Vincent & Theo Page #3

Synopsis: It's the late nineteenth century. Adult Dutch brothers Vincent Van Gogh and Theo Van Gogh, living in Paris, lead differing lives despite having art as a connection. Vincent, who sticks to his principles which includes believing in God but not religion, wants to be a full time painter, living in squalor for his art. Theo, who works in an art gallery, lives for the moment, he selling art which he doesn't much like to lead a comfortable life. One other area of commonality between the brothers is easily succumbing to pleasures of the flesh. Theo does not sell Vincent's art, as he knows it is not in demand. Vincent's view of his brother does not change when he learns it is Theo, and not their father which he had previously thought, who is supporting him. Each brother is a tortured soul - in Vincent's case, it considered in some circles as madness - which affects how each deals with his respective life. Beyond the several sexual relationships each has, some key moments and more extended peri
Genre: Biography, Drama
Director(s): Robert Altman
Production: Hemdale Film Corporation
 
IMDB:
7.0
Metacritic:
65
Rotten Tomatoes:
88%
PG-13
Year:
1990
138 min
198 Views


Shouldn't we care about

other?

You're vicious, venomous

and you look like a worker.

I'm a worker.

- Yes, I see.

A painter.

What do you know about painting?

You have no idea.

This is revolting.

- Stop, Vincent, you're crazy.

I thought you're the servant.

Stay here.

The baby is going to be born.

- Can you walk?

Their hair is darker

than the Dutchwomen's.

Their eyes more brown

and they smile much more.

Listen carefully,

I'll explain it again.

The reason why

we Dutchmen like...

French girls is...

Don't be impatient.

Theo.

- What?

Are you coming tonight?

- I'm not going out.

You're very boring.

I don't want to go out. And you?

Why does he paint this?

It's revolting.

It's what he sees.

Anyway...

he'll paint in oils soon.

Leave him and peel potatoes.

The baby is crying.

He doesn't need much.

Look what I have.

My brother...

uncle Theo...

has sent me some paints.

Where have you got the money?

I've earned it.

How?

- What do you want me to do?

Cleaning the house?

Peeling potatoes?

That's very funny.

While you play with your paints.

Hurry up, before

start raining.

It didn't work.

You're decent and I'm not.

Many times I don't

know what are you talking about.

Did you see the doctor?

What did he said?

The same as always.

Did he say it is me?

He told me that I should

sleep alone for some months.

Who am I going to sleep with?

The door is closed!

When de door is

closed, don't come in.

Poussin, come here.

Where are you going?

- To Saint Germain...

to see the new blacks.

Everybody talks about them...

Are you coming or not?

- I'm not interested.

I'm going

- Then hurry up.

Are you going?

- I can't sleep with you, so...

I can't stay here.

Don't ask questions.

You wanted to change my life.

Mind your own business.

My life is fine like that.

God!

I hate this place!

You know it's

more complicated than that.

The world of art, what we

sell in galleries...

is something very difficult.

I should stop painting.

I can't do it if

you don't believe in me.

I believe in you.

But I can't force

people to buy...

what they don't want.

I always forget you

are a business man

I'm not the owner of the gallery.

I don't even run it, I work there.

They'd fire me if...

I tried to exhibit

your pictures in their premises.

You're generosity

is killing me.

I'm going to Paris.

- What?

I don't think you're ready.

- When do you think I'll be ready?

Probably never!

Not yet.

I want to make a deal.

Every month,

when you send me the pension,

I'll send you the pictures

I have painted.

This way, when they ask me

if I paint for money...

I could answer, yes.

For God's sake!

And what about me, Vincent?

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Julian Mitchell

Charles Julian Humphrey Mitchell FRSL (born 1 May 1935) is an English playwright, screenwriter and occasional novelist. He is best known as the writer of the play and film Another Country, and as a screenwriter for TV, producing many original plays and series episodes, including at least ten for Inspector Morse. Mitchell was born in Epping, Essex, and educated at Winchester College, where he won the English Verse and Duncan Reading Prizes. He did his national service in submarines 1953-55 as a Sub Lt RNVR. He then went to Wadham College, Oxford and received a BA with first class honours in 1958. This was followed by a period as a Harkness Fellow in the USA (1959–61). He earned an M.A. in 1962 at St. Antony's College, Oxford. Since 1962 he has been a freelance writer. In the late 1960s, Mitchell co-wrote the teleplay Arthur (Or the Decline and Fall of the British Empire) with Ray Davies of The Kinks. It was never produced, though it gave rise to the band's concept album. He recently recalled the aborted project: "Arthur had a most unhappy history. It was originally meant to be a ... sort of rock opera, and we got as far as casting (excellent director and actors) and finding locations and were about to go when the producer went to a production meeting without a proper budget, tried to flannel his way through it, was immediately sussed and the production pulled. I have never been able to forgive the man." Mitchell has written nine produced plays, including Another Country, which won the SWET (now Olivier) Award for best play of the year (1981), and After Aida (1985), a play-with-music about composer Giuseppe Verdi. Mitchell has screenplay credits for five feature films. The earliest was Arabesque (1966), which was directed by Stanley Donen. Another Country (1984) is based on Mitchell's own play, and directed by Marek Kanievska. Vincent & Theo (1990) is a biographical film about the famed painted Vincent van Gogh and his brother Theo, and was directed by Robert Altman. August (1996) was directed and starred Anthony Hopkins, and was adapted from Anton Chekhov's classic play Uncle Vanya. Wilde (1997) is based on the life of Oscar Wilde, and was directed by Brian Gilbert. In 2007 he wrote the BBC4 drama Consenting Adults about Sir John Wolfenden and his celebrated 1957 report. more…

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Submitted on August 05, 2018

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