Whisky Galore Page #2

Synopsis: Scottish islanders try to plunder cases of whisky from a stranded ship.
 
IMDB:
5.6
Metacritic:
42
TV-14
Year:
2016
98 min
365 Views


Well, I only knew myself yesterday evening

that Catriona was...

You mean to stand there that and tell me

that you'd not been thinking of that girl

until yesterday evening?

Oh, I'd been thinking about her, yes!

Then why was I kept in the dark

about your thoughts?

By the time I'd got back

you'd gone to bed.

The bed I have made for myself

and on which I must lie!

This comes of spoiling my only child!

Spoiling me?

Spare the rod...

- You never did

- ... and spoil the child

Now look mother what would have

been the use of upsetting you and...

So you Knew that it would upset me! You knew it!

But you went on all the same

thinking only of yourself!

You've always thought only of yourself.

How many times as a child

have I caught you in the blackcurrants

when you knew perfectly well

that I wanted all the blackcurrants for my own jam

Mother, if I bring Catriona to tea,

will you be nice to her?

The day you bring Catriona Macroon

to this house

I walk out!

I'll go and live with your aunt in Glasgow

- But you hate Glasgow!

- Never mind!

"The Lord Chastiseth them that he loveth"

And who am I to set myself up

against the Lord?

There are more people in Snorvaig

But they are not so nice as the

people in Garryboo

Because they are so stuck up.

The Island Queen is a beautiful boat

but there was no Whisky this week.

And when there is no whisky,

we are all very sad.

Come along, get a move on there!

Not good enough you know!

Every time they move that roadblock

it's longer than the last!

How do you account for that?

Well I wouldn't say they are doing too badly you know

It's pretty heavy sir.

All right Sergeant, we'll see it again.

Once again men! Move!

- It's very discouraging!

- Yes sir

Just one point that did strike me, sir.

What's that?

Well sir,

if this is the only road around the island

All that Gerry would need to do in theory

would be to turn round and come in the other way.

Yes! I was wondering when you were

going to think of that!

You should have pointed that out to me before,

Mr. Campbell.

Well it's easy enough to put it right, sir.

I mean to say, if you have them at all

I'd suggest you put out a couple more roadblock

that's all sir.

- put that in hand

- yes sir.

They've been getting appallingly slack lately.

When there was a chance of invasion they were keen

enough

Now the immediate danger of invasion has gone

the keenness has gone, too.

Well, it's understandable, sir.

They are so unsporting!

They don't do things for the sake of doing them

like the English!

We play the game for the sake of the game

Other nations play the game for the sake of winning it.

I tried to introduce football onto the island

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Peter McDougall

Peter McDougall (born 1947, Greenock, Scotland) is a Scottish television playwright whose major success was in the 1970s. McDougall claims to have had very little schooling and to rarely read books, He began his working life at the age of fourteen in the shipyards of Greater Glasgow and Greenock with future comedian and actor Billy Connolly. Depressed by the harsh conditions and unfulfilled by the menial work, he left Scotland and moved to London, where he worked as a house-painter. It was while painting Colin Welland's house that McDougall impressed the actor and writer when relating tales of being the drum major in the Orange walk as a teenager. He was advised to try writing a television play about this and the result was Just Another Saturday, which McDougall wrote in secret and hid even from his first wife, a teacher nearly a decade his senior. Once completed, the script was sent to the BBC Play for Today team, who were enormously impressed but rejected the play because of the sensitive subject matter. McDougall was however asked to try again, and wrote a more intimate piece Just your Luck (1972) based on his sister's wedding, again exploring the sectarian divide in its story of a Protestant girl who finds herself pregnant by a Catholic boy. The play caused a furore in Scotland, many people appalled by its portrayal of the people's earthiness and prejudice. However, there was much positive praise too, one viewer even going so far as to say it was "the most exciting debut since Look Back in Anger." At that point, the director John Mackenzie began enquiring after the script of Just Another Saturday and managed to get the play into production, only to then find the piece banned after the head of the Glasgow police said that the script would cause "bloodshed on the streets in the making and in the showing". After a year Mackenzie managed to persuade the Head of BBC Television Alasdair Milne to press ahead with the play, although some scenes were eventually filmed in Edinburgh to minimise controversy. The finished film, the script of which was barely changed from the first draft, won massive acclaim on its first transmission in 1975, gained several repeats, and won its author the Prix Italia. McDougall followed this success up with a short kitchen comedy for BBC2, A Wily Couple (1976), part of the Centre Play series and another Play for Today, The Elephants' Graveyard (1976). During this time McDougall got the opportunity to work with talented and influential producers such as Graeme Macdonald, who later became overall Head Of Drama at the BBC in the 1980s. Several other television projects ensued, including an aborted sitcom, until McDougall and Mackenzie collaborated again on their final Play for Today, Just a Boys' Game (1979). Starring blues singer Frankie Miller this was the story of Greenock razor gangs and specifically of one man's life of alcohol and violence over a twenty-four-hour period. His most violent piece, Just A Boy's Game the film was also notable for supporting performances from a then unknown Gregor Fisher, Ken Hutchison, comedian Hector Nicol and Jean Taylor Smith. Martin Scorsese has since stated that the bar room brawl scene and its bleak moody atmosphere made the film the Scottish equivalent of Mean Streets. McDougall also wrote the BBC supernatural drama Tarry-Dan Tarry-Dan Scarey Old Spooky Man set in Cornwall about a troubled teenager experiencing dreams of an ancient family curse. Only broadcast once in May 1978 and directed by John Reardon. Mackenzie and McDougall's last collaboration was on the STV film A Sense of Freedom (also 1979), based on the autobiography of Glaswegian gangster Jimmy Boyle, detailing his crimes and subsequent reform. McDougall's subsequent plays Shoot For The Sun (1986), a bleak BBC drama starring Jimmy Nail and Brian Cox about Edinburgh's heroin problem, and Down Where The Buffalo Go (1988) starring Harvey Keitel, and Down Among The Big Boys (1993) did not meet with as significant critical acclaim. However he has remained good friends since with Keitel, who played the lead in Down Where The Buffalo Go. Keitel was caught wearing a “Get Me Peter” T-shirt during the filming of Down Where the Buffalo Go in a declaration of disillusionment with the director Ian Knox, and his bond with McDougall.In 1994, McDougall was caught remarking upon the appointment of BBC's new Head of Drama, future Last King Of Scotland producer Andrea Calderwood, that the BBC should never had given the job to a "wee lassie". The two later made up and Calderwood was later invited round McDougall's for dinner, with Billy Connolly and Brian Cox present.McDougall was assaulted in Glasgow's West End in 1995, with an assailant brandishing a knife whilst walking home with his son. He was stabbed above the eye and taken to the Western Infirmary, where his wounds required more than 20 stitches. more…

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Submitted on August 05, 2018

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