The Strange Love of Martha Ivers Page #2

Synopsis: In 1928, young heiress Martha Ivers fails to run off with friend Sam Masterson, and is involved in fatal events. Years later, Sam returns to find Martha the power behind Iverstown and married to "good boy" Walter O'Neil, now district attorney. At first, Sam is more interested in displaced blonde Toni Marachek than in his boyhood friends; but they draw him into a convoluted web of plotting and cross-purposes.
Director(s): Lewis Milestone
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
UNRATED
Year:
1946
116 min
696 Views


they'd never catch him. Sam, button me up.

I came to say good-bye.

I thought it over, Martha.

It's better for you here.

- I won't stay here. I hate her!

- All you gotta do is play smart with her.

- I'm going with you.

- Now, you listen to me!

- I don't want to listen.

- It's late. I gotta go.

Let him go, Martha.

If he's caught here he'll be sent

to reform school. Mrs. Ivers said so.

They gotta catch me first.

All right, Sam, if you won't take me,

I'll go without you.

I'll go off by myself.

Okay. Then, let's go.

I want to run up to the attic.

I want to get a couple of things.

Sam. Quick, Sam.

Sam, Bundles. She's going downstairs.

- Sam, my aunt.

- I'll get her.

Here, kitty, kitty, kitty.

Sam, have you got him?

Have you got him, Sam?

Hurry, Sam, or that old witch will catch us.

She's dead.

We were upstairs.

We heard a noise and we came down.

We saw a man, a big man.

He was leaving. Out of that front door,

he left. See, it's open.

She was lying there.

And this... This was lying there, too.

I picked it up.

Isn't that true, Walter? Isn't it?

Is it, Walter?

Yes, Father, it is.

Put it down.

Put it exactly where you found it.

Both of you better go upstairs.

I'll phone the police.

- You'll never get away with it. Never.

- Your father believes me.

- I don't know. I'm not sure.

- You keep your mouth shut.

But Sam. What about Sam?

He was in the house. He saw it.

- Sam will never tell.

- Yes, he will. He's scared.

- That's why he ran away after it happened.

- Sam will never tell.

Sam's scared. He ran away.

I didn't. I stayed.

No, he won't. Not Sam. Not Sam!

I want to talk to you both.

Sit down.

Now, when the police come,

you will tell them...

exactly what you told me.

- Do you understand, Martha?

- Yes, Mr. O'Neil.

- And you, too, Walter?

- Yes, Father.

You poor child.

You'll be all alone in the world now.

Except for Walter and myself.

But you needn't be afraid.

We'll always be with you, Walter and I.

We'll never leave you.

Thank you, Mr. O'Neil.

... competition at the Fair Grounds last week.

In a handicap,

Chestnut King looks like an odds-on favorite.

That guy doesn't know what he's talking

about. Chestnut King's a dog.

He was losing races to cow ponies

years ago in Tijuana.

Well, what do you know?

What do you know about that?

How do you like that, sailor?

Leave a place when you're a kid, maybe 17,

18 years ago, and you forget all about it.

Then, all of a sudden, you're driving along...

and smacko, your own hometown

up and hits you...

right in the face.

End of the line, sailor. Come on, wake up.

- Where are we?

- In a small accident.

- What happened?

- The road curved, but I didn't.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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