Weekend Page #3

Synopsis: A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Director(s): Jean-Luc Godard
Production: Janus Films
  1 win & 3 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
96%
NOT RATED
Year:
1967
105 min
Website
1,767 Views


You can't stand us screwing on

the Riviera, screwing at ski-resorts!

Can't stand us throwing cash around

all year while you can't!

And in spring we go to Greece,

where dirty peasants like you...

...are thrown into jail along

with their shitty tractors.

No need to insult my tractor, miss.

I bet you don't even own it.

It belongs to a crooked union

or a crummy cooperative.

Your foreign car!

Stolen, I bet!

The heir to the Robert factories

gave it to me because I screwed him.

You impotent bunch

are incapable of screwing!

The government screws you

and your twat of a tractor!

Without me and my tractor

the French would starve.

Paul is dead!

He had the right of way.

Now he's dead.

Don't you be so sure.

He had the right.

He was handsome, young, rich.

He had the right over fat ones,

poor ones, old ones...

You shouldn't say that.

You wretched great sh*t heap, you!

You wretched little tart!

Your cut-price tractor!

It cost plenty for someone

who toils with his hands.

And my Triumph? A total loss.

You don't give a damn, do you?

And now he's dead.

You think you can shrug it off,

do you? Well, I say you won't!

Witnesses!

We had right of way, didn't we?

Sorry, but we don't have the time.

You can't just leave like that.

We're all brothers, as Marx said.

You bastards!

Bastards!

Jews! Dirty Jews!

You're disgusting!

PHONY:

GRAPH:

Your shortcuts always waste time

and that means money.

Don't bother me.

When did civilization begin?

You're worried about it?

No, it's the landscape.

Anyway, I don't understand.

What?

Didn't you hear what he said?

We're all brothers, as Marx said.

It wasn't Marx.

Another communist said it.

Jesus said it.

Anyway, I agree with you.

I don't care, even if it's true.

These aren't the Middle Ages.

What's the time?

SATURDAY:

3:
00 PM

SATURDAY:

4:
00 PM

If I humped your wife and hurt her,

would you call that a scratch?

Run them down.

Will it rain?

Certainly it will.

No, the sun's coming out.

I say it'll rain.

SATURDAY:

5:
00 PM

Can you give me a lift?

- Get in.

- Joseph!

- To Mantes la Jolie?

- It's the other way.

- Then turn round.

- You're crazy.

Go on!

I said turn round!

Get in, Marie-Madeleine.

Hurry up!

Get a move on!

Stop!

Slowly!

- Get out! Hurry up!

- You're crazy!

Get in, quick!

Be careful!

THE EXTERMINATING ANGEL

Help!

Silence! Even God has His police.

Prove it!

Will you shut up?

- Prove it.

- Help!

Shut up!

Will you shut up?

Prove it how?

Well, we're married.

We screw legally.

I bet that's not true of you two.

That's it in a nutshell!

Tell me your name, Madame.

Me? Corinne Durand.

Durand's your husband's name.

What's yours?

My maiden name?

Rate this script:4.0 / 2 votes

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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    "Weekend" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/weekend_23197>.

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