Tom Jones Page #3

Synopsis: In eighteenth-century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western nonethele
Director(s): Tony Richardson
Production: Woodfall Film Productions
  Won 4 Oscars. Another 16 wins & 20 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
84%
NOT RATED
Year:
1963
128 min
650 Views


Ah, you play like an angel.

Molly's reputation was destroyed,

and Tom's heart was heavy with remorse.

Perhaps Mr Square had been right,

that the wicked are snared

in the work of their own hands.

Oh. Mr Jones.

- Where's Molly?

- Oh, she... she ain't home.

She's upstairs. In bed.

- Who is it?

- It's me. Tom.

Why haven't you been

to see me before this, Tom?

- Molly, I...

- Agh!

- You said you'd be my gentleman!

- I hope to explain why...

You'll not admit you've had

your wicked will of me?!

- Molly...

- No.

I shall never love

another man but you, Tom.

Not if the greatest squire in the country

came a-courtin',

I couldn't give myself to him!

No, Tom, not for all the riches in the

world, now that you've gained my heart.

You are a lecherous rascal after all, Tom!

I shall always hate and despise

the whole sex on account of you, Tom!

Mr Square.

Molly's favours, after all,

had not been bestowed on Tom alone.

Our hero, unlike many other men,

was fortunate enough to discover

the father of his child in time.

And after everyone's kindness, too.

She has laid the child

at young Mr Jones's door.

All the parish say Mr Allworthy is so angry

with Mr Jones that he won't see him.

To be sure, one can't help

pitying the poor young man.

He's so pretty a gentleman. I should

be sorry to see him turned out-of-doors.

Why do you tell me all this? What concern

have I in what Mr Jones does?

Why, ma'am, I never thought it was any

harm to say a young man was handsome.

But I shall never think of him any more

now. For handsome is as handsome does.

Tittle-tattle, tittle-tattle.

I shall be late for the hunt.

Sorry, I'm sure, madam.

Everyone in my household!

Where's the cider?

Greetings! Greetings!

- Greetings, Thwackum.

- Morning, Squire. Morning, Miss Western.

Welcome, everyone.

Morning, Western.

Oh, you brute!

- Morning.

- And you, sir.

Ah, you're getting no younger.

I mean the horse, madam.

A stirrup cup, everyone!

Come, help yourselves, everyone!

Plenty to eat and drink!

Here. The Church is always first

with the bread and wine.

Health to everyone!

French miss isn't speaking today?

Drink up, everyone.

- Huntsmen, loose the hounds.

- Another tankard, please.

Come on, boys and girls!

Come on, come on!

Have a drop of cider inside you, boy.

Then you'll be ready for the kill.

Come on, drink up. Drink up, everyone.

Come on, drink up!

Some Western brew for you, my girl!

Squire, it's too early! You'll tire yourself!

Quiet, everyone.

Good health and good hunting!

Come on, Sophie! Hurry, hurry!

Come on, sweetheart! After him!

Tally-ho!

Ahhh! Here he is!

- I trust you're not harmed.

- No, no. How can I ever thank you?

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John Osborne

John James Osborne (Fulham, London, 12 December 1929 – 24 December 1994) was an English playwright, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms. The success of his 1956 play Look Back in Anger transformed English theatre. In a productive life of more than 40 years, Osborne explored many themes and genres, writing for stage, film and TV. His personal life was extravagant and iconoclastic. He was notorious for the ornate violence of his language, not only on behalf of the political causes he supported but also against his own family, including his wives and children. Osborne was one of the first writers to address Britain's purpose in the post-imperial age. He was the first to question the point of the monarchy on a prominent public stage. During his peak (1956–1966), he helped make contempt an acceptable and now even cliched onstage emotion, argued for the cleansing wisdom of bad behaviour and bad taste, and combined unsparing truthfulness with devastating wit. more…

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Submitted on August 05, 2018

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