The Third Man Page #2

Synopsis: An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.
Director(s): Carol Reed
Production: Rialto Pictures
  Won 1 Oscar. Another 4 wins & 4 nominations.
 
IMDB:
8.2
Rotten Tomatoes:
99%
NOT RATED
Year:
1949
93 min
Website
4,099 Views


Propaganda. Very important

in a place like this.

We do a little show each week.

Last week we had Hamlet.

The week before

we had... something.

- The striptease, sir.

- Yes, the Hindu dancers. Thank you.

This is the first opportunity

of making an American author welcome.

- Welcome ?

- l'll tell you what, Mr. Martins.

On Wednesday night,

we're having a little lecture

on the contemporary novel.

- Thought perhaps you'd like to speak.

- They wouldn't know me.

Nonsense. Your novels are very

popular here. Aren't they, sergeant ?

- Very popular.

- Are you staying long ?

How long can one stay here

on this stage money ?

Listen, Mr. Martins,

if you'd agree to be our guest,

- we'd be delighted to have you.

- [ Phone Rings ]

- Would you ?

- As long as you care to stay.

- He's due to leave tomorrow.

- Have you got a toothache.

- Number 8, Mr. Martins.

- Come upstairs a moment.

- l know a very good dentist.

- l don't need a dentist.

Somebody hit me, that's all.

Goodness. We must report that.

Were they trying to rob you ?

Oh, just a soldier. l was trying

to punch his major in the eye.

- A major ? Were you really ?

- Heard of Harry Lime ?

l've heard of him,

but l didn't exactly know him.

- l was going to stay with him,

but he died Thursday.

- Goodness, that's awkward.

ls that what you say to people after

death ? Goodness, that's awkward ?

- Mr. Martins ? Excuse me. Telephone.

- Who is it ?

- Baron Kurtz.

- Must be some mistake. Yes ?

[ Man On Phone ]

l was a friend of Harry Lime.

l'd very much like to meet you, Baron.

Come around.

Austrians aren't allowed

in your hotel.

- Couldn't we meet at the Mozart Cafe ?

- Where ?

- Just around the corner.

- How will l know you ?

l'll carry a copy of one of your books.

Harry gave it to me.

Be there in a moment.

Wait a minute.

lf l do this lecture business,

you'll put me up here a while ?

- Certainly.

- lt's a deal.

- Did you ever read

The Lone Rider of Santa Fe ?

- No, not that one.

lt's a story about a man

who hunted down a sheriff who

was victimizing his best friend.

- Seems exciting.

- lt is.

l'm gunning just the same way

for your Major Callaghan.

Sounds anti-British, sir.

- Baron Kurtz ?

- Mr. Martins ?

Delighted to meet you.

Come, let's sit down here.

[ Speaking German ]

- What would you like ? Tea ? Coffee ?

- Coffee.

[ Speaking German ]

lt's wonderful how

you keep the tension.

- Tension ?

- Suspense.

- You really liked it ?

- At the end of every chapter

you are left guessing.

So, you were

a friend of Harry's ?

l think his best.

Except you, of course.

The police have a crazy notion that he

was mixed up in some sort of a racket.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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