Touch of Evil Page #3

Synopsis: Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie.
Director(s): Orson Welles
Production: October Films
  6 wins & 1 nomination.
 
IMDB:
8.1
Rotten Tomatoes:
96%
PG-13
Year:
1958
95 min
1,416 Views


- Yeah?

Well, what happened to Vargas?

Nothing.

- Oh no? - Al!

It had nothing to do with the bombing.

- Somebody threw acid at him.

It doesn't matter. He missed.

- Who was it, Al?

I don't know. He got away.

- It was one of the Grandi kids.

What makes you so sure of that?

- Intuition.

Intuition? - Vargas and his

Keystone Cops have been giving

the Grandi family

quite a tough time lately.

Does your intuition

also tell you about my wife?

She was accosted and led to some dive

on your side of the border.

The Vargas family seems to be

gettin' into a lot of trouble tonight.

Can you describe this man?

- The first one...

...was young, good-looking...

- So there were two men?

Not exactly.

You say she was taken by force?

Not by force, no.

One of the Grandis was there waiting.

Short, fat, with a moustache...

- Uncle Joe. - What?

They call him Uncle Joe Grandi.

- That's right.

Go on.

I've told you what happened.

Aren't you gonna do something?

You have to make a charge.

Isn't that procedure in Mexico?

You say your wife was attacked.

- I didn't say that.

Molested? - Not physically, no.

- Was obscene language used?

I don't think so. - So your wife

allowed herself to be picked up...

She was not picked up.

- I think we're on the wrong tack.

Then this young man was her friend?

- Obviously not!

You wouldn't call that getting

picked up? - Now we mustn't forget

that Mr Vargas

is not on the witness stand.

Hank's a born lawyer, you know.

- No, lawyers only care about the law.

Captain, you are a policeman?

Aren't you?

You don't seem very fond of the job.

Plenty of soldiers don't like war.

It's a dirty job, enforcing the law.

But it's what we're supposed to do.

When a murderer's loose,

I'm supposed to catch him.

Well, Pete,

let's get back to civilization.

Let's go, Hank. It's almost dawn.

You gotta get some rest.

No chance of that, partner.

We got a big day ahead of us.

See any better this way?

You can turn it off now, buster,

you're wasting your batteries.

What are you doing in the dark?

There's no shade on the window.

Can we turn the light on now?

No, we can't.

- Why not?

'Cause there's no bulb any more.

Risto! Risto!

Uncle Joe is plenty mad.

He wants to talk to you!

Risto! Risto, come back here!

Stop him!

Stop him, Sam!

Who told you to throw acid at Vargas?

Stop him!

Who told you to throw acid at Vargas?

Who's the boss of this family?

Who's the boss?

My old man.

- Sure, but he's in the pen!

Until he gets out,

who's running this outfit?

Who's in charge?

- Alright, you.

What a setup to work with!

One brother in jail, two others dead.

Nobody left to do business with

but a bunch of nephews!

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Orson Welles

George Orson Welles (; May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds"; and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock. In 1937 he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941. Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells' novel The War of the Worlds performed for his radio anthology series The Mercury Theatre on the Air. It reportedly caused widespread panic when listeners thought that an invasion by extraterrestrial beings was actually occurring. Although some contemporary sources say these reports of panic were mostly false and overstated, they rocketed Welles to notoriety. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane. Welles was an outsider to the studio system and directed only 13 full-length films in his career. He struggled for creative control on his projects early on with the major film studios and later in life with a variety of independent financiers, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes. He has been praised as "the ultimate auteur".Welles followed up Citizen Kane with 12 other feature films, the most acclaimed of which include The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1966). Other works of his, such as The Lady from Shanghai (1947) and F for Fake (1973), are also well-regarded. In 2002, Welles was voted the greatest film director of all time in two British Film Institute polls among directors and critics. Known for his baritone voice, Welles was an actor in radio and film, a Shakespearean stage actor, and a magician noted for presenting troop variety shows in the war years. more…

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Submitted on August 05, 2018

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