How to Get Ahead in Advertising

Synopsis: Dennis Dimbleby Bagley is a brilliant young advertising executive who can't come up with a slogan to sell a revolutionary new pimple cream. His obsessive worrying affects not only his relationship with his wife, his friends and his boss, but also his own body - graphically demonstrated when he grows a large stress-related boil on his shoulder. But when the boil grows eyes and a mouth and starts talking, Bagley really begins to think he's lost his mind. But has he?
Genre: Comedy, Fantasy
Director(s): Bruce Robinson
Production: Image Entertainment
 
IMDB:
7.0
Rotten Tomatoes:
57%
R
Year:
1989
90 min
591 Views


1

Let me try and clarify

some of this for you.

Best Company Supermarkets

are not interested

in selling wholesome foods.

They are not worried

about the nation's health.

What is concerning them

is that the nation

appears to be getting

worried about its health.

And that is what's worrying Best Co,

because Best Co wants to go on

selling them what it always has,

ie, white breads,

baked beans, canned foods

and that suppurating,

fat-squirting little heart attack

traditionally known

as the British sausage.

So, how can we help them with that?

Clearly, we are looking for a label.

We need a label brimming with health.

And everything from a nosh pot

to a white sliced

will wear one with pride.

And although I'm aware of the difficulties

of coming to terms with this,

it must be appreciated

from the beginning

that even the nosh pot

must be low in something.

And if it isn't, it must be

high in something else.

And that is its health-giving

ingredient we will sell.

Which brings me to my final question.

Who are we trying to sell this to?

Answer, we are trying to sell this

to the archetypal, average housewife,

she who fills her basket.

What you have here

is a 22-year-old pretty girl.

What you need is a taut slob,

something on foot deodorisers

in a brassire.

I... I'm not quite sure we can

go along with that, Mr Bagley.

If you look at the market research...

I don't need to look

at the market research.

I've lived with 13 and a half

million housewives for 15 years.

I know everything about them.

She's 37 years old.

She has 2.3 children,

1.6 of which will be girls.

She uses 16 feet six inches

of toilet tissue a week

and fucks no more

than 4.2 times a month.

She has seven radiators

and is worried about her weight,

which is why we have her on a diet.

And because we have her on a diet,

we also encourage her

to reward herself with little treats,

and she deserves them.

Because anyone existing

on 1,200 calories

of artificial, synthetic,

orange-flavoured waffle a day

deserves a little treat.

"We know it's naughty,

but you do deserve it.

"Go on, darling, swallow a bun."

And she does.

And the instant she does,

the guilt cuts in.

So here we are again with our diet.

It's a vicious,

but quite wonderful circle,

and it adheres to only one rule.

"Whatever it is, sell it."

If you want to stay in advertising,

by God, you'd better learn that.

Bagley. Look, it's not in my nature to be

a pain in the arse with such consistency.

It's being forced on me.

I just had them on the phone.

They are phoning me back.

I've got to give them something.

- Tell them it'll be wonderful. Hi, Harry.

- All right?

I did. They're over the moon.

Apart from 15 calls a day wondering where

the f*** it is, they couldn't be happier.

They're getting impatient. We promised

them the animatic over a week ago.

I'll be frank with you, Bagley.

I'm running out of bullshit.

- Try massaging your temples.

- I've got to give them a date.

Either a date or you give me some idea

of what you're coming up with.

I'm coming up with a brilliant advertisement

for a very dull pimple cream.

Then why can't I take a look?

Why can't I see something?

You know, just a storyboard

or some roughs,

anything so as I can give them

an idea of the direction you're going in.

No. I don't show work in progress.

- Any calls?

- Mr Bristol called again, twice.

- I hope you told him I was out.

- Yes, Mr Bagley. You were out.

- Good. If he calls again, I'm still out.

- Bagley, you have got to give me a date.

All right, try Monday on him.

And don't get so panicky.

Nobody ever remembers a late delivery,

Richard. They only remember a bad one.

Boil busters. The boil busters.

Your face can be a battleground.

You need something tough.

Jesus.

What do they want

another pimple cream for?

The market's saturated.

There's a lot of boils

out there, Bagley.

"Nobody cares as much

about your skin as you do,

"but we do try.

"And because we care,

"we went to an expert -

"Mother Nature -

"and we discovered that sometimes,

the most effective way

"of dealing with those

troublesome little breakouts

"is Mother Nature's own

richest source of Vitamin A.

"So we took essential oils

"of carrot, marigold seed...

"roots and other natural ingredients,

"and we packed this sh*t

into every tube.

"We called it HP Megaventure.

"And if it doesn't work

on your blackheads,

"you can spread the f***er on toast!"

Sorry to disturb you, Mr Bagley,

but Mr Bristol's on the line again.

- Tell him I'm out again.

- He says he knows you're not.

He says he knows you're avoiding him

and he says he insists on a time to see you.

Oh, for Christ's sake, give me a break.

All right, tell him this afternoon.

Four o'clock this afternoon.

- And get my wife on the phone.

- Yes, Mr Bagley.

"Hi. My name's Barbara Simmons,

"and I'm a biochemist.

"But at night, I'm a woman,

"and I want my skin to be at its best.

"So I recommend a new product.

"It's called...

"whatever the f*** it's called,

"and I use whatever the f*** it is

"because I know it works.

"And I should know,

"because I make it."

Mrs Bagley on line one.

What do you want!

Yes, I'm sorry, darling. I know I did.

Listen, I don't think

I'm gonna make it back tonight.

I'm gonna blitz it.

Oh, no, fine, fine. It's going fine.

It's just, the deadline's

Rate this script:0.0 / 0 votes

Bruce Robinson

Bruce Robinson (born 2 May 1946) is an English director, screenwriter, novelist and actor. He is arguably most famous for writing and directing the cult classic Withnail and I (1987), a film with comic and tragic elements set in London in the 1960s, which drew on his experiences as "a chronic alcoholic and resting actor, living in squalor" in Camden Town. more…

All Bruce Robinson scripts | Bruce Robinson Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "How to Get Ahead in Advertising" Scripts.com. STANDS4 LLC, 2024. Web. 29 Mar. 2024. <https://www.scripts.com/script/how_to_get_ahead_in_advertising_10306>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.