This Is Not a Film Page #2

Synopsis: It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
Genre: Documentary
Production: Palisades Tartan
  9 wins & 14 nominations.
 
IMDB:
7.5
Metacritic:
90
Rotten Tomatoes:
98%
NOT RATED
Year:
2011
75 min
$63,144
Website
75 Views


- l'm not acting anymore!

- Cut.

Mina...

l want to get off!

What's the matter?

l'm not acting anymore!

Has somebody bothered you?

Open the door!

Let me off!

- What should l do?

- Stop the bus.

Open up!

Mina, won't you say?

No, l won't.

Let her get off.

l'm not sure about the outcome, but...

Bring the camera closer.

- You want to shoot this?

- Yes.

- Shall we block off the sidewalk?

- No. Never mind that.

She might touch the microphone.

Do we have her voice?

Yes.

Ready to shoot?

Let's go then.

Check the sound.

Recording.

So l was saying.

l think right now l'm in

exactly a similar position as Mina.

Somehow l must remove my cast

and throw it away.

This morning

after we talked on the phone,

l sat down and reviewed the shots

l had filmed earlier.

l realised it seems like pretending

in a sense.

lt is turning out to be a lie

and that it is somehow not me.

l remembered you

were going to make a film...

about such problems.

What was it exactly?

Behind the scenes

of Iranian filmmakers not making films.

l see.

That's why l asked you to come over.

Perhaps we could achieve something

inside this house.

l'll tell you now.

Just a moment, let me get this.

By the way, l don't know

much about technical problems.

Now do we need

additional light for the ambience?

Right now

the problem is over-saturation.

The problem is over-exposure.

But there is too much light

coming through the windows.

So l don't need

to fetch additional light?

Good. Let's go into the kitchen.

What are you going to do?

Let's drink our tea

and think about what to do.

The reason l took

this screenplay is that...

Wait a moment.

Let me change my view.

l don't know if you remember

this screenplay or not.

This is the last film

that l was going to make.

l sent it for approval,

which unfortunately they didn't approve.

They told me to make

some changes to the screenplay...

and to mellow it down a little

and it might get permissin,

but still it didn't get the approval,

and l wasn't allowed to work.

Now l thought perhaps

l could read out the screenplay.

Now that l'm not allowed

to make the film

perhaps by reading and explaining,

l might create an image of it.

Perhaps the viewer will see

the film that wasn't made.

The film is about a girl

who has been admitted

to university in the field of arts.

But since she comes

from a traditional family,

her family does not let her...

... to study in that field.

Particularly after she passes...

the university entrance exam,

and her name is printed in newspapers.

Her father finds out

and the family makes restrictions for her.

- Do you want me to warm up your tea?

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Jafar Panahi

Jafar Panahi (Persian: جعفر پناهی‎; born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly identified with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award won by an Iranian film at Cannes. Panahi was quickly recognized as one of the most influential film-makers in Iran. Although his films were often banned in his own country, he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told — in fact he has made a successful career in not doing as he is told."After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations from around the world, in December 2010 Panahi was sentenced to a six-year jail sentence and a 20-year ban on directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, or from leaving the country except for medical treatment or making the Hajj pilgrimage. While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary in spite of the legal ramifications of his arrest. It was smuggled out of Iran in a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's new film Taxi premiered in competition at the 65th Berlin International Film Festival in February 2015 and won Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes film festival Award for Best Screenplay (tied) for 3 Faces; although he wasn't able to leave the country to attend the festival, his daughter, Solmaz Panahi, read his statement on behalf of him and received the award. more…

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Submitted on August 05, 2018

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