people seem to be visualizing as told.

RYAN (CONT’D)

Kinda hard, isn’t it? This is what

we do to ourselves on a daily

basis. We weigh ourselves down

until we can’t even move. And make

no mistake -Moving is living.

2.

We see nodding. People’s gears turning.

RYAN (CONT’D)

Now, I’m going to set your backpack

on fire. What do you want to take

out of it? Photos? Photos are for

people who can’t remember. Drink

some gingko and let the photos

burn. In fact let everything burn

and imagine waking up tomorrow with

nothing.

(a beat of emphasis)

It’s kind of exhilarating isn’t it?

That is how I approach every day.

A titter through the crowd.

INT. BOEING 757 - DAY

A FEMALE FLIGHT ATTENDANT is looking directly at us.

FEMALE FLIGHT ATTENDANT

Do you want the cancer?

Turn to see RYAN looking back.

Handsome. Anonymous. Right now - Confused.

RYAN:

Excuse me?

FEMALE FLIGHT ATTENDANT

(same delivery)

Do you want the cancer?

Ryan furrows - What the hell is going on here?

The flight attendant raises her hand to reveal a CAN OF SODA.

FEMALE FLIGHT ATTENDANT

The can, sir?

RYAN:

Oh... No. Um, no thank you.

The flight attendant moves to the next aisle. Ryan takes a

beat, then returns to his work.

INT. SMALL CONFERENCE ROOM, SUN CASUALTY - DAY

Two words - Subordinate chic.

3.

Seated at a tiny table is RYAN. The Grim Reaper in a suit.

We see a series of REAL PEOPLE react to the news of being

fired. They should be non-actors (actual victims of recent

layoffs) that can react organically to the news with

authenticity. Some are hurt. Others are upset and even

abusive. The series concludes with...

STEVE (AN ACTOR)

... who’s on the verge of tears.

STEVE:

Who the f*** are you?

FREEZE on Ryan.

RYAN (V.O.)

Excellent question. Who the f*** am

I? Poor Steve has worked here for

seven years.

FLASH IMAGES:

INT. STEVE’S CUBICLE - DAY

RYAN (V.O.)

He’s never had a meeting with me

before...

INT. CONFERENCE ROOM - DAY

Steve in a small meeting.

RYAN (V.O.)

...or passed me in the hall...

INT. ELEVATOR BRIDGE - DAY

Steve passes a female coworker.

RYAN (V.O.)

... or told me a story in the break

room....

INT. BREAK ROOM - DAY

Steve laughs at a coworker’s story.

4.

RYAN (V.O.)

And that’s because I don’t work

here. I work for another company

that lends me out to pussies like

Steve’s boss...

INT. STEVE’S BOSS’S OFFICE - DAY

Steve’s BOSS sits at his desk. Subtitle reads - “A Big P*ssy”

RYAN (V.O.)

... who don’t have the balls to

sack their own employees. And in

some cases, for good reason.

Because, people do crazy sh*t when

they get fired.

FLASH IMAGES:

Steve wipes off his boss’s desk.

Steve shreds sensitive documents.

Steve pours bleach into the communal coffee pot.

Steve loads an assault rifle. He stands up to get a view of

his coworkers on a coffee break.

BACK TO:

INT. SMALL CONFERENCE ROOM - DAY

Steve is trying to hold it together.

RYAN (V.O.)

And that’s where I come in.

STEVE:

What did I... do? What could I have

done differently here?

RYAN:

This is not an assessment of your

productivity. It’s important not to

personalize this.

Steve scoffs at this.

Ryan slides Steve a PACKET.

5.

RYAN (CONT’D)

Steve, I want you to review this

packet. Take it seriously. I think

you’re going to find a lot of

answers in there.

STEVE:

(dismissive)

Oh, I’m sure it’s going be really

helpful.

RYAN (CONT’D)

Look, anybody who ever built an

empire, or changed the world, sat

where you are now. And it’s because

they sat there that they were able

to do it.

And just for a moment, Steve looks hopeful.

RYAN (CONT’D)

I’m going to need your key card.

STEVE:

Right...

Steve begins removing it from his wallet.

RYAN:

Take the day. Put together your

personal things. Talk to your coworkers.

Tomorrow, go out and get

some exercise. Go for a jog. Give

yourself routines and pretty soon

you’ll find your legs.

Steve nods and gets up to leave. Just as he’s about to walk

out, he stops and turns back.

STEVE:

Wait, how do I get in touch with you?

RYAN:

Don’t worry. We’ll be in touch

soon. This is just the beginning.

Steve nods and exits the room.

RYAN (V.O.)

I’ll never see Steve again.

6.

INT. RYAN’S ROOM - PHOENIX HILTON - DAY

The choreography of Ryan’s packing is worthy of Tchaikovsky.

A coat slides off a hanger... A travel toothbrush folds

closed like a switchblade... A briefcase clicks onto a roll-

away bag... A hand flips a light switch without looking.

INT. LOBBY, PHOENIX HILTON - DAY

Ryan is at the check out desk.

CHECKOUT GIRL:

Do you have your Hilton Honors Card

with you?

Ryan smiles... “Do I?”

He hands it to her, close enough to camera, that we get a

nice big close up of it. She runs the card and the screen

pops up with information that makes her blush.

CHECKOUT GIRL:

Oh my God... Do you like, live, at

the Hilton?

Ryan nods in faux modesty.

EXT. OUTDOOR CAR RETURN, HERTZ RENT-A-CAR - DAY

Ryan pulls up to one of the spaces marked with the #1 GOLD

PRESIDENTS CLUB emblem. He hops out and a uniformed man with a

handheld device begins to punch in the license plate number.

Ryan pulls out his HERTZ PRESIDENTS CLUB CARD and places it

nice and close to lens so we can see it.

The card slides through the handheld device and we see the

DIGITAL NUMBER increase by a few thousand points.

INT. MAIN CONCOURSE, PHOENIX SKY HARBOR INTL AIRPORT - DAY

The automated GLASS DOORS slide open. Ryan enters the

concourse and takes a deep breath of the temperately

controlled air. He has arrived.

RYAN (V.O.)

This is where I live.

Subtitles - “Airworld”

Rate this script:2.6 / 5 votes

Jason Reitman

Jason Reitman (born October 19, 1977) is a Canadian-American[2] film director, screenwriter, and producer, best known for directing the films Thank You for Smoking (2005), Juno (2007), Up in the Air (2009), and Young Adult (2011). As of February 2, 2010, he has received one Grammy award and four Academy Award nominations, two of which are for Best Director. Reitman is a dual citizen of Canada and the United States. He is the son of director Ivan Reitman. more…

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