Thirty Day Princess

Synopsis: On a visit to a spa in the Ruritanian Kingdom of Tyronia, American financier Richard Gresham meets the country's ruler, King Anatol XII, and convinces him that he could arrange for $50 million dollars in loans to benefit his impoverished nation if the king's charming daughter could do reciprocal public relations in the States. Unfortunately Princess Catterina falls ill with the mumps and is quarantined for a month aboard ship. Rather than risk having his very lucrative endorsement deal fall through, Gresham hires out-of-work lookalike actress Nancy Lane to impersonate Catterina. Complications arise when she falls in love with investigative reporter Porter Madison, who is looking into Nancy Lane's disappearance. She tries to maintain the precariously delicate balance of playing the two parts convincingly with both the loan and her heart at stake.
Genre: Comedy, Romance
Director(s): Marion Gering
Production: Paramount Productions
74 min


- Do I have to?

- Every half hour, Mr. Gresham.

How long have you been

gurgling this brew?

Since I was three months old.

Don't tell me you had the gout

when you were three months old.

- You are Mr. Gresham?

- Yeah.

- The big international banker?

- Not so loud.

We don't boast about

being bankers these days.

- We're all in the dog house.

- What do you do there?

Well, let it pass,

let it pass.

- What line are you in?

- Again, please?

- What do you do for a living?

- For a living? Oh, well, I...

Have you not seen me on

the postage stamps? I am the King.

You know, Anatol XII.

- Oh, Your Majesty...

- Don't get up, don't get up.

- How do you do.

- How do you do.

I admire your great country much,

Mr. Gresham.

I have always wanted to go.

My favorite character, he lives there.

- Who's that?

- Buffalo Bill.

I'm afraid he doesn't live there


Well, we are here today,

and tomorrow where are we?

Search me.

I'm a stranger in these parts.

I find always unbelievable,

Mr. Gresham,

that in your country

the peasants have the electric lights,

the telephone, the hot water.

Sure, Your Majesty.

Only we don't call them peasants there.

If only I could do that for my people.

The hot water.

Well, why don't you?

We are so poor, so very poor.

The electric lights...

Why don't you float a little loan?

I don't see why we couldn't arrange

a bond issue, if it weren't too big.

- You are serious?

- Well, why not?

You have plenty of

natural resources here

and what's more important,

you're an honest people.

That, yes.

It is almost a vice.

Well, it's a pretty good vice

as vices go.

- How much would Your Majesty need?

- 100 million tarondas.

How much is that in 59 cent dollars?

In figures that are round,

less or more...

- $5 million?

- What?

- Impossible. Out of the question.

- I was afraid so.

- How much do you think, perhaps?

- Not a penny less than 50 million.

- Tarondas?

- Dollars.

$50 million?

Why, I couldn't float anything smaller.

They wouldn't take it seriously.

- There's only one trouble.

- I thought there would be.

- We need a front.

- A how?

A front, a showcase.

Someone to make America conscious

that your kingdom exists.

Why, don't they even know that?

Begging Your Majesty's pardon,

most of our people would probably think

it was a mythical kingdom.

- Sometimes I think so myself.

- We love pomp over there.

Uniforms, costumes,

plumes and palaces.

- We love crowns.

- They give me a headache.

You're the man to go to America.

You'd roll them in the aisles.

Of course, you couldn't get away

with anything like this.

I cannot go, anyway. If I went out

they might not let me in again.

They might have a new face

on the postage stamps.

- Is that a fact?

- It's no fun being a king anymore.

Isn't there anyone you could send

in your place?



This is Mr. Gresham, my pet,

the famous American banker.

My daughter,

Catterina Theodora Margherita,

but we call her Zizzi.

She calls me Tony.

How do you do, Mr. Gresham.

Tony, may I have some money

to go to the cinema?

They play an American film

about gangers.

Well, why don't you get Nicholaus

to take you?

Count Nicholaus is

my daughter's fianc.

How many times have I told you,

he is not my fianc.

Oh, well, it has not been

officially announced.

- You see, she does not like him much.

- I do not like him even so little.

Catterina Theodora Margherita!


I know, Tony.

It is for the good of our country.

We need this alliance

with the House of Dohenberg.

Rate this script:(0.00 / 0 votes)

Preston Sturges

Preston Sturges (; born Edmund Preston Biden; August 29, 1898 – August 6, 1959) was an American playwright, screenwriter, and film director. In 1941, he won the Academy Award for Best Original Screenplay for the film The Great McGinty, his first of three nominations in the category. Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite the farcical situations. It is not uncommon for a Sturges character to deliver an exquisitely turned phrase and take an elaborate pratfall within the same scene. A tender love scene between Henry Fonda and Barbara Stanwyck in The Lady Eve was enlivened by a horse, which repeatedly poked its nose into Fonda's head. Prior to Sturges, other figures in Hollywood (such as Charlie Chaplin, D.W. Griffith, and Frank Capra) had directed films from their own scripts, however Sturges is often regarded as the first Hollywood figure to establish success as a screenwriter and then move into directing his own scripts, at a time when those roles were separate. Sturges famously sold the story for The Great McGinty to Paramount Pictures for $1, in return for being allowed to direct the film; the sum was quietly raised to $10 by the studio for legal reasons. more…

All Preston Sturges scripts | Preston Sturges Scripts

FAVORITE (0 fans)

Submitted on August 05, 2018

Discuss this script with the community:



    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)


    Use the citation below to add this screenplay to your bibliography:


    "Thirty Day Princess" STANDS4 LLC, 2021. Web. 26 Feb. 2021. <>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Marketplace:

    Sell your Script !

    Get listed in the most prominent screenplays collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.

    Thanks for your vote! We truly appreciate your support.