Written on the Body of Night Page #2

Synopsis: A look back at a director's life with his neurotic mother.
Production: Videocine S.A. de C.V.
  3 wins & 3 nominations.
 
IMDB:
6.4
Year:
2001
128 min
34 Views


Oh, and this arrived for you|about an hour ago from Tel Aviv.

Looks important.

You're here for the pope.

Actually, I am the pope's nephew.

-It's Jerusalem, isn't it?|-May I see my room now, please?

Pope's nephew, eh?|Saint Peter's suite.

This way.

-What is your name, Father?|-Winstead.

Is Fr. Lavelle in his room?

Yes, he is. It's up the stairs|to the left and across the bridge.

Ignoring warnings of armed intervention|by the Israelis...

the Palestinian National Authority|announced today...

that it will declare East Jerusalem|the capital of Palestine.

Raising the specter|of a biblical Armageddon...

Christian fundamentalists|predict the destruction...

of their most holy shrines...

if the Via Dolorosa should come|under Palestinian rule.

This is John Jays reporting|live from Jerusalem.

I don't have any money.

I don't want your money.

Just drive.

Fr. Lavelle?

Father, I am Matt Gutierrez.

Oh, so you are the chosen one.

Yes, the chosen one.

Does that disturb you in some way?

In the hierarchy of my pain, Father,|that is hardly a novitiate.

I have a few questions,|if you don't mind.

All right.

Let me see what we have in here.

So, Father, when you entered|the tomb...

you believed in the resurrection.

When you left,|you did not.

What was it, ten minutes, half an hour?|How long were you there?

No, no, no, it was not that I--|I didn't believe.

It was that I realized|it was possible that I didn't believe.

The oxidation on the wrists|and the legs.

A crucifixion in a rich man's tomb.

I know, but Romans gave out crucifixions|like parking tickets.

Yeah, but never rich people.|Only criminals or political enemies.

"There came a rich man|from Arimathea named Joseph.

And Joseph took the body of Jesus|and laid it in his own new tomb...

hewn out of the rock, and rolled|a stone against the entrance."

And that is a picture|of a rich man's tomb.

But...

so then I understand|no firm date has been established...

for the body or the tomb,|correct?

You're forgetting the coin she found.|It was a Pilatus.

Father, isn't it possible the body|in the tomb is that of a Christian?

I mean, a follower of \Christ|and not Christ himself?

Yes, it is possible. In that case,|it would have been buried...

with some Christian symbol|to illustrate the fact.

If|ot in the open,|then hidden...

on the inside of the ossuary or at the|bottom of a jar you would have found...

three concentric circles...

or an antique cross...

or a fish.

So...

it was Dr. Golban who asked you|to come to the tomb, correct?

It was Moshe Cohen|from the prime minister's office.

Did he call others?|Did he call Armenians...?

Orthodox, Protestants?

Why did he call you, Father?

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Emilio Carballido

Emilio Carballido (Córdoba, Veracruz, 22 May 1925 – Xalapa, Veracruz, 11 February 2008) was a Mexican writer who earned particular renown as a playwright. Carballido belonged to the group of writers known as the Generación de los 50, alongside such figures as Sergio Magaña, Luisa Josefina Hernández, Rosario Castellanos, Jaime Sabines, and Sergio Galindo. He studied English literature and earned a master's degree in literature from the National Autonomous University of Mexico (UNAM). As a playwright his first work was Rosalba y los Llaveros, which premiered at Palacio de Bellas Artes in 1950, directed by well-known poet and stage director Salvador Novo. This was followed by a huge number of plays, including Un pequeño día de ira (1961), which earned him the Casa de las Américas Prize, ¡Silencio Pollos pelones, ya les van a echar su maíz! (1963), Te juro Juana que tengo ganas (1965), Yo también hablo de la rosa (1965), Acapulco los lunes (1969), Las cartas de Mozart (1974), and the box office hit Rosa de dos aromas(1986). Some of his works as a playwright were filmed for the screen, such as Rosalba y los llaveros (1954), Felicidad (1956), La danza que sueña la tortuga (1975), El censo (1977), Orinoco (1984), and Rosa de dos aromas (1989). In addition to more than a hundred plays and scripts, he also wrote two volumes of short stories and nine novels, and worked randomly as a stage director. His career in the Mexican film industry began with the script for La torre de marfil, written in collaboration with Luisa Josefina Hernández in 1957. In 1972 he received two Ariels for the storyline and script of Alfonso Arau's El Águila Descalza. On 27 May 2002 he was given the Ariel de Oro for his lifetime achievements which include more than 50 films, remarkably his collaboration in Luis Buñuel's Nazarín (1959). On 16 March 2007, Carballido and his partner of 20 years, Héctor Herrera, were among the first couples to apply for a civil union following the enactment of the Federal District's 2006 Ley de Sociedad de Convivencia. Carbadillo died of a heart attack on 11 February 2008 in Xalapa. Two days later, Governor of Veracruz Fidel Herrera Beltrán ordered a day of mourning in the state and announced that the Theatre of the State and one of the state literary prizes would be renamed after him. more…

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