The Sheik

Synopsis: Sheik Ahmed (Valentino) desperately desires fiesty British socialite Diana (Ayres), so he abducts her and carries her off to his luxurious desert tent-palace. The free-spirited Diana recoils from his passionate embraces and yearns to be released. Only after being kidnapped by desert bandits does Diana realize how much she has grown to love Ahmed, who comes to her rescue in the nick of time.
Director(s): George Melford
Production: Paramount Pictures
 
IMDB:
7.2
Rotten Tomatoes:
88%
UNRATED
Year:
1921
86 min
339 Views


THE SHEIK:

In this world of

peace and flame

Lies a palm garden

of the Sahara

A blessed oasis

of the sands.

Where the children of Araby dwell

In happy ignorance that Civilization

has passed them by.

Maidens chosen for the marriage market.

An ancients custom by which.

Wives are secured for

the wealthy sons of Allah.

Zilah, one of the prizes destined

for the marriage lottery.

Ruth Miller

A tribal chieftain protests the sale

of his sweetheart.

Youseef...George Waggener

The Sheik, Ahmed Ben Hassan,

upon whose shoulders has

fallen the heritage of leadership.

Rudolph Valentino

When love is more desired than riches,

it is will of Allah.

Let another be chosen.

On the way to the harems Of

the rich merchants.

To obey and serve like

chattel slaves.

Biskra, the Beautiful.

Gateway to the desert.

A city of adventure. Where the new

civilization Rubs elbows with the old.

Are you going to attend Diana Mayo's

farewell dance this evening?

I am not! I thoroughly disapprove

of this young madcap's wild scheme!

The idea of Diana Mayo planing a

tour alone into the desert,

with only native camel-drivers and Arabs!

The subject of all the gossip,

the orphan daughter

of an English peer,

Lady Diana Mayo. Agnes Ayres

Her brother, Sir Aubrey,

who for years has vainty striven

to curb Diana's reckless spirit

of daring Frank Butler

Diana's guide into the desert,

Mustapha Ali

Charles Brindley

I have a good mind to make

you give up this insane trip.

I've made up my mind,

dear brother.

Evening in the Monte Carlo

of the Sahara

Diana, I love you. Postpone this trip

and give me the right to go with you.

Marriage is captivity -

the end of independence.

I am content with my life as it is.

It is the great Sheik Ahmed Ben Hassan.

He is entertaining at the Casino tonight.

Mademioselle will be disappointed-

the Casino is closed to all except Arabs.

And why should a savage desert bandit

keep us out of any public place?

Sheik Ahmed is not a savage.

He is a rish tribal prince,

who was educated in Paris.

In Biskra his slightest wish is law.

Go to the dancer and ask if I may

borrow one of her costumes for the evening.

Like a page from the Arabian Nights.

The marriage gamble Where bridge

are won On the turn of a wheel.

Oh, sons of Allah! Gaze upon

the charms of Halima,

loveliest flower of the desert.

To the cultured English girl this

marriage fair suggests the slave

of the barbarous past.

The pale hands and golden

hair of a white woman.

By whose invitation do

you come here?

I wanted to see the savage who

could bar me from this Casino.

With your permission, the savage

will escort you to the door.

It is the English woman whom

I am to guide into the desert tomorrow.

Dawn- with the Arab under the lure of

the defiant English girl.

Pale hands I love, Beside the Shalimar,

Where are you now?

Who lies beneath your spell?

Into the sand garden

of the sun.

with her brother accompanying

her on the first day's journey

Don't worry, Aubrey, I shall join

you in London in a month - goodbye.

Lie still,

you little fool!

Her exultant dream of freedom ended-

a helpless captive in the desert wastes.

Gaston, the French valet,

in the Sheik's service

since his school days in France.

Lucien Littlefield.

Why have you brought me here?

Are you not woman enough to know?

Do you know how beautiful you are?

I am not accustomed to

having my orders disobeyed.

And I am not accustomed

to obeying orders.

You will learn!

You make a very charming boy,

but it was not a boy

I saw two nights ago in Biskra.

Your luggage has arrived.

You will dress for dinner.

See that Mademoiselle is given every

comfort and attend to her luggage at once.

I speak French, Madame,

and come to serve my master's bride.

An hour of anguished revolt,

while a savage sand-storm

sweeps in from the fevered wastes.

Do you think can keep me here when I

am missed by my friends in Biskra?

You will not be missed

until it is too late...

too late for anyone to

learn your whereabouts-

the desert is a great hidingplace

Better remain here, for in that sand

fury you would not live an hour.

You are so pretty and if I choose,

I can make you love me.

I would rather you killed me.

Master, the horses!

They have broken loose!

Through the dull slumber of despair.

Until morning tempts back.

A desire to live.

For Madame to wear

the master's orders.

After a week of

sullen obedience.

To my friend, Ahmed Ben Hassan

from Raoul de st. Hubert

That I can at last make another

visit to you in the desert.

I count the days until you meet

me in Biskra. Affection stely Raoul

Pale hands I love, Beside the Shalimar,

Where are you now?

Who lies beneath your spell?

Pale hands, pink tipped!

Then it was you who sang

beneath my window in Biskra?

I always sing when I am happy

when events and things please me.

My friend from Paris is coming

for a visit Raoul de St. Hubert,

That is why I am happy that is why I sing.

Are you going to bring him here and

let him see me- like this?

You are here and so it is my wish that

you should cordially receive my guest.

You will return Mademoiselle's

possession to her at once.

I am leaving for Biskra to be

gone three days.

During my absence, amuse yourself.

You will have the saddle horses

and Gaston to keep you company.

Gaston will return your clothes.

Rate this script:0.0 / 0 votes

Edith Maude Hull

All Edith Maude Hull scripts | Edith Maude Hull Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Sheik" Scripts.com. STANDS4 LLC, 2024. Web. 28 Mar. 2024. <https://www.scripts.com/script/the_sheik_21300>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Sheik

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.