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Early morning. The Capitol Building framed at the end of adowntown street. And we're moving, gathering speed, lookingbehind our direction of travel, so that what we see is onlyrevealed once we've passed...
rattles the door. Closed. He spins back to face Michelle,
Don’t come any closer!
then a cell-phone rings. Finch’s cellphone.
Finch, flustered, pulls out his cell-phone.
Put the gun down.
(looks around nervously)
MAN’S VOICE (CONT’D)
Now tell the nice lady she owes me tenbucks.
He says you owe him ten dollars.
Michelle sighs, moves forward, kicks Finch’s gun clear asSEAN KING, 30s, steps from the shadows at the top of thesteps. Tall, handsome and armed with a disarming smile, acell phone and a combo PEN-LASER-POINTER. Finch realizes
he's been duped.
Didn’t I tell you this is where he’dend up?
You were so confident, why didn’t youmake it a hundred?
Because you don’t have a hundred.
He could have gone anywhere.
Yet here we are. And here’s Eddie,
How many cars did he hit?
Sounded more like a coupla dozen.
Tail’s kinda flat for a rabbit.
(off Sean’s look)
These look like floppy ears to you?
At the same time, Michelle pulls an envelope from Finch’sBeaver suit, opens it, reacts. Several photos. She holds themup for Sean. We glimpse Finch in his Beaver suit in acompromising position with a WOMAN.
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"King and Maxwell" Scripts.com. STANDS4 LLC, 2018. Web. 21 Jun 2018. <https://www.scripts.com/script/king_and_maxwell_38>.