True Confession Page #3

Synopsis: Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is found dead, all the (circumstantial) evidence points at her. She is put on trial for murder, and her husband defends her. He thinks she is lying again when she says she didn't do it, and insists she plead that she did, but in self defense. Charlie, a shady, odd character who may or may not know something about what really happened, hangs around the courtroom and jail making rude comments and noises. After Helen is acquitted, he tries to blackmail them.
Genre: Comedy, Crime
Director(s): Wesley Ruggles
Production: Paramount Pictures
 
IMDB:
7.4
APPROVED
Year:
1937
85 min
85 Views


It was heartbreaking,

absolutely heartbreaking,

when it dawned on me

what had happened.

He thinks that typewriter's

our baby, our little Harold.

But- That's a cute-

cute name- Harold.

Take the typewriter. Maybe you can

get away with it before he comes home.

If you meet him, though, you'll

never walk through that doorway alive.

Do you remember

what Ken said last night?

You mean when the three of us

had gone to bed?

No. About the baby. He stood there

patting it, and he turned to us and said,

''Do you know, I love my

baby more than life itself.

And I'll kill the first person

who tries to harm it.''

Oh, that.

Why, a guy like that

oughta be locked up.

But- Why, a guy like that

can- can cause a lot of trouble.

Well, we can't take him away

too suddenly. He becomes violent.

We'll have to pretend some Sunday we're

going to his uncle's farm to pick hazelnuts.

Ha- Well, the best thing for me to do is to get this

baby- get this typewriter out of here right away.

Well, suit yourself.

It's your own risk.

Hello, there.

How's my baby?

Baby?

Oh, hello, Daisy.

Hello, Ken.

Didn't know you had guests. Oh, Ken, I want

you to meet Daisy's friend, Mr. McDugal.

This is my husband,

Mr. Bartlett.

Daisy's friend?

Mmm.

Eh-

- How do you do?

- Oh, how do you do?

I'm glad to know you. Mr. McDugal was

just leaving. He brought Daisy over.

Well, uh-

What in the worid?

''My Loved One.''

Who put it over there?

Oh, I put it there. It was tired.

[t was what? Yeah, as the lady was

saying, I was just about to leave.

Oh, don't hurry off.

Sit down there.

['ll go out and mix up

a batch of poison.

Poison?

He's not gonna poison me!

What happened?

What was he yelling about?

Oh, uh, I-I don't know. Yes, you do,

Daisy. You told me he goes crazy...

every time he hears the word ''poison'' on account

of he got drunk one night on some bad liquor.

Remember?

Of course.

I'm sorry.

I was talking about cocktails.

How far does he usually run? Oh,

uh,just to the corner and back.

He usually waits

for me downstairs.

I thought he was

a queer sort of duck.

Where did you meet him?

Uh- U-Uh, well-

She, uh

- They went to school together.

Oh, we went to school together.

Say, what is this?

What's what?

Well, I have to leave now. Mr. McNoonan

is waiting for me. No, he isn't.

His name isn't McNoonan.

It's McDugal.

Well, that's what she said.

That's what I said. Good-bye.

Hey, wait a minute.

Daisy!

And I hope you choke.

It was- It was too bad

about the client today.

Yes, it's too bad he

was dishonest. Oh, yes.

I can't stand a liar.

You know that.

Mm-hmm.

Who was that man?

What man?

Who was he? Oh- Oh, you mean Daisy's

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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