The Strange Love of Martha Ivers Page #3

Synopsis: In 1928, young heiress Martha Ivers fails to run off with friend Sam Masterson, and is involved in fatal events. Years later, Sam returns to find Martha the power behind Iverstown and married to "good boy" Walter O'Neil, now district attorney. At first, Sam is more interested in displaced blonde Toni Marachek than in his boyhood friends; but they draw him into a convoluted web of plotting and cross-purposes.
Director(s): Lewis Milestone
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
UNRATED
Year:
1946
116 min
692 Views


Come on, I've got to put into Iverstown

for repairs.

Next time, I pick me a guy

that don't fall asleep.

Welcome to Iverstown.

Well, maybe this time they mean it.

You got anybody here

to fix this wreck, mister?

Roll her in.

- $10 more, you don't make it.

- Bet.

- $5 more, you don't.

- Bet.

- $5 to you.

- Shoot.

- How long will it take, pop?

- Can't tell till we look her over.

- Come back tomorrow.

- Open game?

Nope.

- Four.

- Right back, little Joe.

- 20-10 no four.

- You got a bet.

Come on, Harry, make four.

- Seven. You shoot, Joe.

- Thanks.

Shooting 20.

- $10 more, you don't make it.

- $10, I do.

- $10 more, you don't make it.

- $10, I do.

- How much will it cost, pop?

- Won't know till it's done.

- Hey, now, look, I want to know now.

- Take it someplace else.

Welcome to Iverstown.

We interrupt this program of dinner music

to bring you a special broadcast...

in the interest of the re-election

of District Attorney Walter P. O'Neil.

- Leave that on, will you?

- Ladies and gentlemen...

it is with deep regret that we are forced to

announce that...

Mr. O'Neil will not be able to address

this citizens' forum tonight.

Mr. O'Neil was suddenly taken ill.

But we are fortunate to have

the best loved civic figure of Iverstown...

the gracious Mrs. O'Neil, here in the studio

tonight to speak for him.

Citizens of Iverstown,

the issues in this election are simple.

- That's enough of that malarkey.

- This Walter P. O'Neil...

isn't that the kid

that used to live on Sycamore Street?

- His father used to be a school teacher?

- Yeah, that's him.

- You know him?

- Yeah, I used to.

A little, scared kid on Sycamore Street.

Now he's running for the district attorney.

- What's the odds?

- On what?

- The election.

- No odds. No takers.

This is a sure bet, mister.

Gonna be re-elected. Gonna be governor.

And I'm making book right now

that some day he'll run for president.

Gonna be whatever his wife

wants him to be.

- Some gal. Who'd he marry?

- You from this town?

- Used to be.

- You ought to know her then.

Old lady Ivers' niece.

- Martha Ivers?

- Yep.

Came into the whole works

after the old lady died.

Well, what do you know?

What do you know about that? Martha Ivers.

I don't know. You still look like

a scared, little kid, to me.

- Hello, Gallagher.

- Hey, wait a minute!

- Do I know you?

- Sure.

I'm the guy who tossed a rock

through that window once.

- And you're the guy who chased me.

- lf I chased you, I'll bet I caught you.

Come to think of it, I believe he did.

- Hello.

- Hello.

- You live here?

- Used to.

- Who runs this place?

- Lady, the name of Mrs. Burke.

- She's not home.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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