The Unforgiven Page #2

Synopsis: Western about racial intolerance focuses around Kiowa claim that the Zachary daughter is one of their own, stolen in a raid. The dispute results in other whites turning their backs on the Zacharys when the truth is revealed by Mother. Cash, the hotheaded brother, reacts violently upon learning his "sister" is a "red-hide Indian." He leaves the family but returns to help them fight off an Indian raid.
Director(s): John Huston
Production: United Artists
 
IMDB:
6.7
APPROVED
Year:
1960
125 min
708 Views


- Giddyup.

- But, Pa!

- I want to change my dress. Please, Pa?

- What's the matter with this dress?

Do you want your daughter to get married,

or don't you?

Take more than a fancy dress

to catch a Zachary. Go ahead.

Papa!

Give me that gun.

Papa!

- What's the matter, child?

- You snake-bit or something?

- An old man!

- What old man?

He had only one eye,

and he wore a saber. A long saber.

Get back in the wagon. Put your hat on.

I seen him, and he sure seen me,

because he got that one eye full, Mama.

Down in the valley

hear the wind blow

Roses like sunshine

violets like dew

Angels in heaven

know I love you

God love you, Ben,

for staying partners with a man like me.

It's been a burden...

doing business with a God-fearing,

honest, decent man.

And crippled.

Indian knife done that, Mathilda.

Indian squaw, Rachel, honey.

The while he was tied captive

by them Kiowa.

Kiowa devils.

We licked them good last time,

didn't we, partner?

Us and our picayune neighbors?

Four years ago Christmas,

down there by the wash.

You flushed them and I shot them.

- They ain't showed a feather in four years.

- Four good years for buzzard.

Groundhog, blue potatoes

and all the alkali salt you can eat!

Froze to the saddle.

A sunburn right through your clothes!

And that twister two years ago,

like a big black dog chasing his tail.

The turnaround, down in the spring...

when the creek dried up,

and they died by the hundreds.

Great God in the morning!

But now...

this year, Mother, fat!

By the grace of God.

Fat as ever I've seen him

in all my long days.

Hallelujah!

We did it together.

Us Rawlins and you Zacharys.

What sayeth the Lord?

The Lord sayeth, "Be fruitful and multiply."

Multiply!

We old folks,

we done all the multiplying we can.

You say.

Therefore, Ben, Mathilda...

I'd like to see

our two families joined together.

- Keep talking, Papa.

- I don't mean you.

Not yet, anyway. And pull your dress down.

Who then, partner?

He means me.

You?

Charlie?

Charlie, come here.

Speak up, Charlie.

Tell my brother what you want.

Me?

Nothing, sir.

You're a liar, Charlie.

I suppose I am.

Tell him, Charlie, or I'll tell him.

Ben Zachary, sir...

I want to come courting.

Courting who?

Rachel.

My baby sister?

She's a pretty big baby.

And big enough, soon enough.

Hush, Mother. You're getting drunk.

Drunk. Drunk don't tell lies.

Ben, what say you?

I'll think on it.

You'll think on it.

And that's all he'll ever do, too, Papa.

The same goes with Cash Zachary.

I'm 20 years old, and I've been waiting

Maybe you ain't asked the right Zachary.

- Do you love me, Andy?

- I do.

Except you're tearing my coat.

Rate this script:5.0 / 1 vote

Ben Maddow

Benjamin D. Maddow (August 7, 1909 in Passaic, New Jersey – October 9, 1992 in Los Angeles, California) was a prolific screenwriter and documentarian from the 1930s through the 1970s. Educated at Columbia University, Maddow began his career working within the American documentary movement in the 1930s. In 1936 he co-founded the short-lived left-wing newsreel The World Today. Under the pseudonym of David Wolff, Maddow co-wrote the screenplay to the Paul Strand–Leo Hurwitz documentary landmark, Native Land (1942). He earned his first feature screenplay credit with Framed (1947). Other screenplays include Clarence Brown's Intruder in the Dust (1949, an adaptation of the William Faulkner novel), John Huston's The Asphalt Jungle (1950, for which he received an Academy Award nomination), Johnny Guitar (1954, credited to Philip Yordan, God's Little Acre (1958, an adaptation of the Erskine Caldwell novel officially credited to Philip Yordan as a HUAC-era "front" for Maddow), and, again with Huston, an Edgar Award for Best Mystery Screenplay) and The Unforgiven (1960). As a documentarian he directed and wrote such films as Storm of Strangers, The Stairs, and The Savage Eye (1959), which won the BAFTA Flaherty Documentary Award. Maddow made his solo feature directorial debut with the striking, offbeat feature An Affair of the Skin (1963), a well-acted story of several loves and friendships gone sour and marked by the rich characterisations which had distinguished his best screenplays. In 1961, Maddow and Huston co-wrote the episode "The Professor" of the 1961 television series The Asphalt Jungle. In 1968 he wrote a screenplay based on Edmund Naughton's novel McCabe; while a film adaptation of the novel was ultimately produced as McCabe & Mrs. Miller (1971), Maddow wasn't credited on the film. His final screenplay was for the horror melodrama The Mephisto Waltz (1970). more…

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