Crazy Horse

Synopsis: In Crazy Horse, he pulls back the curtain on Le Crazy Horse de Paris, a landmark that has prided itself as "the best nude dancing show in the world" since 1951. Le Crazy Horse sets itself apart from the average strip club by adhering to exacting standards in choreography, lights and physiques. The erotic revue is composed of songs and sequences that blend traits of old-fashioned burlesque, Bob Fosse and Cirque du Soleil, designed not only for the enjoyment of men, but also couples.
Genre: Documentary
Director(s): Frederick Wiseman
Production: Zipporah Films
  1 nomination.
 
IMDB:
6.4
Metacritic:
72
Rotten Tomatoes:
85%
NOT RATED
Year:
2011
134 min
$150,477
Website
593 Views


Paroxysm

Of eroticism

Paroxysm

Of exoticism

Eternal lesson in seduction

Eternal pleasure in loving desire

Seduction

Baby buns is what they call me when l pass,

all those fellows whistling, looking at my ass,

lve had enough!

Why cant a gal be left alone

just cause shes

theres always some dodo right there

who blocks my way with his tough stare,

l know my baby buns are cute,

but its not fair!

My dear Sir, please take your hand away.

No, indeed, l guess its not your day.

Youre just wastin my precious time.

Guys like you arent even worth a dime.

Step aside and let me by,

or else lll blacken up your eye,

you just aint my kind of man

and baby, thats

Baby buns is what they call me when l pass,

all those fellows whistling, looking at my ass,

lve had enough!

Why cant a gal be left alone

just cause shes

theres always some dodo right there

who blocks my way with his tough stare,

l know my baby buns are cute,

but its not fair!

Open...

Oh, open, do open your door.

I have to see you.

l must speak to you,

excuse my boldness, but the door...

Open...

open, do open your door

I have to see you.

l must speak to you,

excuse my boldness, but the door...

Open...

Oh. open, do open...your legs, kiss,

excuse me, oh my boldness,

open your legs, come on, open your legs.

Come on. Open! Open your legs!

Youve got to open your legs for me, baby!

Open your legs!

We are the girls from the Crazy,

we sing and dance kind of funky,

you might think were somewhat naughty,

please, dont you get the wrong idea.

All men with plenty of money,

diamonds and rubies, are yummy,

if you would like to be happy,

if you would like to be in Paris,

come to the Crazy Horse saloon.

- Hi

-How are you?

Fine and you?

Fine

Hes here, right.

Theres someone again.

Whos that guy there on all fours?

Volga!

Thats a Volga!

Thats Crazy.

Can you start the Shadows film?

The film of Shadows

What do you call that film?

You called it Bernardin.

It works

Please open the curtain completely!

I love the clapperboard

House lights off, please

Its so hot

Right

Bend, bend

Throw it forward

Yes... Bend, bend...

How much time do we have? Two hours?

Koko, Lumina, Zula.

OK.

Once again

So hot

Stretch, bend

So hot

Thanks, girls. To the dressing room.

Take a shower. Even two.

It should not touch

the strip of mirrors next to

We need to work on the lighting.

Could you please just come down?

Should A, B, C and D be at the center?

Yes.

Is the backdrop centered?

Maybe its not well-centered

It is centered.

It is? Are you sure?

Thats what we agreed on

That you finish this way

Then you go up

Turn around

Thats right

I take your skirt off.

You slide down.

Slide in this position

I should first turn like this

I dont feeel sensual with that.

But frankly

And then...

Maybe I can help you like that...

You catch it, then you sway again...

And again.

There... So after its the same.

My body against yours.

Yes but there I used to do something and

you did

I used to do something like this

Yeah?

Wait. Like this.

Like this.

Then we cuddle with each other

Like this.

And then backward, with the music

There, backward with the step.

We come back from further away.

And there, once again and we leave.

Go ahead, put your hand

There...OK.

Did you get it?

Want to try?

Lada took a break.

Good, Zula. Closing your eyes is great

Good idea.

You let yourself go, you close your eyes.

And you change position

...three, four

Sensuality awakens

And one...three...

, yts hot, you open the helmet.

Three...two, three, four...Four

You stand up slowly.

Youre hot.

Its the heat that makes you stand up

Yes...

Now, Lumina enters

You go to the window

Go to the window, Lumina.

You look at each other.

It changes again.

You leave the window

And youre on the other side

Now, first contact.

Good! Second contact...

Contact

Stay in front of the window.

Lumina, not forward. Zula, not backward.

Back in front of the window

Get out of the moving walkway.

And kiss.

On your knees.

Well arched

Buttocks

Then it starts

Here you go.

Get closer.

Yes...

Move away

Get closer again

Now you can do that thing...

that thing you do in the end.

And... boom!

That hook should be changed

It scares me

Good

And please turn the work lights off on the set

Girls, change places

You, the three new girls

Together, together

Try to feel each other.

Yasna, good on the right, bad on the left.

Bend your right hand, Yasna.

Bend your right hand

Not too much. Higher

Perfect

Thank you.

The main question is the lighting

We cancelled Vestal in order to make

more side lighting available.

Part of the light plot was dedicated to Vestal

Without Vestal, we can do better

and play with the colours of the side lighting.

This iob requires

and I somehow speak in your

We should first clean all these spotlights

that all have a thick layer of dust inside

And then we should check on

the whole show and on

with the costumes, to see the result

to see what needs to be adjusted

We may need more side lighting to

outline the bod

Its the basic lighting in ballet.

It picks the bodies out and

makes them more legib

We must use it more and better.

This reviewing of the show brings

back my eternal

please, lets try to close for some time

Without closing

Philippe, lm sorry, the answer is no

What?

I cant, we cant.

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Robert Schenkkan

Robert Frederic Schenkkan, Jr. (born March 19, 1953) is an American playwright, screenwriter, and actor. He received the Pulitzer Prize for Drama in 1992 for his play The Kentucky Cycle and his play All the Way earned the 2014 Tony Award for Best Play. He has three Emmy Nominations and one WGA Award. more…

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Submitted on August 05, 2018

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