The System Page #2

Synopsis: Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a "nice guy", strike back and kill a reporter, and Merrick's own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it "film noir" since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain't, and neither are most of the others currently so classified.
 
IMDB:
6.4
APPROVED
Year:
1953
90 min
73 Views


"He had gone through grade school and

through high school with my own son."

"There was very little difference

between Ricky and my boy."

"Or yours."

"Starting today, this newspaper

will publish a series of articles"

"showing how the

syndicate has gained control."

It's continued on page two.

You see, Johnny, it's that sort of

literature that inflames untutored minds

and arouses ignoble passions.

Who was this kid?

- Two dollar better.

He was getting down on Angelo's book.

You speak to Angelo?

He pressured the kid?

Well, the kid was into it for almost

a yard.. - Did he pressure the kid!

Well, he says, he only asked for a pay up.

See Angelo. Pack him up, he's through.

Angelo's been laying off

with us more than 12 years.

We can't just..

I'll pack him up.

Never mind. I'll do it myself.

Now, perhaps if I spoke to Stuart?

- No.

He's after something.

I think I know what it is.

Will you see this

Gerber's family, help them?

Maybe you can do something for them.

- No, Johnny, no.

What they want, we can't give them.

Mr. Merrick.

At the quarter, Mattie W a length

and a half. Bobo by two lengths.

Jolly Roger by half a length.

Romina by a neck.

Come on, Mattie W!

At the half, Mattie W by a length.

Bobo, Jolly Roger, Romina.

Hi, Johnny!

Haven't seen you in a long time.

Cigar?

What's the matter?

- Get out.

What is this?

I'm packing you up.

- Huh?

I warned you before

not to take play from kids!

Send you accounts. See Liggett.

Well, you think me..

you think maybe I..

Who says?

Fascinating, ain't I?

- Beautiful.

Women!

They can't keep their eyes off me.

Probably wondering

what holds you together.

Want your eggs up or down?

- One up and the other down.

You look terrible.

What time did you finally

get to bed last night?

It was near dawn, when I fell asleep.

Your typewriter was still going.

Working on something big, Liz.

Mighty big.

How long will it go on?

You look ten years older

than you did yesterday.

I feel ten years younger.

There isn't any cream.

Do you want milk or evaporated?

I'm doing some pieces

on the local gambling racket.

That's nice, now which do you..

- A crusade!

Who knows?

It might win me a Pulitzer Prize.

Just what we've always wanted!

Oh, so a Pulitzer Prize is nothing, huh?

It might mean a raise for me.

Leona wants to take piano lessons.

She's been talking about it all week.

- She'll have them. On her own piano.

We haven't even finished

paying for the vacuum yet.

You know Liz, being

a newspaper man is pretty important.

It's a responsibility.

I guess I haven't always

thought of it like that.

But people get to depend on you.

Expect you tell them the truth.

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Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

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Submitted on August 05, 2018

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