The Servant Page #3

Synopsis: The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not like him and asks Tony to send him away. When Barrett brings his sister Vera to work and live in the house, Tony has a brief hidden affair with her. After traveling with Susan and spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master.
Genre: Drama
Director(s): Joseph Losey
Production: Rialto Pictures
  Won 3 BAFTA Film Awards. Another 5 wins & 8 nominations.
 
IMDB:
7.9
Metacritic:
93
Rotten Tomatoes:
89%
UNRATED
Year:
1963
116 min
$36,668
Website
1,788 Views


What would it matter?

You try and find another like him.

I'm sorry I was rude to your servant.

Look, he may be a servant

but he's still a human being.

I'm afraid

it's not very encouraging, Miss.

The weather forecast.

Oh, there's somebody in already.

Here's the number right here.

Oh, I haven't got any pennies.

'Hello?'

- Bolton 625-45?

- 'Yes.'

Get me Vera.

I'm speaking from London.

'Vee!

'Vera?

'A call for you from London.'

- 'Hello?'

- Vera?

'Yes.'

- Are you ready?

- 'Yeah, I'm ready.'

Hurry up, darling!

All right, then. Tomorrow.

'All right.

I've bought something new.'

- Mm-hm.

- 'I'm wearing it now.

'I'll show you

if you're a good boy.'

- I am.

- Come on.

Get on with it!

- Are you being a good girl?

- 'What?'

Tell her to...

I said, are you being a good girl?

'Yeah, I am.'

I'll be at the station.

- Hurry up!

- You got my last letter?

- 'Oh, yeah. I got that all right.'

- All right, then.

- At the station.

- For heaven's sake!

- Ta-ra.

- 'Bye.'

Oh, here he is.

Get out of the way, you filthy b*tch.

- What?

- Ooh, get him!

Come on.

You've mulled

some delicious claret, Barrett.

I say, that's rather good, isn't it?

Clarety Barrett.

In the army they used

to call me Basher Barrett, sir.

Oh, really? Why?

I was a very good driller.

Ah.

I like the changes

you've made to the house.

- You've been enjoying yourself.

- I have, sir. Thank you very much.

Oh, by the way, sir,

I took the liberty of removing those...

chintz frills of Miss Stewart's

off the dressing table.

Not very practical.

Haven't seen very much

of Miss Stewart recently, have we, sir?

No.

My sister's arriving tomorrow,

as agreed.

Yes, fine.

She's happy

about the arrangement.

We might keep her

if she's any good.

Thank you.

- He's a wonderful wit.

- Terribly funny.

- Terribly.

- Cheers.

Cheers.

I'm dying to see him again.

I haven't seen him for ages.

- You won't for some time.

- Oh, why?

He's in prison.

Hello.

Good morning, Miss Stewart.

- Good morning, sir.

- Good morning.

- Very nice to see you here again.

- Thank you.

I can recommend the roast duck.

Thank you.

And what are you having?

- Are you better?

- Yes, thanks.

I've brought you a present.

- What for?

- Because I wanted to.

- Where the hell are you going?

- Sorry, your Grace.

You're Irish, aren't you, my child?

- Good morning, Bishop.

- Good morning.

Thank you.

- What did she say to you?

- Nothing.

Yes, she did.

She said something to you.

- She didn't, really.

- She did.

I saw her mouth move.

She whispered something to you.

What was it?

- What did she whisper to you?

- She didn't whisper anything to me.

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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