Mikey

Synopsis: Although Mikey is just a little boy, he is capable of anything.... Every family Mikey lives with has a series of unexplained "accidents" and hence he's moved from home to home. After his original family die, accidently, Mikey is taken by authorities and placed into the care of adoptive parents. Of course they eventually come to learn that
Genre: Horror, Thriller
Director(s): Dennis Dimster
Production: Imperial Entertainment Corp
 
IMDB:
5.7
R
Year:
1992
90 min
1,739 Views


Michael Scott Kelvin,

What are you doing?

What the hell are you

trying to do, kill us?

- Christ!

- Beth and I were just playing, Mom.

Mikey, you promised you

wouldn't do this again.

Beth wanted to see it.

Tell her it was your idea.

You stop trying

to blame your sister

Look at me.

You've ruined everything.

You clean up

this mess, right now!

We'll deal with your punishment

when your father gets home.

Beth, come on.

I hate you!

You don't care about me!

You're not my real mother!

Why didn't you tell her you did it?

Give me back Alice, Mikey.

She never punishes you.

Never, ever!

Give it, Mikey. Give it.

You're my sister.

You should have been on my side!

You're not my real brother!

Mommy! Mikey went outside

without permission.

Mommy! Gimme back!

She's mine.

Make me, Beth.

- Mikey, give me back my doll.

- Forget it!

Gimme back my doll, Mikey.

Come on, baby.

Come and get it.

Give it, Mikey.

I bet you can't get it.

Mikey, give me back my doll.

Come and get it.

I hope your doll likes to swim.

She's drowning, Beth.

Stop it! Stop it!

Stop it!

Ah!

Mikey! Help me!

Mommy!

Mommy!

Help me!

I shouldn't even be thinking this.

But sometimes I think

adopting him was a mistake.

I mean, I just don't know what-

Jo? Joanna?

These damn things.

Michael, what have I

told you about knocking?

You don't love me anymore.

Of course, I do. Your father

and I love you so very much.

Then why do you

always punish me?

Look, we'll talk about this

when your father gets home.

That just means I'm in trouble.

Mikey, Put that down.

That's not funny.

Daddy's on his way home.

- That's not a toy.

- I know that.

Mikey, no!

It's time for a little hide and seek.

I'm home!

Daddy's home!

What have you been

doing all day?

- Waiting for you.

- Where's your mom?

She's upstairs taking a bath.

Hey, you been playing baseball?

No.

Oh, my God!

Ohh!

- Mi- Mikey.

- See ya, champ.

No!

I can't believe this happened.

This is terrible!

Poor Mikey!

What's this world coming to?

Collins, who's she?

A neighbor.

Hmm.

Is it pretty bad?

Yeah.

Well, let's go.

This way.

It looks like he saw his little girl

in the pool and panicked.

Yeah, but the window didn't

do that to his head.

Something like a two-by-four did.

Grace Kelvin...

age 32.

Been fried.

This is it, Collins?

No.

There's one more.

What's your name, son?

You see, I'm a detective.

It's my job to catch the guy.

That did this to your family.

Detective Reynolds.

Miss Harlig...

always a pleasure.

You must be Mikey; right?

Come here.

Mikey, Mikey.

Did you see anybody you

didn't know hanging around?

Now's not the time

for this, Jake.

Katherine, would you knock it off?

He had bushy hair,

a mustache, and a red jacket.

You did see him, then?

I came home from the park.

He was running out of my house,

and he drove away.

What did the car look like?

It was big and brown.

Is that all?

You've been a big help.

Reynolds, the corner's about done.

They're dusting now.

The they'll seal I off.

There was nothing stolen.

We've got bodies

separated so far apart.

What are you saying?

It's like the victims

knew the killer.

I want to go take a bath.

You watch Beth for me.

Okay, Mommy.

I'm home, everybody!

Daddy! Daddy!

Hey, champ.

What you been up to?

Waiting for you.

Where's your mom?

In the bathtub.

Oh.

I'm gonna put these here.

Who's that, Mikey?

I don't know. A stranger.

Have you seen him before?

No. Mommy doesn't

know who he is.

I have to go outside.

Why do you

have to go outside?

I'm not supposed

to see what happens.

And what's that?

He's gonna do something

to my family...

kill them.

How do you feel

about that man?

I hate him.

I hate him!

I hate him! I hate him!

I hate him!

I've just had my final session

with Michael Kelvin.

The boy's going through

a great trauma,

and there's still quite

a bit of emotional scarring.

Are you sure?

He's ready to leave?

I believe so.

I'd suggest you get him

placed with adoptive parents

as quickly as you can.

Mikey just needs a good,

stable home.

I'm not a blood relative.

Your his mother's sister!

That kid was adopted.

Are you positive?

Michael hasn't said anything to

any of us about being adopted.

They took him away

from his real parents!

He was abused or something.

Gracie never knew for sure.

Kelsey, I know

that the last few days

have been very difficult for you.

But you're all he has.

You know that your sister

would have wanted you to-

I'm not taking him. Not a chance.

Why not?

Look. You can't make me

that that kid, can you?

No, I can't.

Good. The kiss him

good-bye for me.

God, I hate airports.

I hate coming here.

No matter what time you leave,

you're always late.

Jesus, there's something wrong

with this damn flash!

We're not gonna need

the damn flash if we miss him.

Son of a b*tch.

Oh, son of a b*tch. There it is!

You're gonna have to start

watching your language.

Yes, mother.

There he is.

Mikey, this is the Trentons.

Are you my

new mommy and daddy?

- Go on.

- Oh, Mikey. Here's a present.

Thanks, Mr. Trenton. It's great!

You don't have to

call me "Mr. Trenton. "

What do you want me

to call me?

- Um...

- You can start with Neil and Rachel.

Okay, Rachel.

There's my stuff.

I was right. He's a ballplayer.

So, do you like to pitch?

Yeah. But I'm a better hitter.

We don't have a pool,

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Jonathan Glassner

Jonathan Glassner is a Norwegian-American television writer, director, and producer. He is known for his involvement with Stargate SG-1 (where he was executive producer for the first three seasons) and The Outer Limits. Glassner was initially noticed as a writer for his work on Alfred Hitchcock Presents. After writing for several television series, including 21 Jump Street, Glassner moved on to The Outer Limits, which naturally segued into his involvement with Stargate SG-1 as a staff writer and executive producer. His most recent work is as a writer and director for CSI: Miami, CSI: NY, and other shows. He was also a Co-Executive Producer on the NBC show Heist and the FOX show Standoff, as well as for Sci-Fi Channel's The Invisible Man. While at Northwestern University, Glassner also played a leading role in the development and production of Rising Stars, which became the model upon which Star Search was developed. more…

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Submitted on August 05, 2018

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    "Mikey" Scripts.com. STANDS4 LLC, 2024. Web. 28 Mar. 2024. <https://www.scripts.com/script/mikey_13769>.

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