Night Has Settled

Synopsis: In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced world of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity. With his best friends, Valerio, a chain-smoking, nunchucking, grandiose artist; and Nick, a cynical,
Genre: Drama
Director(s): Steve Clark
Production: Black Note Films
  2 wins & 2 nominations.
 
IMDB:
6.3
NOT RATED
Year:
2014
90 min
6 Views

ADRIANA?

ARRIBA, ARRIBA.

LEVANTATE.

DESPIERTA.

LEVANTESE.

ARRIBA, NIO.

AQUI, AQUI!

UP!

CUCKOO!

CUCKOO!

HOLD ON, WOMAN.

HELLO, MAMA.

YOU SEE WE ARE:

EXACTLY THE SAME.

WE EVEN GO TO THE BATHROOM

AT THE SAME TIME.

OKAY, CLOSE THE DOOR,

I GOTTA GO.

WAIT, WAIT, WAIT.

PASS ME SOME TOILET PAPER.

FART FACE,

HERE YOU GO.

REACH FOR IT.

COME ON.

YOU CAN DO IT.

REACH WITH YOUR TINY,

LITTLE LADY ARMS.

YOU LITTLE F*CKER.

CLOSE THE F*CKING DOOR.

LATER LOSER.

AND TELL ADRIANA

NOT TO TAKE MY BRUSH.

DID YOU HEAR ME?

TELL ADRIANA NO TO TAKE MY HAIRBRUSH.

I'VE ORDERED DOZENS

OF BRUSHES,

AND SHE TAKES MINE

EVERY SINGLE MORNING.

THIS IS MY TOOTHPASTE.

MOM, I'M F*CKING NAKED.

FINE, JUST TELL HER.

ALL RIGHT,

GET OUT, WOMAN.

I'M GOING BACK TO SLEEP.

MOM, YOU TOOK THE TOOTHPASTE,

SERIOUSLY?

HAVE YOU SEEN MY MAKEUP?

NO.

GET OUT OF HERE.

ARE YOU KIDDING ME?

MOVE!

AIDA?

STOP,

YOU'RE GONNA WAKE UP MOM.

OH, YOUR LITTLE,

PRECIOUS POOR, LITTLE MOMMY.

WILL YOU GET OFF MY MIRROR,

PLEASE?

LITTLE MAMA'S BOY.

THANK YOU.

AIDA, DONDE ESTA

MI MAQUILLAJE?

SHUT UP!

DON'T TAKE HER BRUSH.

BIG WHOOP,

I DON'T CARE

IF THAT LOSER'S

GOING TO BE THERE.

HE LOOKS LIKE A TATER TOT.

YEAH, A SHORT,

OVER-TAN POTATO HEAD.

AH, SHE FOUND IT.

THANK YOU.

WHAT?

YEAH, NO, I TOLD YOU

I'D MEET YOU AT THE CORNER.

NO, NO, NO.

ADRIANA, ADRIANA.

I NEED IT.

JESUS CHRIST,

GIVE ME THE DAMN BRUSH.

FINE, I'LL GIVE IT TO YOU.

JUST LET ME FINISH

BRUSHING MY HAIR.

I MEAN, STOP

BEING SO RIDICULOUS.

IT'S A F*CKING HAIRBRUSH.

JUST GIVE IT TO ME.

STOP!

STOP, MOM, STOP!

ARE YOU SERIOUS?

STOP!

LET GO!

OH, AH! AH!

I CAN'T BELIEVE YOU'D HI A WOMAN LIKE THAT, OLIVER.

A REAL MAN:

WOULD NEVER DO THAT.

NOW SHE'S DEFINITELY

GONNA LEAVE.

AY, AY.

HEY, WATCH IT!

WATCH-- I'M A BAD MAN.

COME ON, BRING IT,

BRING IT, BRING IT.

WHOA, WHOA, WHOA.

UH!

GOOD MORNING.

HELLO?

ANYBODY HOME?

ANYBODY HOME?

NO, JUST OLLIE.

NOBODY HOME.

MORNING, MRS. BURNS,

HOW ARE YA?

HOO, HOO.

WHOA, WHOA.

HEY, OLLIE.

OLLIE?

LILA.

LILA.

WHATEVER.

LILA.

WHAT'S UP, OLIVER?

CHECK IT OUT.

TESORO'S BEEN BUSY.

WHAT DO YOU THINK?

I LIKE IT.

IT'S PRETTY SWEET, HUH?

HE WAS UP ALL NIGHT,

OUT TAGGING TRAINS.

DO YOU THINK IT'S GOOD?

F*CK YOUR:

IMAGINARY FRIEND.

WHAT'S THE--

YOU WANT SOME OF THIS?

KICK HIS ASS.

YO MAMA, YO MAMA, YO MAMA.

DON'T F*CK

WITH TESORO, MAN.

HE'S NOT REAL.

OH, SHIT.

GET OFF ME, FAT ASS.

OOH!

HOW'S THE POETRY GOING,

FAG BOY?

YOUR MOM SEEMED TO LIKE IT.

MILD.

WHATEVER.

SHIT.

LET'S GO.

YO, WAIT UP.

I GOTTA GET MY NOTEBOOK,

YOU ASSHOLES.

HOLD UP.

"ODYSSEUS MUST HAVE FEE AND HANDS LIKE THIS BY NOW.

HARDSHIP CAN AGE A PERSON

OVERNIGHT.

YOUR MAMA'S...

WITH THAT NAME--"

NICK, FOCUS.

"AT THAT NAME, THE OLD RETAINER

BURIED HER FACE AND BOTH HANDS,

"BURST INTO TEARS,

WAILED OUT IN GRIEF,

'OH, MY CHILD.'"

OKAY, GENTLEMEN,

SOON CARNAGE.

I'M LATE FOR HOOPS PRACTICE.

MR. PARSNAN WILL BE IN HERE

IN FIVE MINUTES.

BEHAVE FOR ONCE, HUH?

JUST RELAX,

THANK YOU.

YAH!

YAH!

AH!

YAH!

YAH!

YAH!

SOMEONE'S COMING.

CHRIST ALMIGHTY.

WHO DID THIS?

OH, JESUS CHRIST, OKAY.

WHO DID THIS?!

SOMEONE'S PISSED.

YOU'RE F*CKING CRAZY.

ALL RIGHT, ALL IN.

YOU ARE MY ANTS.

YO, NICK,

WANT SOME CHIPS?

DUDE, DON'T MAKE I LOOK OBVIOUS.

DUDE, CLOSE THE BAG.

LET'S JUST GET A F*CKING 40

OR SOMETHING.

WHAT'S UP,

YOU LITTLE SMACKS?

YO, VAL, GIVE ME SOME MONEY,

I NEED A YODEL.

JESUS CHRIST.

GET OFF OF ME, BILLY.

YO, YODEL-AY-HEE-HO.

COME ON, GUYS, I GOTTA GE ME SOME KILL JUICE,

'CAUSE THIS

CHINESE HOOK GAVE ME CRABS.

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Steve Clark

Stephen Maynard Clark (23 April 1960 – 8 January 1991) was an English musician. He was the principal songwriter and lead guitarist for the British hard rock band, Def Leppard, until 1991, when he died from alcohol poisoning. In 2007, Clark was ranked No. 11 on Classic Rock Magazine's "100 Wildest Guitar Heroes". more…

All Steve Clark scripts | Steve Clark Scripts

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Submitted on August 05, 2018

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"Night Has Settled" Scripts.com. STANDS4 LLC, 2019. Web. 8 Dec. 2019. <https://www.scripts.com/script/night_has_settled_14764>.

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