Tintin et les oranges bleues Page #2

Synopsis: In this live-action adaptation of the comic, Professor Calculus has just written a book called "The Earth is Starving". He appears on television to appeal to the scientists of the world to work towards a solution to the hunger problem. Soon afterwards, he receives a package from a Spanish professor, Antenor Zalamea, which contains a blue orange that can be grown in desert soil. Calculus travels to Spain, but a criminal emir who wants the discovery for himself kidnaps both professors. Tintin and Captain Haddock come to the rescue with the help of some local children.
 
IMDB:
4.8
Year:
1964
105 min
205 Views


not incredible.

No doubt the adaptation to desert

soil produces a mutation in colour.

What I find surprising though,

Captain,

is that there wasn't any letter

with the parcel. . .

The blue orange. . .

We're going to eat this blue orange.

It will be a change

from Nestor's eternal stewed pears.

The blue orange!

The blue orange!

You want to eat the blue orange,

Captain?

No, I'm joking, Tintin. . . I don't want

to eat that orange, bleugh!

It's just to tease our dear Cuthbert

a little bit. . .

Ah!

Nestor, bring us the blue orange!

Nestor, bring us the blue orange!

But Captain, the Professor himself

placed the orange

in the refrigerator.

And he forbade me from touching it.

NESTOR! THE ORANGE!

Sir! Sir!

Sir! The orange!

Bah, what's the matter?!

Put it down there.

Bah, what's the matter?!

Put it down there.

But sir, the orange lights up!

Really my old friend,

you must be mad.

Really my old friend,

you must be mad.

But in the corridor -

sir knows how dark it is -

the orange lit up.

Maybe it's phosphorescent?

Maybe it's phosphorescent?

What!? My orange?!

I forbade you from touching

my orange! I forbade you!

Quick Nestor, turn out the light!

Quick Nestor, turn out the light!

Really, Captain. . .

A thousand thundering typhoons!

As sir says.

As sir says.

A fluorescent orange!

It's disturbing, certainly,

but scientifically speaking,

not incredible.

It's no doubt the Cerenkov Effect.

It's no doubt the Cerenkov Effect.

Oh, oh, sir, sir, listen to this

noise. What's going on?

Oh, blistering barnacles,

I can't see a thing!

It's an assassination,

I can't see a thing!

Captain! Over here! Help!

Up lads and at 'em!

Sir, oooooh!

Too late!

Plagues!

Plagues!

Ostrogoths!

Centipedes! Bashi-bazouks!

Nestor! Quick! Reset the fuses!

But. . . What happened here?

Oh, the vandals!

The iconoclasts!

The drunkards!

Captain!

Captain!

They stole the blue orange!

Ah, well. . .

Ah, well. . .

Good morning, Tintin.

Good morning, Captain.

Slept well I hope?

Slept well I hope?

Accursed ectoplasm. . .

Professor, we may as well tell you

straight away. . .

The blue orange -

the blue orange has been taken.

No, no, no, no, not cake.

No, no, toast please, as usual.

No, no, no, no, not cake.

No, no, toast please, as usual.

Professor. . . Last night. . .

While you were sleeping. . .

THE BLUE ORANGE WAS STOLEN.

Now, don't shout like that.

I am not deaf!

Now, don't shout like that.

I am not deaf!

But you, Captain,

are very talkative, you know.

You do nothing but talk, and talk

all the time about the blue orange -

it's a secret, you know!

Thundering typhoons!

Thundering typhoons!

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Hergé

Georges Prosper Remi (French: [ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé ([ɛʁʒe]), was a Belgian cartoonist. He is best known for creating The Adventures of Tintin, the series of comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–40) and The Adventures of Jo, Zette and Jocko (1936–57). His works were executed in his distinct ligne claire drawing style. Born to a lower middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early installments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration. After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and while no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects; prominent staff members Jacques Martin and Bob de Moor greatly contributed to subsequent volumes of The Adventures of Tintin. Amid personal turmoil following the collapse of his first marriage, he produced Tintin in Tibet, his personal favourite of his works. In later years he became less prolific, and unsuccessfully attempted to establish himself as an abstract artist. Hergé's works have been widely acclaimed for their clarity of draughtsmanship and meticulous, well-researched plots. They have been the source of a wide range of adaptations, in theatre, radio, television, cinema, and computer gaming. He remains a strong influence on the comic book medium, particularly in Europe. Widely celebrated in Belgium, a Hergé Museum was established in Louvain-la-Neuve in 2009. more…

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