Seed: The Untold Story

1

(calm and earthly strings music)

(seeds shake and rattle)

(soft and chill strings music)

When I first came here,

we are a hippy, back to

nature, self-sufficient thing.

We were watching too

many David Crockett,

Daniel Boone movies

and reading too much Thoreau.

(man sings song in

foreign language)

We were trying to seek

a different vision.

The first time I saw bean

collections and so on,

it was like woo, a

jewelry store, lit up,

and I've always just been

dazzled by diversity.

I don't like people that

are all straight, all gay,

all communist, all Christian,

let them all be there

and absolutely the

different kinds of seeds.

My great grandfather

was a farmer.

Looking through our

family photo album,

I just wish that I could like

somehow step into that photo,

say "Hi great grandma.

It's me, Billy,

"can I have some of these?"

because I know for a fact

that 90 something percent of

the things are now extinct.

They're my family,

and they're gone.

I have this horrible

vision someday

that the creator would look down

and he'd come look

around and say,

"Well, where is this,

well where did that go?

"I created this,

where did it go?

"How come it's not here?"

I see myself as Noah, not God.

Noah didn't get to decide

whether the crocodiles

came on the Ark or not,

or the black flies.

His job was to load 'em on,

ok, that's my job.

I have thousands of varieties

that I am maintaining,

People of the future, plant

breeders, and gardeners,

they will decide.

What the heck did

Will save that for?

I don't get to

make that decision.

My job is to keep

these all on the Ark,

keep them alive for

40 days and 40 nights

until the flood's over.

I may discover 10 years from now

that that seed will

be in huge demand

because it has in its genes

some resistance to some disease

which is only now evolving.

In many many cases,

what I've got is not

available anywhere else.

She's my sweetheart.

The year that I fail

to grow a variety

is the year it is lost to me.

And in some cases perhaps

lost to the planet,

some of these things are right

on the edge of extinction.

(calm and relaxing

strings music)

We have this collection

of several hundred

potatoes that are

purple or black skinned

and with yellow flesh,

some with a purple skin

hot pink flecks in them.

We have in the collection

a variety of lumpers.

Most of the Irish in the 1830s

and 40s were growing lumpers,

big yielder,

and none of those varieties

had any resistance

to late blight.

This is the potato that

killed a million Irishmen.

Because of the fact that

they were the one or two

or three varieties that

were totally vulnerable.

This is the variety

that explains why O

is the biggest section of the

South Boston phone directory.

Genetic diversity is the hedge

between us and global famine.

(soft, somber strings music)

The diversity in our seed

stocks is as endangered

as a panda or a golden eagle

or a polar bear right now.

We have the largest

seed shortage

in history.

(moves into calm ambient music)

It's this beautiful dance

between the plant

and the humans,

that find each other

and make a culture possible.

In Mesoamerica over

10,000 years ago,

corn found humans,

and humans found corn.

Corn really is this

beautiful co-creation

between plants and humans.

The domestication of corn

was centered in the

Oaxacan Valley of Mexico.

The incredible evolutionary

leaps that we took with corn

is a miracle.

It ignited this

sacred connection that

Corn seeds moved along the

entire spine of the Americas.

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