The September Issue Page #4

and a lot of people have gone.

They just couldn't take

the heartbreak.

You know, you have to be

fairly tough to withstand that.

So it's all pinks.

And, Virginia, we really feel that

this is the most important message...

...to put in the September issue?

I loved it.

- It's important.

I thought it was pretty.

It looks very springy.

Well, there's a fur.

Maybe you want to develop it

a little bit more.

I'd also like to see what you're

thinking about with the clothes,

so I can get

more of a handle on it.

I was thinking maybe it's

kind of body conscious, the clothes.

And then at one point, I thought

maybe she could be sort of bionic.

It looks good on the rack.

I feel it's quite one-dimensional.

But also, the girls

always look the same, Elissa.

If you look at your pictures,

the way they're dressed,

it's always the same.

And somehow,

the picture's always the same.

It's usually the same kind

of minimal approach.

I mean, it's what you are, I know.

And the girl always tends

to have straight hair.

You look at it just

like it's always the same.

So it would be great

if we could break out.

Thanks.

So you know that company,

Mango, in Spain?

They're looking for someone

to help them consult.

Maybe Thakoon, you think?

I think he's one of

the most talented people out there.

He's coming in to see me,

I think, this week,

so I could talk to him.

- Okay.

So, Yuri, can we stop

at Starbucks, please?

My father was

a newspaper editor.

He edited a newspaper in London

called The Evening Standard.

Former Fleet Street editor,

Charles Wintour,

will be assessing

the long-term effects.

He came from quite

a Victorian upbringing.

I'm not sure his mother

ever spoke to him.

He was also very private

and very, in some ways, inscrutable.

The NPA have about

as much collective spine...

...as a tepid jellyfish.

Growing up in London

in the sixties,

I mean, you'd have to be

walking around...

...with lrving Penn's sack

over your head...

...not to know that something

extraordinary...

...was happening in fashion.

The look of the girls then

and everything that was going on,

the pill

and emancipation of women...

...and the end

of the class system...

...and just sort of seeing

that revolution go on,

made me love it from an early age.

I think my father

really decided for me...

...that I should work in fashion.

I can't remember what form

it was I had to fill out.

Maybe it was

an admissions thing,

and at the bottom, it said

'career objectives,' you know.

and I looked at it and said,

'What shall I do?

'How shall I fill this out? '

And he said, well, you write...

...that you want to be editor

of Vogue, of course.

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