Line of Duty
Season #3 Episode #3- NOT RATED
- Year:
- 2012
- 60 min
- 385 Views
CUT TO BLACK:
SUPER CAPTION:
PREVIOUSLYDanny with binoculars. Sees Linus.
DANNY (V.O)
So many years, I wondered what I’d
do if I ever saw him again.
With Linus.
DANNY:
And then I did.
Danny sees photo of Ronan Murphy.
DANNY (V.O)
In a photo, in a briefing room. And
I was being sent to meet him with a
gun.
CUT TO BLACK:
SUPER CAPTION:
MARTIN COMPSTON VICKY McCLURECUT TO:
Outside Danny’s Flat with Steve.
DANNY:
When this is all done, Steve, I’ll
suffer for my actions. I’m under no
illusions of a happy ending.
Gun shot. BANG.
Kate rushes upstairs.
KATE:
Shot fired!
Music
10:
00:00DUR:
2’04”.Specially
composed by
Carly
Paradis.
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Kate leaning over Danny who’s trying to say |
something. |
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ROD |
What’s he saying? |
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Later in the mess. |
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ROD |
He whispered something to you. What |
did he say? |
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KATE |
I’m not sure what he meant. |
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00:25CUT TO BLACK:
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00:25 SUPER CAPTION: ADRIAN DUNBAR CRAIG PARKINSON ||
CUT TO:
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See Lindsay Denton in a prison cell as she |
prepares to go to court. |
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STEVE (V.O)|
My job is to find any and all |
evidence. |
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DEFENCE COUNSEL |
And what was found in the case? |
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LINDSAY |
A large number of banknotes. |
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DEFENCE COUNSEL (O.S)|
How did Detective Sergeant Arnott |
react? |
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LINDSAY |
He didn’t bat an eye. |
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00:37CUT TO BLACK:
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00:37 SUPER CAPTION: AND KEELEY HAWES ||
CUT TO:
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Cottan discovers a gun and an envelope addressed |
to Steve Arnott at Danny’s House. |
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STEVE (V.O)|
I don’t think we should close the |
investigation into Danny Waldron’s |
background. I’d like to keep |
digging. |
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Cottan pockets the list of names addressed to |
Steve.
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00:45CUT TO BLACK:
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00:45 SUPER CAPTION: LINE OF DUTY ||
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At Linus’s House. |
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STEVE |
There’s evidence of prolonged |
torture, cause of death isn’t |
clear. |
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DOT |
Cutting his head off, can’t have |
helped. |
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00:52CUT TO BLACK:
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00:53 SUPER CAPTION: POLLY WALKER ARSHER ALI ||
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Steve calls up an image of Danny Waldron. |
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STEVE |
This photograph shows Danny Waldron |
as a teenager. |
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Steve blows up a section of the photo, a coach, |
dressed in a tracksuit. |
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STEVE |
This man’s a young Ronan Murphy, |
the suspect shot by Danny Waldron |
during Operation Damson. |
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HASTINGS |
What? They knew each other? |
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A photo of a young Linus Murphy. |
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STEVE |
And this person bears a strong |
resemblance to Linus Murphy’s |
severed head. Danny knew him too. |
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01:08CUT TO BLACK:
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01:08 SUPER CAPTION: LEANNE BEST JONAS ARMSTRONG|
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In Denton’s Cell she prepares for court. |
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LINDSAY |
No prior information of the |
operation to move Tommy Hunter. |
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Cottan burns the list. Tommy Hunter’s name is |
crossed out. |
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LINDSAY (V.O)|
I had no prior knowledge. No prior |
knowledge at all. |
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01:18CUT TO BLACK:
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10:
01:19 SUPER CAPTION: SHAUN PARKES MAYA SONDHI ||
CUT TO:
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Rod with Hari. |
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ROD |
Kate knows about me and Jackie and |
Danny ... I’ve got to come clean |
to AC-12. The longer I leave it, |
the worse it looks. |
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REYNOLDS |
It is with deep regret that I |
inform you all of the death of PC |
Rod Kennedy. |
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Insert Rod Kennedy hanging. Then return to |
briefing room. |
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REYNOLDS |
Rod’s body was found hanged at an |
industrial unit. |
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Jackie rushes out. |
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01:37CUT TO BLACK:
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01:38 SUP CAPTION: WRITTEN AND CREATED BY JED MERCURIO ||
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Jackie at Hari’s house. It’s late. |
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JACKIE |
We need to talk.
