The Turning Point Page #2
- PG
- Year:
- 1977
- 119 min
- 1,969 Views
I don't want 'em to ever leave.
I wanna go with 'em. I miss 'em. I want...
Oh, what the hell. Your eyes.
Your ass.
Emma? Anybody seen Emma?
With all that experience
you're really a professional.
Would you like to take class
with the company in the morning?
Emilia, it's pointless to be shy.
You must know what you want
and say it.
- I know some things I want.
- Such as?
To take class with the company.
Had I understood 38 years ago
what I was getting myself into,
I'd never have started
I had just one thought.
"We need a first-class American company."
- But you've got a lot of foreigners in yours.
- Dance is international.
My company's almost gone under five times.
But here we are,
the best ballet company in the world.
Well, in this country, anyway.
- Is that the way you were brought up?
- Yes.
Your mother.
Well, I want her and your father
to introduce me to some rich oil folk.
They have a ballet school, dearie,
and that always means
a half a dozen rather lumpy little girls
with very rich daddies.
Now, I won't interfere
with their business, Janina.
I know how to handle the rich.
You give them hope, they give you money.
Don't put that ham away.
Save the commercial, Adelaide.
Janina hasn't got a penny.
- She should open a restaurant.
- Thank you.
It's a choreographer's prerogative
to keep his ideas to himself.
But, Arnold, must you be so secretive? Tell
us a little something about your new ballet.
There won't be a swan onstage.
- That's a little something.
- But not enough to guarantee you'll do it?
- Don't run, Adelaide.
- I told you Michael and I will do our best.
And I never run.
Deedee?
How do you get anywhere with her?
By realizing she knows
exactly what she's doing.
Oh, by the way, we'd like to have
a new ballet for Emma this season.
Oh, you don't have to use her, Arnold.
It's just a thought.
- Oh, were you pleased with Emma tonight?
- Yes, very.
I made Emma, Janina.
No, she didn't. Michael made Emma.
But you helped, Adelaide.
Booze brings out the nit-pickers.
- Really, Mom?
- Were you as good as Emma, Mom?
- I was different.
- Very. From the day you both joined us.
Different how?
Your mother preferred to get married.
- Well, good night, all.
- I'll walk you to the car.
- Good night.
- Coming. Good night.
God, dancers have ugly feet. Ugh.
If I were a man, I could have had all the feet...
I mean children... I wanted, and still danced.
How many children?
Three. Like yours.
And a husband like Wayne.
Yes.
You're a very lucky girl.
Wanna change places?
No, I can't see you
teaching a pack of klutzy kids.
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"The Turning Point" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/the_turning_point_22370>.
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