Waltz of the Toreadors Page #2

Synopsis: This is the end of a glorious military career: General Leo Fitzjohn retires to his Sussex manor where he will write his memoirs. Unfortunately, his private life is a disaster: a confirmed womanizer, Leo has infuriated his wife Emily, now a shrewish and hypochondriac woman, all the more bitter as she still loves him. The General has two plain-looking daughters he dislikes and an attractive French mistress, Ghislaine, with whom he has had a platonic affair for seventeen years. When Ghislaine resurfaces, determined to complete her love with him and to get rid of Emily, Leo is at a loss what to do...
Genre: Comedy
Director(s): John Guillermin
  Nominated for 1 BAFTA Film Award. Another 1 win.
 
IMDB:
5.9
NOT RATED
Year:
1962
105 min
105 Views


Yes, I know, my boy,

but they're the wrong ones, unfortunately.

Sit down, Robert. Sit down.

Now, where were we?

Relations between

the Sultan and the government, sir.

Oh, yes, yes.

Yes, that was the day

they made off with two of our missionaries.

Yes. You see, they got hold of these two fellas,

had a bit of fun with them,

sent them back dead as mutton,

minus...one or two of their spare parts.

Of course it was an insult to the flag.

I should say it was, sir.

Yes, it certainly was.

We had to mount an expedition.

But, oh, my boy, Robert,

what a campaign that was! What a campaign!

We got our money's worth

for those two angel-makers.

The heathens we ran through.

Good clean steel, you see, my boy,

and none of your bloody nonsense.

Slaughtered the lot of them left, right and centre.

Yes.

Yes. Then there was the women.

- Oh, yes, sir?

-Yes.

Those native girls.

Little things, crouching naked - little minxes

with the devil in their eyes,

limbs like silk, and the figures, my lad.

You, your sword still steaming in your hand.

You've killed. You're the master.

She knows it, you know it.

There in the hot, dark tent.

The two of you

alone.

The hot, dark tent?

Hm? What?

Er, what...what happened then, sir?

Well, damn it all, Robert, we're not savages.

We er...turned them over

to the Sisters of Mercy at Rabat.

Blast. There's that Grogan

ruining the memoirs again.

Ah, I see you're doing

your scientific research again, Dr Grogan.

- Yes.

- What's the matter with her this time?

Well, there's a little leak in the top radiator.

There's a water pump at the bottom,

and when the water goes up...

Would you like me to tell you

about my old stallion's fetlocks?

- I see you've got your blues on.

- Yes, put'em on.

And how's the invalid? Any scenes today, hm?

Oh, no, no, no, no.

A small one, and I took your advice.

- I closed the door on her.

- Good, good.

The only reason she won't walk

is to rouse your pity and stop you leaving her.

Ah, it's blackmail, that's what it is, blackmail.

To think I once loved her.

Huh. It's happened to all of us, General.

Yes, because before becoming

a professional invalid,

Emily had quite an amorous disposition,

you know.

- Really?

- Yes.

Did I ever tell you she was an opera singer?

- Often.

- Yes.

- Of course, I made her give it all up.

- And now she hates you for it.

Well, I don't see why. She's gone on

giving the same performance for 20 years.

Just for me.

- A little wearing, General.

- Yes.

- Where's your coat?

- I left it in the car.

Shall I answer it, sir?

No, ignore it, my boy, ignore it,

and close the door, for God's sake.

- Very good, sir.

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Jean Anouilh

Jean Marie Lucien Pierre Anouilh (French: [ʒɑ̃ anuj]; 23 June 1910 – 3 October 1987) was a French dramatist whose career spanned five decades. Though his work ranged from high drama to absurdist farce, Anouilh is best known for his 1944 play Antigone, an adaptation of Sophocles' classical drama, that was seen as an attack on Marshal Pétain's Vichy government. One of France's most prolific writers after World War II, much of Anouilh's work deals with themes of maintaining integrity in a world of moral compromise. more…

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Submitted on August 05, 2018

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