CATHERINE’s flopped, out cold on the pavement. She could be
Help me! Help me!
(shouts at the radio)
Can you hear me!? You’ve got to
HELP ME! He’s going to kill me!
He’s going to kill me!!!!
second and get her.
2 INT. NGA, KEVIN’S OFFICE. DAY 11. 09.02 2
the open plan offices, he can see two men in suits in
CONSTABLE from NCA. They’ve just arrived).
3 INT. NGA, NEVISON’S OFFICE. DAY 11. 09.03 3
Don’t tell him I already know
as being from CID.
4 INT. NGA, KEVIN’S OFFICE. DAY 11. 09.04 4
CID, they want to talk to you.
How d’you do.
(he shakes KEVIN’s hand,
then turns to NEVISON)
Could you give us a few minutes?
Mr. Weatherill. Can I call you
Er yes. Yes. Yes of course.
Nevison says you think you know who
these people are who’ve kidnapped
It’s - I may be wrong - but. You
know. You do rack your brain. When
something like this happens, and...
Sure. Have you got names?
Okay. One. Is...
says the name his life’s
in danger, but what
choice does he have now?)
Ashley. Ashley C[ow]
(his voice fails)
Ashley Cowgill. You see we - me and
my wife -
(KEVIN’s troubled to see
the DETECTIVE CONSTABLE
instantly type the name
into an Ipad)
we rent a caravan. On this site, up
at Soyland, on Soyland Moor, and he
owns it, and he’s very friendly,
and we chat. Occasionally. And I
may have - well I have - mentioned
where I work, and of course
anyway and the fact that he’s...
well. A very wealthy man, and you
He’s - he’s - as I say, he’s
friendly, but he’s dodgy. Too. I
would say. And. The thing is. The
thing is, I...
kind of drug dealer. I mean...
point in the present crisis.
Who else? You said these people.
Okay, well he has these two boys.
Men. In their twenties. Who work
for him. I don’t - I don’t know
their names, but they’re... they’re
not... they’re not the kind of
people you’d want to mix with.
5 INT/EXT. CATHERINE’S CAR/LYNN DEWHURST’S HOUSE. DAY 11. 5
their right mind.
He’s not touching me, he’s not
touching me again, I’ll gouge his
eyes out, I’ll tear his hair out by
its roots, I’ll
(she screams, four days of
terror and anger
exploding out of her)
sirens, and sees flashing blue lights.
Outside the car CATHERINE lies still, collapsed, deathly
police vehicles and an ambulance.
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