Young at Heart Page #3

Synopsis: When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can't believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life.
Director(s): Gordon Douglas
Production: Fox Searchlight
 
IMDB:
6.9
Rotten Tomatoes:
86%
APPROVED
Year:
1954
117 min
425 Views


- Oh, shall we cut there?

- Sure!

[ Laughing ]

- What an invitation!

- Oh, gosh! What have I done?

Here Ive got, what, three or four men?

[ Laughing ]

- Oh, my goodness.

- Shall I ask you that again?

Yes.

Shall we go into your bedroom?

All of us?

Yes, all of us. Come on, boys.

[ Laughs ]

- I could come as close to you-

- No, no, it's fine.

[ Laughing ]

You're getting a bit close here, Eileen.

Yes. I've gotta shut up, haven't I?

[ Laughs ]

- Getting a little intimate here.

- Gotta be careful.

All of these men around.

- Don't get nervous till I-

- You're a bit of a flirt, aren't you?

Don't get nervous till I start taking

something off. You're all right until then.

- You're a bit of a flirt, Eileen.

- Am I?

Were you always, or is that something

that's happened since you got to 90?

No, I was rather shy.

- Really?

- Yes. Very shy.

You dont strike me

as being shy at all.

No, I don't strike anybody that way.

But I was a very shy child.

Miserable kid, really.

[ Stephen Narrating ]

For the past three years, Eileen has lived...

at the Arbors Nursing Home,

about 20 miles from Northampton.

As well as being

one of the oldest residents...

shes also the only one to possess

her own key to the front door...

since she often gets back from

late-night gigs with the chorus...

well after all the staff

have gone to bed.

- I ' I l see you, kid.

- Take care.

See- Our show.

Bye-bye.

- [ Rock ]

- Thank you!

Enjoy your afternoon.

[ Continues ]

Twenty, twenty

twenty-four hours to go

I wanna be sedated

Nothing to do

and nowhere to go

I wanna be sedated

So put me in a wheelchair

Put me on a plane

Hurry, hurry, hurry

before I go insane

I can't control my fingers

I can't control my brain

No

Bam-bam, bam-bam

B-Bam-bam, bam-bam

I wanna be sedated

Bam-bam, bam-bam

B-Bam-bam, bam-bam

I wanna be sedated

[ Guitar Solo ]

Twenty, twenty

Twenty-four hours to go

I wanna be sedated

Nothing to do

and nowhere to go

I wanna be sedated

So put me in a wheelchair

Take me to the show

Hurry, hurry, hurry

before I go loco

I can't control my fingers

I can't control my toes

Oh-oh-oh-oh-oh-ohh

Bam-bam, bam-bam

B-Bam-bam, bam-bam

I wanna be sedated

Bam-bam, bam-bam

B-Bam-bam, bam-bam

I wanna be sedated

[ Funk]

Now is the time for all good men

To get together with one another

[ Stephen Narrating ]

With just six weeks to go before the show...

the choruss director, Bob Cilman,

has stepped up rehearsals...

from one to three times a week.

Despite lots of grumbling in the ranks,

everybody s till turns up.

[ Man ]

How do you feel, Stan?

[ Man Laughing ]

- [ Continues ]

- This afternoon they get their

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Julius J. Epstein

Julius J. Epstein (August 22, 1909 – December 30, 2000) was an American screenwriter, who had a long career, best remembered for his screenplay – written with his twin brother, Philip, and Howard E. Koch – of the film Casablanca (1942), for which the writers won an Academy Award. It was adapted from an unpublished play, Everybody Comes to Rick's, written by Murray Bennett and Joan Alison. more…

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Submitted on August 05, 2018

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