Thieves Like Us Page #2

Synopsis: Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City goes badly and puts paid to the gang once and for all as a profitable venture, but isn't the end of the story quite yet, as all three are wanted and notorious men with altogether different points of view on the situation they are faced with.
Genre: Crime, Drama, Romance
Director(s): Robert Altman
Production: United Artists
  1 win.
 
IMDB:
7.1
Rotten Tomatoes:
89%
R
Year:
1974
123 min
124 Views


You ain't fooling me.

I know you're there.

With the gun pointing at my head.

I ain't gonna open my eyes.

(THUNDER RUMBLING)

I'm gonna keep my eyes closed.

You said that you was gonna come back,

and I believe you, so that's...

That's where I'm gonna be, right here

with my eyes closed when you get here.

(BIRD HOOTING)

I'll tell you one thing.

When I rob my next bank,

it'll be my 28th.

Well, I'm not gonna

mess around with any clodhopper banks.

Yeah.

Best way to case one of those banks

is to go in there and cash those $20 bills.

Country boy's up.

Your breakfast is ready, Bowie.

I ain't hungry.

I remember one time,

couldn't have taken

more than 2,000 off that niggerhead.

I see a cash slip, and I go over, I read it.

Then I go over to him, and I say,

"Friend, is your cash slip

usually accurate?"

And he says, "Yes, sir. "

And I said, "Well, in that case,

"you owe me $2,378.87

"because I just seen this slip. "

He knows I got him.

He starts cursing and swearing,

so I just put the twitch to him.

(BOTH LAUGHING)

He's jumping up and down and hollering,

"Calf rope, calf rope. "

So I let him go,

and he points to this bottom drawer,

opens it up

and sure enough, there it all was.

I'll tell you one thing.

You know what that banker would've done

- if you hadn't found that slip?

- What?

He would've squawked his head off

that he was robbed of it all anyway.

Yes, sir, those bankers got cash

stashed all over that bank,

and every night

they're just praying to get robbed.

(THUDDING)

(BIRDS SQUAWKING)

BOWIE:
Jesus Christ, what'd you all see?

CHICAMAW:
Well, there was something

in that grass.

Well, sh*t. I left my shoe.

I thought all the laws

in the country was in that grass

the way you all tore out.

Well, go back and get your shoe.

We're waiting for you.

I guess if he can make it without two toes,

I can make it without a shoe.

T- DUB:
Hey, wait for me, you guys!

(TRAIN WHISTLE BLOWING)

Lookie here.

Come here.

Where'd you come from?

Come on down here.

Come here.

You belong to someone?

You're just a thief like me.

You sure look fat.

You sure you don't belong to somebody?

My foot feels just like a stump.

I sure wish them boys

would get back here.

I'm gonna go dingbatty waiting.

Man on a stump can't do much of his job.

Well, them boys'll be back here.

Takes time to locate a man

when you don't know where he lives.

Well, I ain't gonna be hearing

no more from my people.

You know,

that's the first thing the law does

is look up the people a man has been

writing to and watch them places.

Goodbye, Mama.

One thing about you, though,

whatever I ever did

was okay with you and cousin Tom.

(CAR APPROACHING)

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Calder Willingham

Calder Baynard Willingham, Jr. (December 23, 1922 – February 19, 1995) was an American novelist and screenwriter. Before the age of thirty, after just three novels and a collection of short stories, The New Yorker was already describing Willingham as having “fathered modern black comedy,” his signature a dry, straight-faced humor, made funnier by its concealed comic intent. His work matured over six more novels, including Eternal Fire (1963), which Newsweek said “deserves a place among the dozen or so novels that must be mentioned if one is to speak of greatness in American fiction.” He had a significant career in cinema, too, with screenplay credits that include Paths of Glory (1957), The Graduate (1967) and Little Big Man (1970). more…

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Submitted on August 05, 2018

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