Toby Tyler, or Ten Weeks with a Circus Page #2

Synopsis: Taken in by distant members of his family after being orphaned, Toby Tyler runs away to join the circus.
Genre: Drama, Family
Director(s): Charles Barton
Production: Walt Disney Productions
 
IMDB:
7.1
G
Year:
1960
96 min
141 Views


Golden meals from India.

- Do you have enough till morning.

- Yes, sir.

- Help us.

- Top.

Get down!

- The car is ready for the birds.

- Otodvin ago.

Take some of the things in there!

- We are leaving, folks.

- Raise up.

- Careful, guys. Carefully.

Beware!

Take it away ...

Hey!

What are you doing?

Give it back, you thief!

What's happening?

What did you do this chimp?

I? Nothing.

He stole my banana.

Okay, troublemaker.

All right.

And you'd better go home.

- I told you, do not go anywhere.

- He stole my banana.

What's happening?

- I. .. I ... Nothing, Colonel.

Just a little excited chimpanzees.

- Who is that?

- Sir, this is my new assistant.

- You're taking the small ones, yes?

- Well, sir ...

He has no parents, poor guy

and I thought, why should I not take it

under my wing and did not help.

Have reserved their plans, Tupper.

Move the cars.

The boy can go upstairs to Ben.

A thousand devils, Colonel!

Why must I be a nanny

for whining tapperovskih rats?

Set in order his carriage, Ben.

We're leaving.

Ollie, lift these boxes.

- Mr. Tapper?

- I changed my mind.

- Oh, what else, man.

Listen. Do not think about

what he heard. Stop it.

What we say means nothing.

Here, look. Look what

in Mr. Tupper for you there.

Here's a bag of peppermint chewing gum.

You have to suffice until the morning.

Okay, man.

Here is a ladder to the top.

I'll hold. You'll be there

sit like a mouse.

Mr. Cotter will take care of you.

Okay, keep the cats covered,

until their luck!

If Colonel Castle said that you

come with me, then you go.

And watch for yourself, sonny.

Bass, Will, go!

Come on, Gidap.

I want to say directly.

I do not like children.

Especially those who have escaped from the house.

They are weaklings.

The child has a good family.

Suddenly, what had happened - and he ran away.

Then he learns that he is

does not fit.

And wants to go back home.

Go ahead, jump.

Nobody miss you will not.

I bet you was worth getting lost.

Jump. Do not be afraid.

I'm not afraid.

And you too, I am not afraid.

Well, well, sun.

My name is not the sun.

My name is Toby Tyler.

Well, the sun.

We'll call you Toby.

And now, even though it was not my thing

Toby

but I think you better

get some sleep.

Here the morning comes early.

- I do not want to sleep.

- As you wish.

# And why am I going, where,

# I do not understand, either now than ever.

# And it's better not to know

I do not care

# And why am I going, where ...

Hey.

Get up, get up.

# I am not sad

# And reason, as I want

# I do not understand, either now than ever.

# And it's better not to know

I do not care ...

You better get up and get down to business,

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Lillie Hayward

Lillie Hayward (September 12, 1891 – June 29, 1977) was an American screenwriter whose Hollywood career began during the silent era and continued well into the age of television. She wrote for more than 70 films and TV shows including the Disney film The Shaggy Dog and television series The Mickey Mouse Club and Walt Disney's Wonderful World of Color. She was also remembered for the films Her Husband's Secretary and Aloma of the South Seas, the latter written in part with the help of her sister, actress and screenwriter Seena OwenLillie Hayward died in 1977 and was interred at Hollywood Forever Cemetery in Los Angeles. Her husband of seventeen years, Jerry Sackheim, was also a Hollywood writer with whom she had worked on The Boy and the Pirates (1960). more…

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Submitted on August 05, 2018

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