We Need To Talk About Kevin Page #2

Synopsis: Eva Khatchadourian is trying to piece together her life following the "incident". Once a successful travel writer, she is forced to take whatever job comes her way, which of late is as a clerk in a travel agency. She lives a solitary life as people who know about her situation openly shun her, even to the point of violent actions toward her. She, in turn, fosters that solitary life because of the incident, the aftermath of which has turned her into a meek and scared woman. That incident involved her son Kevin Khatchadourian, who is now approaching his eighteenth birthday. Eva and Kevin have always had a troubled relationship, even when he was an infant. Whatever troubles he saw, Franklin, Eva's complacent husband, just attributed it to Kevin being a typical boy. The incident may be seen by both Kevin and Eva as his ultimate act in defiance against his mother.
Director(s): Lynne Ramsay
Production: Oscilloscope Pictures
  Nominated for 1 Golden Globe. Another 27 wins & 62 nominations.
 
IMDB:
7.5
Metacritic:
68
Rotten Tomatoes:
76%
R
Year:
2011
112 min
$1,738,692
Website
2,232 Views


Everyone should have

a corner of their own.

I have my room.

This is the mother's room.

Mother can help make your room

so special, if you prefer.

"Special" mean?

This means that it reflects

of human personality.

What is personality?

I thought I knew there and then.

It's absurd.

No, no, good.

I do not need it you?

And him?

Got it.

I mean if you have to take care of all ...

I can.

Really?

Both which are great.

Okay, John.

Be mild. I'll tell you later.

Goodbye.

Kevin?

Kevin?

Nothing to say anymore?

Go wash your face!

It just said sorry.

And it's just trying to help children

so special.

Remember why you have that?

What is really most

mother did.

You know how people

teach a cat?

Tuck them into your nose

Department of faeces.

We do not like that.

And from there they discharge into the box.

Now, let's work

with numbers.

- Number of 3's behind?

- 9.

- Number 7's behind?

- 71.

Now we stop now?

Hold off.

The community they go,

because you are too intelligent.

I do not ...

I do not ...

I felt good to do you?

I can see

doctors alone.

I have to tell her this, Eva.

She is very energetic boy.

- Thank you.

- Nothing.

What did your mother,

it is wrong.

And she very apologetically.

Kev? Kev, wait minute!

Kev?

Kevin?

Kev, why is this?

I broke my hand.

Why do you break your hand?

The extrusion diarrhea in diapers.

Mother had to go for a new diaper.

And I fell down from the table

truck toys at changing diapers.

Mother took me to

Goldbutt doctor.

It's all in me.

No, I do not think cycle.

Where can I look after it

any time of day was.

Franklin ...

Unbelievable.

What style do it?

Anyway, also progressive.

Unfinished.

Got it.

I love you.

I do not like this.

Turn it off.

Department of pet, you mind

if the supermarket where she parked?

I want to go home.

As the mother should buy ...

Well we go home.

Hi all!

Dad! What now?

Dad took the beautiful photos you?

Eva, it was just a boy.

A very good boy.

Like every other boy.

Fat mom out!

Ever ...

I never new him to say?

Soon. The time now.

Why do arbitrarily decide

without him?

Now I know I say?

Then he planted the seed bears little

Bear in the womb, then it

become an egg.

I understand that it is?

Is this guy put the "pee spot"

the "primary site" of the other.

Hug ...

I do not want anyone

play with me?

No.

You might like here.

What if I do not like?

Then only you will become familiar.

Just because she was familiar

with something ...

does not mean she likes it.

Familiar with the child and that parent only.

Oh yeah ...

In the few months we

will have to get used to new people.

Linda.

Kev, I went to see my sister.

Rate this script:5.0 / 1 vote

Lynne Ramsay

Lynne Ramsay (born 5 December 1969) is a Scottish film director, writer, producer, and cinematographer best known for the feature films Ratcatcher, Morvern Callar, We Need to Talk About Kevin and You Were Never Really Here. Her films are marked by a fascination with children and young people and the recurring themes of grief, guilt and death and its aftermath. They are low on dialogue and explicit story exposition, and instead use images, vivid details, music and sound design to create their worlds. In April 2013 she was selected as a member of the main competition jury at the 2013 Cannes Film Festival. In 2015, she was named as a member of the jury for the main competition at the 2015 Venice Film Festival. more…

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Submitted on August 05, 2018

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