Synopsis: When Jess sets sail on a yacht with a group of friends, she cannot shake the feeling that there is something wrong. Her suspicions are realized when the yacht hits a storm and the group is forced to board a passing ocean liner to get to safety, a ship Jess is convinced she's been on before. The ship appears deserted, the clock on board has stopped, but they are not alone... Someone is intent on hunting them down, one by one. And Jess unknowingly holds the key to end the terror.
Director(s): Christopher Smith
Production: Icon Entertainment International
  1 win & 5 nominations.
Rotten Tomatoes:
99 min

No! Heather, Greg's been my friend

for a really long time.

I can't just sit back and watch him

get shaken down.

She isn't doing that.

Well, I hope not because Greg is

far too trusting.

I'm kinda linking the boy.

Uh, no, you're not. Can you please

go up there and talk to Greg?

I really think the two of you will

be perfect for each other.

And I really don't like

seeing him with her.

Jess, are you ready?

Yeah, let her go.



So, how do you know everyone?

Victor, he's staying

with me for good.

He got in troubte at home.

He had to get away.

I found him sleeping behind

the store at the harbor.

You know, we got talking,

and now he lives here.

Just like that

you let him move in?

Well, I got three rooms.

I can't sleep in them all.

And Downey, I've known him

since I was a kid.

Sally, his wife, I know her from

high school.

I dated her for like four days

in the eighth grade,

so technically

she's my ex.

They seem really nice.

Yeah. Except for the fact that

every year they feel obliged

to bring me an eligible girl.

Maybe they think you're lonely.

Do I give off lonely to you?


When I come to see you at the diner,

I'm not lonely, I'm hungry.

Obviously yesterday was different.

What happened yesterday?

Yesterday I was not hungry.

I came in with the sole purpose

of inviting you sailing.

You did?

I did.

Turn at port side.

We're losing wind.

Let me check it

for]ust a sec.

So, things are

okay with Tommy?

The same.

Every day is the same.

Tommy likes the things

to be a certain way. Yeah.

If I do one thing

differently, I lose him.

What's the matter? I've never seen you

like this before.

I don't know. I just, uh, I just

feel guilty when I'm not with Tommy.

That's because

you're a good mother.

But you can't be everywhere

Rate this script:(0.00 / 0 votes)


Translate and read this script in other languages:

Select another language:

  • - Select -
  • 简体中文 (Chinese - Simplified)
  • 繁體中文 (Chinese - Traditional)
  • Español (Spanish)
  • Esperanto (Esperanto)
  • 日本語 (Japanese)
  • Português (Portuguese)
  • Deutsch (German)
  • العربية (Arabic)
  • Français (French)
  • Русский (Russian)
  • ಕನ್ನಡ (Kannada)
  • 한국어 (Korean)
  • עברית (Hebrew)
  • Український (Ukrainian)
  • اردو (Urdu)
  • Magyar (Hungarian)
  • मानक हिन्दी (Hindi)
  • Indonesia (Indonesian)
  • Italiano (Italian)
  • தமிழ் (Tamil)
  • Türkçe (Turkish)
  • తెలుగు (Telugu)
  • ภาษาไทย (Thai)
  • Tiếng Việt (Vietnamese)
  • Čeština (Czech)
  • Polski (Polish)
  • Bahasa Indonesia (Indonesian)
  • Românește (Romanian)
  • Nederlands (Dutch)
  • Ελληνικά (Greek)
  • Latinum (Latin)
  • Svenska (Swedish)
  • Dansk (Danish)
  • Suomi (Finnish)
  • فارسی (Persian)
  • ייִדיש (Yiddish)
  • հայերեն (Armenian)
  • Norsk (Norwegian)
  • English (English)

Discuss this Triangle script with the community:


Use the citation below to add this screenplay to your bibliography:


"Triangle" STANDS4 LLC, 2020. Web. 6 Jun 2020. <>.

We need you!

Help us build the largest writers community and scripts collection on the web!

The Marketplace:

Sell your Script !

Get listed in the most prominent screenplays collection on the web!

The Studio:

ScreenWriting Tool

Write your screenplay and focus on the story with many helpful features.

Thanks for your vote! We truly appreciate your support.