Line of Duty

CUT TO BLACK:

SUPER CAPTION:
PREVIOUSLY

Danny with binoculars. Sees Linus.

DANNY (V.O)

So many years, I wondered what I’d

do if I ever saw him again.

With Linus.

DANNY:

And then I did.

Danny sees photo of Ronan Murphy.

DANNY (V.O)

In a photo, in a briefing room. And

I was being sent to meet him with a

gun.

Danny shoots Ronan Murphy.

CUT TO BLACK:

SUPER CAPTION:
MARTIN COMPSTON VICKY McCLURE

CUT TO:

Danny reading a list of names which he puts into

an envelope and writes on the envelope DS STEVE

ARNOTT.

STEVE (V.O)

I don’t think we should close the

investigation into Danny Waldron’s

background. I’d like to keep

digging.

Danny has been shot he tries to whisper

something to Kate

Music

10:
00:00

DUR:
2’18”.

Specially

composed by

Carly

Paradis.

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

10:
00:27

10:
00:28

10:
00:42

10:
00:42

ROD |

What’s he saying? |

|

Dot discovers the list and pockets it. |

|

CUT TO BLACK:
|

|

SUPER CAPTION:
ADRIAN DUNBAR CRAIG PARKINSON |

|

CUT TO:
|

|

Steve shows Hastings a picture of Ronan as a |

younger man |

|

STEVE |

This man’s a young Ronan Murphy. |

The suspect shot by Danny Waldron |

during Operation Damson. |

|

HASTINGS |

What? They knew each other? |

|

Over to the courtroom. Lindsay in the Dock. |

|

PROSECUTOR |

Did you fabricate the improper |

relations between you and Detective |

Sergeant Arnott? |

|

LINDSAY |

No. |

|

PROSECUTOR |

Did you fabricate the planting of |

evidence against you? |

|

LINDSAY |

No. |

|

CUT TO BLACK:
|

|

SUPER CAPTION:
AND KEELEY HAWES |

|

USHER (O.S)|

What is your verdict? |

|

CUT TO:
|

|

Lindsay stands for the verdict. |

|

FOREMAN OF THE JURY (O.S)|

Not guilty. |

|

Lindsay reacts. |

|

South Ferry Briefing Room. |

10:
00:53

10:
00:54

10:
01:01

10:
01:02

10:
01:12

10:
01:13

|

REYNOLDS |

It is with deep regret that I |

inform you all of the death of PC |

Rod Kennedy. |

|

Hastings and Cottan looking into the warehouse. |

A pair of boots hanging. It’s Kennedy hanging. |

|

CUT TO BLACK:
|

|

SUPER CAPTION:
LINE OF DUTY |

|

CUT TO:
|

|

Jackie interviewed at AC12. Off a photo of Hari. |

|

JACKIE |

Hari initiated the struggle with |

that gun and it’s only his word for |

it, that it was self-defence. |

|

CUT TO BLACK:
|

|

SUPER CAPTION:
POLLY WALKER GEORGE COSTIGAN |

Hastings and Liz at a bar.

HASTINGS:

I owe you an apology for the other |

night. |

(Off her blank look.)|

Your dinner invitation... |

GILL:

You’re a married man.

HASTINGS:

This is it.

SUPER CAPTION:
NEIL MORRISSEY

Steve in Hastings office.

STEVE:

|

CUT TO:

|

|

|

|

|

I think Danny Waldron purposefully |

created a trail of evidence. And |

now we’re on the trail of the other |

abusers. |

|

|

|

|

|

|

|

|

CUT TO BLACK:
|

|

ARSHER ALI |

|

CUT TO:
|

|

|

|

|

Picture of Dale Roach in the newspaper at the |

boys’ home. Headline “Dale makes their day!” |

|

MANEET |

Dale Roach. He was leader of the |

city council during the period |

Danny Waldron and Joe Nash were |

residents at Sands View |

|

Steve puts the newspaper headline in front of |

Joe. |

|

JOE |

The things they did to us at Sands |

View. |

|

STEVE |

I promise you. I will get these |

bastards. |

|

10:
01:32

CUT TO BLACK:
|

|

10:
01:33 SUPER CAPTION: JONAS ARMSTRONG AIYSHA HART |

|

CUT TO:
|

|

Hastings with Dot. |

|

HASTINGS |

If Bains killed Danny. I’d lay you |

evens he killed Kennedy as well. |

|

Hari’s phone rings. |

|

HARI |

Hello? |

|

DOT (O.S)|

(Into phone, London/SE accent.)|

You’re being fitted up for |

murdering Rod Kennedy. |

|

Dot at the side of the road |

|

DOT (CONT’D)|

If you want a way out, you’ll |

listen to me. |

|

10:
01:44

CUT TO BLACK:
|

|

10:
01:45 SUP CAPTION: WRITTEN AND CREATED BY JED MERCURIO |

|

CUT TO:
|

|

Dot burns the list of names.

|

|

10:
01:57

10:
01:58

10:
02:14

10:
02:15

10:
02:17

DOT (V.O)

Did he ever mention any other

names? Politicians, coppers?

Dot with Hari at the warehouse where Rod hung

himself.

Dot smashes himself in the mouth with the cuffs.

And then he kicks Hari.

CUT TO BLACK:

SUPER CAPTION:
PRODUCED BY PETER NORRIS

CUT TO:

At AC-12 H.Q.

HASTINGS:

Single-handed, he brings in an AFO

(shakes Dot’s hand)

Welcome back, Dot...

Dot at home watching the news. His phones start

ringing. Then another. Then another.

Lindsay Denton on the news. The banner reads

JURY VERDICT:
DETECTIVE ACQUITED. Former police

officer released after retrial.

LINDSAY (V.O)

I’d just like to get on with my

life.

Dot looks like a rabbit caught in headlights.

CUT TO BLACK:

SUPER CAPTION:
DIRECTED BY JOHN STRICKLAND

CUT TO:

INT. AC-12. LIFT/WAITING AREA/OPEN-PLAN OFFICE.

NEXT DAY.

The lift door opens, revealing Lindsay wearing

smart clothes and that same look of defiance,

escorted by a PC. The PC escorts Lindsay through

the access gate towards the meeting room. She

strides with calm aloofness.

From their desks, Steve and Kate look up and

see. Their jaws drop (figuratively).

CUT TO:

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

|

X:

Music Ends

10:
02:18

Music

10:
02:15

DUR:
0’28”.

Specially

composed by

Carly

Paradis.

|

|

|

|

|

|

|

|

10:
02:37 INT. AC-12. MEETING ROOM. CONTINUOUS.

Gill and Hastings take their places, the former

neutrally to the side, the latter

confrontational on the far side of the table.

The escort PC brings Lindsay in. Gill stands to

greet her but Hastings doesn’t.

Rate this script:0.0 / 0 votes