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01:4610:
01:5710:
01:5710:
01:59SUPER CAPTION:
PRODUCED BY PETER NORRISCUT TO:
AC-12 Interview room.
HASTINGS:
You are now declaring that PC Rod
Kennedy killed Sergeant Daniel
Waldron?
JACKIE:
Yes, sir.
HARI:
Rod killed Danny.
CUT TO BLACK:
SUPER CAPTION:
DIRECTED BY MICHAEL KEILLORCUT TO:
EXT. RIVERSIDE. NEXT DAY.
Jackie cycles along a towpath.
A distance away, Kate tracks her movements.
Jackie comes to a halt and waits.
Kate watches.
After a few beats, Hari appears.
Kate reacts with curiosity. She observes through
a pair of binoculars.
JACKIE:
Look. I’m sorry about this. It’s
just that... I’ve got no one else
to talk to right now.
HARI:
It’s fine.
JACKIE:
Look mate. I don’t think I can keep
going into the station. All the
stuff that’s going on behind our
backs. All the stuff that’s going
on to our faces.
On Hari.
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X:
Music Ends
10:
02:04Music
10:
01:56DUR:
0’27”.Specially
composed by
Carly
Paradis.
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X:
Music Ends
10:
02:2310:
03:2710:
03:31HARI:
Yeah, well Rod was a good bloke,
weren’t he? People can’t get their
heads ‘round it.
JACKIE:
Yeah. I can see why.
Through binoculars Kate observes.
HARI:
Look Jackie don’t do this to
yourself. My hands were on that
gun and I felt Rod force the
trigger. He killed Danny. You know
it was right to stick together. You
know when he was here but now he's
gone... We’ve got to move on.
Jackie looks very upset.
HARI (CONT’D)
Ah, come here.
Hari gives Jackie a hug; with his face hidden
from Jackie, a very troubled expression is
suddenly revealed --a man who’s lying, a man’s
desperate to cover the truth. And Kate sees it.
Kate picks up her mobile and makes a call.
CUT TO:
INT. AC-12. HASTINGS’ OFFICE. MOMENTS LATER.
Hastings’ internal phone rings. He answers it.
HASTINGS:
(Into phone)
Superintendent Hastings.
KATE (O.S)
(Into handset)
CUT TO:
INT. KATE’S CAR. CONTINUOUS.
As before.
KATE:
(Into handset)
I just followed Jackie Brickford to
a meeting. With Hari Bains.
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03:3410:
03:3610:
04:08CUT TO:
INT. AC-12. HASTINGS’ OFFICE. MOMENTS LATER.
Hastings ponders.
KATE (O.S)
(via handset)
He seems pretty bloody shifty to
me.
CUT TO:
INT. AC-12. OPEN-PLAN OFFICE. MOMENTS LATER.
Hastings wanders out of his office and walks
past Dot’s desk.
HASTINGS:
Dot. Just so you know, I’ve
authorised Kate to adopt direct
surveillance on Hari Bains.
DOT:
Nice one, gaffer.
HASTINGS:
Yeah. And I want Steve in on it
too.
DOT:
Absolutely.
Hastings moves on to Steve’s desk, observed by
Dot.
HASTINGS:
Steve... Get yourself over to South
Ferry when Hari Bains comes on
shift. Be visible.
STEVE:
Sir.
Dot looks ashen.
CUT TO:
INT. SOUTH FERRY STATION. SQUAD ROOM.
CONTINUOUS.
Hari’s phone beeps for the text. Nervously he
glances at the message:
Sit tight. Act normal.
Music
10:
04:02DUR:
0’30”.Specially
composed by
Carly
Paradis.
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Hari sees Steve enter and immediately tension
racks up. He watches Steve tap on the door of
McAndrew’s office.
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