The Undying Monster Page #2

Synopsis: Surviving members of an aristocratic English family are threatened by a legendary monster when they venture out on chilly, foggy nights.
Genre: Drama, Horror, Mystery
Director(s): John Brahm
Production: 20th Century Fox Film Corporation
 
IMDB:
6.2
NOT RATED
Year:
1942
63 min
42 Views


- How's Kate?

- Still in a coma.

- She may or may not come out of it.

- But there is a chance?

Microscopic. But thanks to your

quick actions, still a chance.

Well, you're a pretty

good nurse, Helga.

There's nothing left for me to do but a

- a little tidying up.

Hmm. Now tell me...

what happened exactly?

I don't know exactly, Jeff.

As I was leaving your house, I-

I saw a glimmer of light on the

pathway leading up to the cliff...

so I went to investigate.

I thought perhaps it might be somebody

setting traps-you know, the Clagpools-

but it was Kate O'Malley.

She left a few minutes

before I did, you remember.

I offered to see her

to the village and...

then suddenly I

- I felt something coming at us from all sides at once.

We heard it.

Kate screamed and dropped the lantern.

Then I-Then it-it-it closed in on

me like- like a blast from a furnace.

Only it wasn't

hot, it- it was-

It was simply horrible.

Kate screamed again and...

then I was fighting it.

Fighting it in-in-in a darkness

that-that went all- all red.

All dark red until a-a-a splash

of fire split it up and put it out.

That must have been when I

- when I pitched on my head.

Then I woke in-in a

light and- and saw Helga.

You poor darling.

Helga, you're next. You're the only

Hammond left besides me. If I die-

Now what a minute, old chap.

Who said anything about dying?

The monster's never satisfied,

Jeff, unless it kills its victim or-

Now steady, Oliver. You

mustn't excite yourself.

You needn't talk as though I

were a scared kid or a lunatic.

I tell you there's

something horrible out there.

Unless we destroy it, it'll

destroy us. Both of us.

Please try to put it out of your

mind now, darling, and get some sleep.

Here, drink this.

Make you feel better.

Poor darling.

It must have been a shock for

you, finding him like that.

It was awful.

I can't help feeling that I'm

somehow to blame about Kate, at least.

She'd been working late and I

should have seen her home, I suppose.

But it's hardly a stone's throw to the

village through the shortcut past your place.

Jeff, there's something beyond all this that

- that frightens me.

What is it? What is this thing

that's been hanging over us for years?

The village folk will insist that

the Hammond monster has returned.

But... you don't believe in

that superstitious rot, do you?

Usually some basis

for this sort of thing.

How badly is Oliver hurt?

His wounds are deep but not serious.

Fortunately, he's got

excellent recuperative powers.

- What about his mind?

- It seems unaffected.

Most anybody might be liable to

forget exactly what happened...

after a blow like that on the head.

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Lillie Hayward

Lillie Hayward (September 12, 1891 – June 29, 1977) was an American screenwriter whose Hollywood career began during the silent era and continued well into the age of television. She wrote for more than 70 films and TV shows including the Disney film The Shaggy Dog and television series The Mickey Mouse Club and Walt Disney's Wonderful World of Color. She was also remembered for the films Her Husband's Secretary and Aloma of the South Seas, the latter written in part with the help of her sister, actress and screenwriter Seena OwenLillie Hayward died in 1977 and was interred at Hollywood Forever Cemetery in Los Angeles. Her husband of seventeen years, Jerry Sackheim, was also a Hollywood writer with whom she had worked on The Boy and the Pirates (1960). more…

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Submitted on August 05, 2018

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