Through the Forest Page #2

Synopsis: After the death of Renaud, her boyfriend, Armelle can't possibly take him out of her mind. Her sister advises her to see a medium, in whose house she meets a boy who strangely looks like Renaud...
Genre: Drama, Fantasy
Director(s): Jean-Paul Civeyrac
Production: Indie Crush
 
IMDB:
6.8
Rotten Tomatoes:
80%
Year:
2005
65 min
13 Views


to serve as a crucible for tomorrow's

being, are ignored by the unconscious.

Small progress is inevitably made,

after the impetus is given,

like the negligible proofs

of an overused photo.

You are the negative.

Don't come back again.

Come. Follow me.

The master is resting.

A few moments.

Patience.

Silence.

Don't move.

Can l come again?

Maybe.

You've tired the master.

That's unusual.

Too many dead in your soul.

You have to go now.

Look!

He looks like Renaud.

Goodbye, young ladies.

Unbelievable!

True, there is a resemblance.

l know him. He goes to my college.

His name is Hippolyte.

His brother died.

He must be here for that.

lt's a sign.

The master said he wanted to come back,

that he was coming back.

Let's go.

Excuse me.

Can l speak to you?

What about?

Can we talk in private?

- l'm in a hurry.

- lt's very important, really.

Wait here a minute?

Who are you?

My name is Armelle. l saw you

at the medium's yesterday.

You were there?

Those guys are phonies.

The nonsense they said

about my brother!

l didn't expect anything.

l went out of curiosity.

How about you?

l was in love with a boy.

He died.

The medium managed

to make contact with him.

He said he was coming back.

And then you walked in.

l don't understand.

You look just like Renaud.

lt's incredible, really.

What are you getting at?

Well...

l think that...

l think that Renaud made contact

through you.

Think l'm crazy?

Look, miss, l have nothing to do

with your problem.

Forget it. l have to go.

l can understand your reaction.

But l'm sure of what l'm saying.

We have to talk.

l have to know what Renaud wants.

He'll give other signs.

lt's all nonsense, believe me.

Forget it fast and good luck.

Goodbye, miss.

l'll try again.

Tomorrow.

Shouldn't you just forget?

Yes.

So it's impossible.

l'll never find him.

Renaud wasn't there.

l didn't feel him.

Hippolyte isn't Renaud.

That medium is useless.

But you believed her.

She got it wrong.

Renaud drove into a tree

in a forest.

lt wasn't in the ocean.

RENUNClATlON

Please don't!

-There's no light because of you.

- Please!

- lsn't 10 days in the dark enough?

- Please!

Look at the state you're in!

Roxane and her stupid ideas!

Look at the results.

- Relax, it's over.

- Stopped thinking about it?

l've stopped thinking about it.

l've stopped thinking.

l'm white, all white inside. Or black.

Black rather.

Hi, Julien, it's Berenice.

No news.

She was in Tokyo last week.

After that l don't know.

She'll come home

when she feels like it.

She needs to be alone a bit, l think.

Don't you worry.

Goodbye, Julien.

lf you want my opinion,

Roxane will never see that guy again.

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Jean-Paul Civeyrac

Jean-Paul Civeyrac (born 24 December 1964) is a French director whose films are usually characterized by close attention to music and actors' bodies. He has adapted a French novel by Anne Wiazemsky, Hymnes à l’amour, with the title All the fine promises (2003). This movie was awarded by The Prix Jean Vigo 2003. Jean-Paul Civeyrac is professor at the French school, La Femis, and graduated from the University Lyon III (philosophy). Jean-Paul Civeyrac has discovered many young talents : Camille Berthomier in À travers la forêt Valérie Crunchant in All the fine promises, Lucia Sanchez in Les solitaires, Renaud Bécard in Man's Gentle LoveHis movie À travers la forêt was presented at Festival Paris Cinéma (2 July 2005) and at Toronto International Film Festival 2005 September. In his survey of contemporary French cinema, Tim Palmer discusses Civeyrac's career in the context of his teaching at the major French film school, la Fémis; Civeyrac's status as an "applied cinephile" in which he carefully cites and revives the aesthetics of historical filmmakers like Mizoguchi and Cocteau; his neglected situation outside France; and his position as a remarkably uncompromising director, whose films often refuse to differentiate between fantasy and diegetic reality. more…

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Submitted on August 05, 2018

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    "Through the Forest" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/through_the_forest_22225>.

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