True Confession Page #2

Synopsis: Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is found dead, all the (circumstantial) evidence points at her. She is put on trial for murder, and her husband defends her. He thinks she is lying again when she says she didn't do it, and insists she plead that she did, but in self defense. Charlie, a shady, odd character who may or may not know something about what really happened, hangs around the courtroom and jail making rude comments and noises. After Helen is acquitted, he tries to blackmail them.
Genre: Comedy, Crime
Director(s): Wesley Ruggles
Production: Paramount Pictures
 
IMDB:
7.4
APPROVED
Year:
1937
85 min
84 Views


No.

Yes.

And what'll Ken say? He won't say

a word, 'cause he's not gonna know.

Oh, that's grand. A wonderful

insurance for a happy marriage.

Got any cold water?

Uh-

Helen, if you think you can hold down a

job six days a week without Ken knowing it-

It's five days a week. Well, all

right, five. I still say that you can't-

And $50 a week. And three hours

a day. And guess what I am.

No, thanks.

Well, I'm a private secretary

to a broker.

Are you serious?

Of course I am.

And who thought to offer you

a proposition like that?

Mr. Krayler, Mr. Otto Krayler.

He was an old friend of my father.

Mmm, five days a week, three hours a day,

$50 a week, private secretary to a broker-

And you can't even take

shorthand. Well, I can learn.

That's not all

you're gonna learn.

Helen, you're stark, staring mad.

I am not!

Well, all I can say is,

it was nice knowing you...

while you were happily married,

and I'll be seeing you.

You don't need me.

I do!

I'm all excited, and Ken will notice

if we're alone and ask questions.

You know how lawyers are-

asking questions, practicing.

Well, I still have a date,

so let him pract- Ooh!

Hello.

Hello.

Who's that?

Well?

I'll pay you next week.

Don't make me laugh.

You owe me $12, and I'm

here to get the typewriter.

You got your nerve! Get out

of here. Don't make me laugh.

Nothing could make you laugh.

Listen, I really mean it.

I'll pay you next week. Will you please

leave the typewriter here until then?

I- I need it for my business.

No.

Good-bye, baby.

[f your business wasn't bad,

you wouldn't owe $ 12 on the typewriter.

Don't touch that!

Why not?

All right, go ahead.

Why should I worry about

what's gonna happen to you? Huh?

Huh?

I said go ahead and take it.

What do you mean about

''what's gonna happen''?

I was talking about my husband. Go ahead

and take it. Maybe he won't see you.

Your husband? I'm not afraid of

your husband. Don't make me laugh.

That's because you don't know

what's wrong with him.

Why? What is wrong with him?

He's insane.

Helen! Well, never mind, Daisy.

He mightjust as well know.

You mean your own husband is nuts?

Absolutely nuts.

Ohh.

All right, your husband's batty.

So what?

Is he locked up?

No. We're trying to

get him away quietly.

He's been insane

ever since we lost our baby.

But-

Oh, I'm sorry, lady.

Mmm. First time I realized he

was insane was about a week ago.

It was 2:
00 in the morning.

I woke up and I saw a light in here.

So I got up and I tiptoed in.

And there was my husband-

my own husband-

smiling at that typewriter

and talking baby talk and patting it.

Patting it?

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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    "True Confession" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/true_confession_22302>.

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