The Saxon Charm Page #3

Synopsis: Eric Busch, a novelist/playwright, and his wife, Janet, go to New York where he arranges to have Matt Saxon, who has a reputation for ruthlessness, produce his play. Saxon insists on so many meetings, changes and revisions that it cause a rift between Eric and Janet. Saxon goes to Hollywood to get a prominent actor to play the lead but the actor, no fan of Saxon, declines. Saxon then deliberately robs his own girlfriend of her chance in Hollywood. The actor then comes to New York and offers to do the play, if someone other than Saxon is the producer.
 
IMDB:
6.8
APPROVED
Year:
1948
88 min
25 Views


I wanted to talk you about.

You realize that no play

ever reaches the stage ..

In the form in which it

was originally written.

Denunciation scene?

I expect you to work closely with me on

changes we think are necessary. Agreed?

Of course. I'll appreciate

the opportunity to learn.

You know Dolly is

going to love this play.

She is nuts about anything

with a problem in it.

It's going to be a great

experience for both of us.

For you, having the theater revealed as

the bewitching task mistress she is.

And for me, the honor of presenting this

fine, fresh talent that you possess.

Say, what about casting?

You think we can get Van Johnson?

Slave of the money-temples! We cast

when the script is right and not before.

Well, I didn't know. You know, Dolly is

higher than a kite about Van Johnson.

Better go and get your Dolly and

meet us at Schindler's at 8 o'clock.

Sure, sure. We'll be on time.

Goodbye, goodbye.

You'd better telephone your Janet.

How did you know her name?

The little matter of inquiring.

Tell her that Alma will

pick her up at 7:30.

Alma?

Alma. Alma Wragge. W R A G G E.

A charming girl and a singer. Don't ask

me why she never changed her name.

I'd better pick her up myself.

I think she'd prefer that.

Get Mrs Busch for Mr Busch.

Now, wait ..

We can stay here and

discuss the script .. oh.

Yes, I must remember to order

some flowers for the ladies.

What colour is Janet's hair?

Red .. brown eyes.

Zack's Dolly on the other hand

will be a platinum blond.

She will require a large orchid.

An orchid-coloured orchid.

My, if only the problems of life

were as simple as that, huh?

Suppose Dolly is a brunette?

There is nothing to be gained

in speculating about miracles.

[ Buzzer ]

That will be Janet.

I owe you fifty cents.

Oh no thank you. That's for Miss Wragge.

Thank you Mrs Humber.

And Mr Humber.

When you've known

Matt Saxon as long as I have.

You will realize a sandwich couldn't

possibly interfere with a dinner date.

Well he said eight o'clock.

It's almost half past.

I can't understand Eric's being late.

He's always on time.

But tonight, he's with Matt Saxon.

Janet, from now on life will be one long

series of "it never happened before's."

Hey, Dolly. There's our pal, the guy

that writes the column in The Mirror.

Oh yes, him .. I've been in

his column three times.

Can you imagine?

Unimportant little me.

I think we ought to go over and

say hello. Would you excuse us?

Certainly. Business before pleasure.

What is it about that female

that you and I don't like?

Dolly isn't what's bothering me.

It's just, when Eric asks me to be here.

Janet.

Take a good, long look

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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