U.S. Marshals Page #2

Synopsis: When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and saves lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown.
Director(s): Stuart Baird
Production: Warner Bros. Pictures
  1 nomination.
 
IMDB:
6.5
Metacritic:
47
Rotten Tomatoes:
26%
PG-13
Year:
1998
131 min
1,565 Views


illegal to carry a handgun in Chicago?

Come on.

You ever try towing a car on the

Dan Ryan at 3 a. m. without a handgun?

What about East 42nd,

1 st Avenue in New York City?

- What about it?

- Ever been there?

- No.

- Never?

- Never.

- Oh.

Then you wouldn't know about the double

homicide took place there last December?

Obviously not.

That's interesting.

Because the prints we took off you...

...flagged this.

Federal arrest warrant for Mark Roberts.

Prints from the crime scene

match yours.

Uh-uh. This is bullshit. This is bullshit.

Let me talk to a lawyer.

Don't touch me.

CALDWELL:

You'll get a lawyer...

...at your extradition hearing!

You're going back to New York.

Back? I've never been to New York! I don't

know nothing about a double homicide.

Get him out of here.

You'll have plenty of time

to explain that in New York.

MARK:

You got the wrong man.

CALDWELL:
Get him out of here.

MARK:
You're making a mistake.

CALDWELL:

Thanks.

- There, Mark Warren. What's going on?

- I don't know.

MARIE:

Why is it taking so long?

SERGEANT:

It's still being processed.

MARIE:

Mark! Mark!

OFFICER:
Whoa, whoa. Hold it there.

- Mark! Unh. Mark!

Marie, it's okay. It's okay.

- What's happening?

- Just a little mistaken identity.

Where are they taking you?

Just be cool, baby.

Everything's gonna be fine.

[CHATTERING]

[CLASSICAL MUSIC

PLAYING OVER SPEAKERS]

- You know...

- Yeah, well.

[ALL LAUGH]

WOMAN 1:
Have a lovely evening.

MAN:
Thank you.

I'll be right back.

WOMAN 2:

Oh, hi.

Hello, deputy. I'm surprised you made it.

Catherine.

This is Stacia Vela.

This is U.S. Marshal Catherine Walsh.

She's the boss.

Delighted to meet you. I've seen you so

much on TV. You're very lovely in person.

Um, thank you.

You're welcome. I'm gonna take Sam

away from you for just a minute.

- Um, sure. I'll go and wait at the bar.

- Okay.

Never one to be afraid of the obvious.

I admire that in a man.

- Did I do something?

- Yeah.

You hit your prisoner while he was

in handcuffs. He could sue us.

He bit one of my kids,

he got smacked on the head. So what?

- "So what?"

- Yeah, so what?

Twenty-seven stitches is "So what?"

He needed a smack on the head,

he got it. What's the big deal?

Look, D.C. wants to take

full advantage of this Conroy bust.

You are gonna personally escort

these clowns to the federal pen.

- You will give a little speech to the press.

- No, I don't...

You are going...

...to do a nice little PR

song and dance. And then...

...you are gonna go fishing...

- What?

- ... or something.

You're gonna take a vacation.

You're gonna be happy.

Okay?

Okay.

The plane leaves at midnight.

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Roy Huggins

Roy Huggins (July 18, 1914 – April 3, 2002) was an American novelist and an influential writer/creator and producer of character-driven television series, including Maverick, The Fugitive, and The Rockford Files. A noted writer and producer using his own name, much of his later television scriptwriting was done using the pseudonyms Thomas Fitzroy, John Thomas James, and John Francis O'Mara. more…

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Submitted on August 05, 2018

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