Three Strangers Page #2

Synopsis: According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right?
Director(s): Jean Negulesco
Production: Warner Home Video
 
IMDB:
7.0
APPROVED
Year:
1946
92 min
121 Views


No, no, he's quite

out of reach in Canada.

Oh.

One makes a mistake,

And suddenly one's

whole life is shattered.

But perhaps it isn't too late,

if our wish is granted.

I don't

understand.

A beautiful

woman like you,

It shouldn't

be necessary.

No, you misunderstand me.

It would be quite impossible

to buy him back,

Even if I were willing

to do such a thing.

Well, then...

I want enough money

to be independent,

Then there can be

no doubt in his mind.

Perhaps you've both heard

the Chinese proverb,

"You can trust love only when

there's nothing to be gained by it. "

And you?

What's yours?

Do you know the long bar at the royal?

Yes.

Well, I'd buy it

and move in.

How much time

have we left?

30 seconds.

Do you realize what you're

asking Kwan Yin to do?

We want her to

reshuffle a hand

That destiny has

already dealt us.

Why? Because, uh, we hope

to get higher cards.

A little presumptuous

on our part, isn't it?

I wouldn't worry about

it, if I were you.

I won't.

The lights! The matches!

The matches!

You just had them.

Where are they?

I think

I saw them over here.

I can't

find them!

I have the matches.

You know,

a moment ago,

I- I could have sworn

she was smiling at us.

No.

What more proof

do you want?

Can't you even

believe what you see?

But I can't say

I saw anything.

She opened her eyes.

Kwan Yin kept her promise.

Now the wish

- If one's come true, so will the other.

Yes, sir,

and then, uh,

even you

will believe.

Indeed I will.

If you'll excuse me,

I must be going along.

Wait, I'll come

with you.

You've both been

very kind.

It was a pleasure,

Missus-er...

Shackleford. Crystal Shackleford.

I go by the name of west.

Johnny West.

Arbutny is mine.

Jerome K. Arbutny.

We'll be back to share

in the sweepstakes.

I'll expect you.

Good night.

Good night.

Good night.

Oh, mister,

didn't you

forget something?

What?

My 3 shillings.

Oh, that.

If I may speak frankly, this has been

A most unsatisfactory evening.

Say, that couldn't

be-

Of course it is.

The photograph.

I never forget a face. It's Shackleford.

She certainly works fast,

that Kwan Yin.

As far as

I'm concerned,

I never want to see

this place again.

Unless of course

the ticket wins.

Hello, Crystal.

David!

I knew it.

I knew

you'd come back.

You expected me?

Oh, not tonight,

of course,

But sometime,

sometime soon.

Well, I, uh, my boat

just docked tonight.

I thought you might

still be up.

And you came to

see me right away.

Oh, David,

I'm so happy,

I'm so terribly

happy.

As a matter of fact, I-

I have something

rather important

I wanted to talk over

with you.

Yes? Well,

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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