Pete Kelly's Blues

Synopsis: In 1927 Kansas City Pete Kelly and his jazz band play nightly at a speakeasy. A local gangster starts to move in on them and when their drummer is killed Kelly gives in, even though this also means taking the thug's alcoholic girl as a singer. Kelly soon realises he has made a big mistake selling out in this way and that rich girl Ivy is now the only decent thing in his life.
Genre: Crime, Drama, Music
Director(s): Jack Webb
Production: Warner Bros.
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
6.5
NOT RATED
Year:
1955
95 min
100 Views


1

Ashes to ashes, dust to dust

Women don't get you

The whiskey must

He was a good man.

Sure enough he was.

He's gone but not forgotten.

- Amen.

- Amen.

- We'll always remember him.

- Sure enough we will.

- Yes, he's gone.

- Good man gone.

- We'll never forget him.

- Amen.

Yes, he was a good man.

Glory.

He rambled and he rambled

till the butcher cut him down.

All right, that'll do it.

Let's go let up some air.

Blow through that a while.

We need time to count it. Sugar can.

How about it, Pete?

Next set on the drums.

It's all right with me.

Get Joey's vote.

If you're looking for a new way to

grow old, this is the place to come.

17 Cherry Street, Kansas City.

It's a speakeasy one flight down.

It was a brownstone at first.

After that an undertaker had the place.

But he went to Chicago to get

a piece of the flu epidemic...

and Rudy Shulak took over.

Rudy got a booze contract out of

Joplin and bought some tablecloths.

It's been a gin bin ever since.

There's even a little business

on the side for shut-ins.

Rudy's a puny little guy.

Sew an extra button on

his vest, he'd fall down.

But he's all right.

The beer's good, the whiskey's aged,

if you get here late in the day.

On top of that, he knows

where to spend money.

He knows where to save it.

And he's good to the help.

He pays scale with a $5 kickback.

I play cornet and run the band.

We play from 10 till 4 with

a 20-minute pizza break.

The hours are bad but

the music suits us.

There's one other thing about

Rudy's and that's trouble.

You can get it by the yard,

the pound, wholesale or retail.

Like one Tuesday night.

A lot of people were busy that night.

- Rudy wants to see you.

- What have you got in there?

Milo Violets, Deities, Sweet Caporals.

Anything you want.

You going by the Plantation later?

Bennie Moten's in.

I don't know.

Pack some lunch. We'll see.

Go in my office. Have a

talk with Fran McCarg.

- Who's she?

- It's a he.

Go light. He's downstate

gun for Colissimo.

We're out of champagne.

You gotta squeeze.

- What's this McCarg doing up here?

- I heard some 22nd Ward business.

- What's he want with me?

- Huh?

What's he want with me?

Maybe he wants you to run

for something. I got no idea.

But you'd better see him.

I don't know why you let

people like that in here.

In Topeka I let in three nice old ladies.

They took out an ax and broke every bottle.

What's that got to do with it?

Stuck up a sign, said I was

a disgrace to fatherhood.

They know I didn't have no kids.

Now, don't tell me stuff.

Just go talk to McCarg.

All right, Dad.

Hey, wanna go to a party?

Two hundred people, Ivy's house.

- Bring the band.

- If the party was so good, why'd you leave?

To get more people. It's the only

reason to leave. Have a drink.

Hey, you coming or not?

Not.

- Quite a fighter, Johnny Risko.

- He'll do.

I'm Fran McCarg.

You know Guy Bettenhouser?

- You've got a nice band, Kelly.

- Thanks. We finished together.

That's why I'd like to

do something for you.

- Cigarette?

- This what you had in mind?

- No, an agent.

- We got one.

I'm going into business handling

a few bands. I'd like to sign you.

We got an agent, Phil Mishkin.

I know, but you don't want him,

he's a bungler.

We got a contract. We can't break it.

And we can't pay two commissions.

Get that lump out of your throat.

We're already on short dough.

The fellas, they got families.

Everybody's got them.

They can't come up with 10 percent.

They got families.

Look, the only guy who didn't was Adam.

How long did he come up empty?

So don't tell me your troubles.

Point is, I'm starting a list

of clients, I want you on it.

I can't answer for the whole band.

Line them up and count noses.

I'll be back at closing.

Kelly, just so you know,

we give services.

Not 10 percent, it's 25.

We got a big overhead.

Yeah. I noticed him.

We should add a baritone.

Plenty of bands got them.

- Too muddy. No bite.

- No, it wouldn't hurt.

Couldn't we add something

on the low end?

Maybe.

What about "Tin Roof Blues"?

In the morning, that phonograph

does "Tin Roof," all right?

- You listening, Pete?

- It'll keep.

How'd you boys like another manager?

Fella named Fran McCarg.

We got an agent.

I covered all that.

It's a shakedown, he wants 25 percent.

- Serious?

- Waiting to hear from us.

Tell him no, you can tell him now.

- You get in touch with the union?

- Not yet.

Guy must be crazy.

Rudy don't pay us nothing now.

I don't mind working free,

but I don't wanna pay commission.

- What about the rest of you?

- When it's late at night, pay off.

- He's not talking about tonight.

- That's what I say, when it's late, pay off.

Bedido?

Maybe Joey's right. Get a few bucks

ahead, you don't wanna give it all away.

We're getting ahead. Enough to buy

new drums and coats that match.

- You tell us we gotta cut ourselves out.

- I'm not telling you anything.

You wanna vote? We don't

need no vote. Tell this guy no.

- Do you know who McCarg is?

- No, I never met him.

Do you know? You?

- You?

- I don't care who knows him.

If the band throws in with him,

I'll go to the Blue Devils.

He'll get to them. He'll get to

every ragtime outfit in town.

Then I'll go with the Salvation Army.

That's the truth, Pete.

I'm rather be second drummer for them.

We can't argue all night.

What do I tell McCarg?

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Richard L. Breen

Richard L. Breen (June 26, 1918 – February 1, 1967) was a Hollywood screenwriter and director. more…

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Submitted on August 05, 2018

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