Sangraal, la spada di fuoco

Synopsis: A swordsman's wife is murdered by followers of the evil Goddess Rani. He vows vengeance upon the cult and journeys to the Ark of the Templars to get a magic crossbow that will help him accomplish his mission.
 
IMDB:
3.9
R
Year:
1982
83 min
45 Views


FIRE!

FOR MY CHILDREN - G.V.B.

"Tordo 3" calling

"Tordo I" and "Tordo 2".

Attention! Move towards

the arch of the clock tower

and to the church.

Stop the traffic. Over.

"Tordo I", order received

and carried out. Over.

Andreoli, give yourself up!

Ome out with your hands up!

Can you hear me?

Listen to me, Mario!

Come out. Think of your little girl!

Listen, Mario. Come on.

It's Damiani, the lance-corporal.

Mario, we known nothing's happened.

Come on, come down.

Come on Mario...

Come on, come down.

A few shots don't scare anyone.

How's your wife? Your aunt?

How's your mother-in-law?

Come on, come down.

Then you can tell me

where you got all that stuff.

Stop acting crazy, come on.

Have you gone mad?

Think of your family, Mario.

Think of your little girl.

Can you hear me?

It's Damiani. Can you hear me?

Will you show me them?

Will you come to the door?

Where's your wife?

Let us see your mother-in-law, Mario!

Listen, Mario.

Come on, stop acting cray.

You don't frighten anyone, Mario!

We all know you're a good guy.

Come down, come on.

Mario! Mario, are you listening?

It's Damiani.

Now you're a bit calmer,

will you tell me something?

Why did you shoot at the Madonna?

Are you crazy?

Why today? You've ruined

those poor people's feast.

They were having fun. The feast,

the procession and everything.

Lidia!

Who is it, Lidia?

We were worried.

Thank God. Are you ok?

Are you all okay?

How's your mother?

Are you all OK in there?

Anyway, it's all over now,

isn't it? Are you okay Lidia?

Ls your mother all right?

What about your mother?

Are you all OK?

It's all finished now, isn't it?

All of you...

Andreoli!

Andreoli?

It's the press! Can you hear me?

I'm up here, on the roof,

I'm talking to you through the chimney.

Andreoli, can you hear me?

I'm speaking through the chimney!

There's a whole village

living here with you.

We heard the shots in the house.

Nothing happened, did it?

How's your mother-in-law?

Is she hurt?

Andreoli, can you do an interview

with me?

If I ask the carabinieri,

will you let the photographer in?

I can't hear you,

but I'm sure you can hear me.

Andreoli? Come on, answer me.

Do you want to say something?

Andreoli, I'll write you

a nice article in the paper.

You have to let the photographer in,

Come on.

It's not vey comfortable up here.

Will you answer me?

I'll send you photographer, ok?

He's only going to take your photo!

And then we'll talk from here. I'll

write you a great article in the paper.

I only need five minutes

for an interview.

Andreoli, come on, answer me.

It's not vey comfortable up here.

Shall I send the photographer?

I'll only take your photograph!

Then we can talk from here. I'll do

a nice article about you in the paper.

It's not much fun up here.

Why don't you answer?

Shall I send the photographer?

It's only a photo, dear God!

We can talk from here and then

I'll do a nice article on you.

There's a crowd of people down here

waiting for you to speak.

Oh, you see?

That's it. I can hear you knocking.

Why don't you speak instead

of knocking? Andreoli, say something.

What are you doing up here?

- You can't stay up here.

- Please, go away.

Come down. Who let you up here?

- I'm talking to him, for God's sake!

- Come down or I'll have you arrested!

The problem is we don't know

who's inside.

There should be his wife,

his child and the mother-in-law.

But there might also be a relative

who went to visit.

Then there's the problem of the

weapons. How did he get so many?

Perhaps he's got dynamite, too.

If it's as his wife says,

he'll blow up the whole village.

He's been in there for hours.

I don't understand how he managed

to get so many weapons!

He's always been a good kid. Then

all of a sudden, look what he does!

It's not that he's...

It's Damiani, do you recognise me?

How many people are in there with you?

Lidia? Cinzia? Who else?

Do you remember when you asked me

to call the hospital?

When your kid was being born?

I shouldn't have let you phone.

But I made an exception for you.

When the nun told me

it was a little girl.

Cinzia. Uh, do you remember?

You were so happy.

Come down, come on.

We're not going to shoot you.

We can't shoot you.

You haven't done anything.

Come on, for a few shots? You've

got it off your chest now, right?

Why don't you come down?

Come on, Mario.

Listen to me. We're friends,

aren't we?

Mario, are you listening?

At least come out.

Mario, will you let us see you?

Then you can tell us

where you got all that stuff from.

All those weapons...

Mario, don't go.

What's happened?

I'm sending you a basket.

There's some milk and a lemonade.

There are some cigarettes for you.

You don't think we've drugged them,

do you?

I'll smoke one. Look.

Look, Mario. Do you see?

Do you see? Do you want one?

Go on! Take one!

Look. Listen to me.

The lemonade is for you.

It's all we could find.

You don't think

we want to put you to sleep?

Come down into the street now.

I want to talk to you better.

See what we've got for you?

Bottles! Show us you're good.

Show us what a good shot you are.

Why don't you show us?

Shooting at walls is easy.

But shooting bottles...

Come on, shoot, hit them.

Do it, if you can,

show us how good you are.

I can give you a ladder.

Just the last bit, then you're OK.

Come on, come down,

or we'll come up.

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Piero Regnoli

Piero Regnoli (1921–2001) was an Italian screenwriter and film director. Born in 1921, Regnoli worked in the film industry between 1953 and 1991 where he wrote over 110 screenplays and directed 11 films. Regnoli's work ranged from sword-and-sandal films, westerns, horror and sexy comedies. His final film where he was officially credited as a director was La principessa sul pisello in 1976. Regnoli did uncredited direction on the 1986 melodrama Giuro che ti amo starring Nino D'Angelo.Regnoli was also employed as the film critic for the Vatican's daily newspaper L'Osservatore Romano. Regnoli died in 2001. more…

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Submitted on August 05, 2018

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